A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard the HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
Daring danger and destruction. Scouring the skies for enemy planes. Soaring to the clouds in a flimsy machine. And yet, like a charm, her love kept this "Shooting Star." Carried him through the terrific dangers. Brought him back to earth. Spirited, striving, spectacular. A story of the American war "Aces" in France. See more »
This film contains the first on-screen kiss between two men. See more »
Mary paints the "shooting star" on the left side of Jack's car. Jack immediately drives off to pick up Sylvia. Jack and Sylvia drive past Mary. The "shooting star" is now on the right side of Jack's car. See more »
a little dated here and there, but overall a great film
In many ways, I enjoyed this film more than the more expensive HELL'S ANGELS (which Howard Hughes RE-SHOT after its initial completion in order to make it a sound picture)--even though it was a silent film. That's because for a silent movie, it's nearly as good as you're going to find, whereas the primitive sound of Hell's Angels and less engaging plot left me feeling a bit flat--though its flying sequence were clearly better and more spectacular than those in WINGS.
Clara Bow is excellent as the sweet lead of the film whose two friends go off to war. This is a far better showcase of her talents than the equally famous movie "IT" (which did NOT age as well).
Richard Arlen and Buddy Rogers also did fine jobs in the movie, though special recognition must also be given to the cinematography--the movie is just beautiful in spots and the aerial sequences are amazing for 1927! The only down side? Occasionally, there are melodramatic lapses in the pacing--such as the drinking scene where they talk about BUBBLES incessantly. This seems to be due mostly to the style of the day, and for what it was, it was a brilliant picture. I can easily see why it got the first Best Picture award.
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