A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
When Lt. "Wild Bill" Traynor, bad boy of the Marine Corps, arrives at a San Diego Marine Base, he is surprised to discover he has been assigned to duty under his old rival, Captain Benton (... See full summary »
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love... See full summary »
George W. Hill
Jerry Seevers returns from World War I service broken in health and his doctor tells him he has only six months to live. His fiancée jilts him and he sets out to drink himself to death. In ... See full summary »
Contains the first screen kiss between two men. See more »
The film is set during the years 1917-1918. However, most of the female civilian clothes and hairstyles are contemporary with the late 1920s, particularly the clothes worn by Clara Bow in the home sequences and in the Follies Bergere sequence. Bow's and almost all the other female characters have bobbed hair, common in 1927 but almost non-existent during World War One. See more »
Hello Yank, welcome to a very merry little war. And now how about a wee drop for the King and Uncle Sam?
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This film is, no doubt, a timeless triumph of the silent cinema. I first saw it three years ago and have seen it at least 30 times since then. I've only looked back to see that I have it in my collection...but not on DVD! These studios need to start thinking back to the days in which movies as good as these were made and stop producing so much garbage that they think will make tons of money without considering whether it's done right or not. This film taught me just how important gesture and body language can be in the acting world, whether it be on film or on stage. I know just how "in-character" an actor is just by looking at their face, their eyes, and how they're written in the script. Don't get me wrong, people can overact and underact in certain parts, but if you do anything without considering your character's expression or mood, regardless of whether or not your voice is unbearable to hear, you will never see success past the sound of crickets hiding in the audience. The industry knew that sound was coming. Most didn't accept this truth, but they knew it alright! "Wings" reminds those who've seen it, as with most classics of the silent cinema, that ACTIONS SPEAK A MUCH GREATER VOLUME THAN THE SPOKEN WORD. I've said all I need to say, and now I'll let this picture speak for itself.
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