Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet,... See full summary »
A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
Was considered lost for many years until it was discovered languishing in the Cinematheque Francaise film archive in Paris. See more »
The film is set during the years 1917-1918. However, most of the female civilian clothes and hairstyles are contemporary with the late 1920s, particularly the clothes worn by Clara Bow in the home sequences and in the Follies Bergere sequence. Bow's and almost all the other female characters have bobbed hair, common in 1927 but almost non-existent during World War One. See more »
Sergeant in Mervale:
Hey, if youse guys need kissin' *I'll* kiss you - wit' a gun-butt!
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This film is, no doubt, a timeless triumph of the silent cinema. I first saw it three years ago and have seen it at least 30 times since then. I've only looked back to see that I have it in my collection...but not on DVD! These studios need to start thinking back to the days in which movies as good as these were made and stop producing so much garbage that they think will make tons of money without considering whether it's done right or not. This film taught me just how important gesture and body language can be in the acting world, whether it be on film or on stage. I know just how "in-character" an actor is just by looking at their face, their eyes, and how they're written in the script. Don't get me wrong, people can overact and underact in certain parts, but if you do anything without considering your character's expression or mood, regardless of whether or not your voice is unbearable to hear, you will never see success past the sound of crickets hiding in the audience. The industry knew that sound was coming. Most didn't accept this truth, but they knew it alright! "Wings" reminds those who've seen it, as with most classics of the silent cinema, that ACTIONS SPEAK A MUCH GREATER VOLUME THAN THE SPOKEN WORD. I've said all I need to say, and now I'll let this picture speak for itself.
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