Wings (1927)

User Rating:

7.9/10   

Director:

William A. Wellman

Writers:

John Monk Saunders (story)
Hope Loring (screenplay) ...

Release Date:

5 January 1929 (USA)

Genre:

Drama | Romance | War | Action

Tagline:

An Epic of the Air

Plot:

Two young men, one rich, one middle class, who are in love with the same woman, become fighter pilots in World War I.

Plot Keywords:

Pilot | France | Friendship | WWI | Unrequited Love

Awards:

Won 2 Oscars. Another 3 wins

Cast

Clara Bow	...	Mary Preston
Charles 'Buddy' Rogers	...	Jack Powell (as Charles Rogers)
Richard Arlen	...	David Armstrong
Jobyna Ralston	...	Sylvia Lewis
El Brendel	...	Herman Schwimpf
Richard Tucker	...	Air Commander
Gary Cooper	...	Cadet White
Gunboat Smith	...	The Sergeant
Henry B. Walthall	...	David's Father
Roscoe Karns	...	Lieutenant Cameron
Julia Swayne Gordon	...	David's Mother
Arlette Marchal	...	Celeste

Runtime:

139 min | USA:141 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono (Western Electric Sound System) (musical score and sound effects) | Silent

Certification:

UK:A | USA:TV-PG (TV rating) | Argentina:13 | Sweden:15

Filming Locations:

Bexar County, Texas, USA

Company:

Paramount Famous Lasky Corporation

Trivia:

The entire score was written, composed, and recorded using a Wurlitzer Pipe Organ.

Quotes:

Mary Preston: D'you know what you can do when you see a shooting star?
John "Jack" Powell: No, what?
Mary Preston: You can kiss the girl you love.

Movie Connections:

Referenced in Edith Head: The Paramount Years (2002) (V)

Soundtrack:

A Midsummer Night's Dream

A Stunning Achievement

Famous of course for winning the first Oscar for best film, WINGS is also one hell of a good film. Spectacular aerial photography highlights the terrific performances of the three leads: Clara Bow, Buddy Rogers, and Richard Arlen. Director William Wellman creates a solid and moving anti-war statement as he shows us the brutality and stupidity of war, its waste of youth, and its power to destroy the lives of all involved.

The film starts with star-crossed lovers in a small town in America. Bow loves Rogers but he loves Jobyna Ralston. Ralston loves Arlen and he loves her but through a mistake, Arlen thinks she loves Rogers. Then the boys go off to war. The outgoing Rogers thinks the war will be an adventure; the shy Arlen goes off, leaving his devastated parents who cannot express their emotions. Bow soon goes off to be an ambulance driver. Ralston stays homes and waits.

The story follows the rivalry and growing friendship of the boys as they head for war. The story ends in yet another bitter mistake. The viewer is as emotionally drained by the end of this film as the parents were at the beginning.

El Brendel provides some comedy relief. Roscoe Karns has a small part. Henry B. Walthall and Julia Swayne Gordon are the parents. And Gary Cooper has one brief scene with Rogers and Arlen. The scene in which he turns and flashes that famous smile as he exits the tent supposedly made him a star.

Clara Bow is solid as the spirited home-town girl who chases Rogers to no avail. She's gorgeous here and she is even moreso in the Paris scene where the matron lets her borrow a snappy and dazzling dress. Few women in film history have been able to be so sexually charismatic as Clara Bow. She's also a good actress.

Richard Arlen and Buddy Rogers give their best performances here. Each takes turns as the center of attention as they become men during the grueling war. Their flight scenes are incredibly well done. Arlen's flight scene as he races toward the American lines is amazing.

Jobyna Ralston has a rare memorable film not working with Harold Lloyd. And Henry B. Walthall is quietly grand as the crippled father.

Wellman's direction and the camera work of Harry Perry are beyond perfection. The aerial battles are breathtaking as are the scenes where they blow up the German blimps. There's also one astounding scene in the beginning of the film where Ralston and Arlen are in a swing. The camera is mounted in a stationary position in front of the actors so we see the scene as though we are in the swing with them. Then suddenly in the background we see Rogers in his jalopy pulling up in the street. The swing stops and Ralston gets out and runs to Rogers (in the background) while we see the close-up of Arlen as he twists in the swing seat and turns to watch them. It's an amazing scene and all one shot.

This film is a must see.