| Lon Chaney | ... | Alonzo | |
| Norman Kerry | ... | Malabar | |
| Joan Crawford | ... | Nanon | |
| Nick De Ruiz | ... | Zanzi | |
| John George | ... | Cojo | |
| Frank Lanning | ... | Costra | |
| rest of cast listed alphabetically: | |||
| Louise Emmons | ... | Gypsy Woman (uncredited) | |
| Italia Frandi | ... | Girl in Audience Flirting with Malabar (uncredited) | |
| Venezia Frandi | ... | (unconfirmed) (uncredited) | |
| Julian Rivero | ... | Man in Audience (uncredited) | |
| Billy Seay | ... | The Little Wolf (uncredited) | |
| John St. Polis | ... | Surgeon (uncredited) | |
Directed by | |||
| Tod Browning | |||
Writing credits | ||
| Mary Roberts Rinehart | (novel "K") uncredited | |
| Tod Browning | (story) | |
| Waldemar Young | (scenario) | |
| Joseph Farnham | (titles) (as Joe Farnham) | |
Cinematography by | |||
| Merritt B. Gerstad | (photography by) (as M. Gerstad) | ||
Film Editing by | |||
| Harry Reynolds | (film editor) | ||
| Errol Taggart | (film editor) | ||
Set Decoration by | |||
| Richard Day | (settings) | ||
| Cedric Gibbons | (settings) | ||
Stunts | |||
| Paul Desmuke | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Clarence Sinclair Bull | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Lucia Coulter | .... | wardrobe | |
Music Department | |||
| Jack Feinberg | .... | set musician (uncredited) | |
| Sam Feinberg | .... | set musician (uncredited) | |
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| masterpiece masterpiece masterpiece | rflock |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I've heard so much about this movie, and it was not a disappointment. The surviving print seems to be missing some scenes, which accounts for its short length, but I doubt it takes away much from this twisted, sadistic "Gift of the Magi" gone bad. Chaney's performance is remarkable and, at times, genuinely alarming, and the very young Joan Crawford is a typical, but nevertheless appealing silent film heroine. Parts of this film really had me squirming, particularly towards the end. Browning's visual sense is the most beautiful I've seen in any of his films other than Dracula, with a full range of greys, whites and blacks and painterly compositions. It's available on TCM's excellent Lon Chaney Collection DVD.