MOVIEmeter
SEE RANK
Down 9,791 this week

Underworld (1927)

Not Rated  |   |  Crime, Drama, Romance  |  20 August 1927 (USA)
7.8
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.8/10 from 1,399 users  
Reviews: 22 user | 27 critic

Boisterous gangster kingpin Bull Weed rehabilitates his former lawyer from his alcoholic haze, but complications arise when he falls for Weed's girlfriend.

Directors:

, (uncredited)

Writers:

(adaptation) (as Charles Furthmann) , (story), 4 more credits »
0Check in
0Share...

Watch Now

$0.00 with Prime Instant Video

ON DISC

IMDb Picks: June

Visit our IMDb Picks section to see our recommendations of movies and TV shows coming out in June, brought to you by Swiffer.

Visit the IMDb Picks section

User Lists

Related lists from IMDb users

a list of 27 titles
created 02 Sep 2011
 
a list of 48 titles
created 20 Dec 2011
 
a list of 33 titles
created 26 Feb 2012
 
a list of 44 titles
created 19 Sep 2013
 
a list of 21 titles
created 25 May 2014
 

Related Items

Search for "Underworld" on Amazon.com

Connect with IMDb


Share this Rating

Title: Underworld (1927)

Underworld (1927) on IMDb 7.8/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Underworld.
Won 1 Oscar. See more awards »
Learn more

People who liked this also liked... 

The Racket (1928)
Certificate: Passed Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

An honest police captain vows to bring down a powerful bootlegger who is protected by corrupt politicians and judges.

Director: Lewis Milestone
Stars: Thomas Meighan, Louis Wolheim, Marie Prevost
7th Heaven (1927)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A street cleaner saves a young woman's life, and the pair slowly fall in love until war intervenes.

Director: Frank Borzage
Stars: Janet Gaynor, Charles Farrell, Ben Bard
Tempest (1928)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

In Czarist Russia, a peasant officer, resented by the aristocrats, falls in love with a princess.

Directors: Sam Taylor, Lewis Milestone, and 1 more credit »
Stars: John Barrymore, Camilla Horn, Louis Wolheim
Street Angel (1928)
Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A woman on the run from the law finds her past catching up to her just as she is on the verge of true happiness.

Director: Frank Borzage
Stars: Janet Gaynor, Charles Farrell, Natalie Kingston
Drama | Musical
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The Blue Angel is a sleazy bar and the local boys go there to see Lola who is the dancer. The teacher goes there to confront his students only to fall for the dancer.

Director: Josef von Sternberg
Stars: Emil Jannings, Marlene Dietrich, Kurt Gerron
Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

The story takes place in Milwaukee during the early 1900s with a bank clerk named August Schiller who is happy with both his job and his family. He is tasked with transporting $1,000 in ... See full summary »

Director: Victor Fleming
Stars: Emil Jannings, Belle Bennett, Phyllis Haver
Certificate: Passed Adventure | Documentary
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Elephants disrupt the lives of a family deep in the jungles of Northern Siam, and an entire village.

Directors: Merian C. Cooper, Ernest B. Schoedsack
Stars: Kru, Chantui, Nah
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy ... See full summary »

Director: Josef von Sternberg
Stars: Gene Tierney, Walter Huston, Victor Mature
Comedy | Romance | Adventure
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.

Director: Lewis Milestone
Stars: William Boyd, Mary Astor, Louis Wolheim
Drama | Romance | Sport
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A boxer has difficulty balancing his sport with a budding romance; both are further jeopardized when the United States enters the first World War.

Director: Alfred Santell
Stars: Richard Barthelmess, Molly O'Day, Lawford Davidson
Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

Stephen Sorrell, a decorated war hero, raises his son Kit alone after Kit's mother deserts husband and child in the boy's infancy. Sorrell loses a promising job offer and is forced to take ... See full summary »

Director: Herbert Brenon
Stars: H.B. Warner, Anna Q. Nilsson, Mickey McBan
The Noose (1928)
Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A crook's ex-wife marries the state's governor, and the crook sees an opportunity to make some money by threatening to expose his wife's past if the governor doesn't pay him off. The ... See full summary »

Director: John Francis Dillon
Stars: Richard Barthelmess, Montagu Love, Robert Emmett O'Connor
Edit

Cast

Complete credited cast:
George Bancroft ...
'Bull' Weed
...
'Feathers' McCoy
...
Rolls Royce Wensel
Fred Kohler ...
'Buck' Mulligan
...
Meg, Mulligan's Girl
...
'Slippy' Lewis
Jerry Mandy ...
Paloma
Edit

Storyline

'Nobody helps me -- I help them!' boasts open-handed gangster Bull Weed, handing over what will prove to be the best investment in his high-spending career: a thousand dollars that will put the literate 'Rolls Royce' of vagrants back on his feet. Living it up in the Twenties with the aid of cool but smouldering moll Feathers, the Bull lords it over the law and his rivals alike -- specifically big Buck Mulligan, whose floral-tributes business echoes that of a certain real-life Chicago gangster... Yet Feathers, prize possession and object of envy, proves his weak point; and in the end, Bull Weed will indeed come to need help from others, and more than he has ever needed it before. But can Rolls Royce and Feathers still give it to him? And will the Bull accept? Written by Igenlode Wordsmith

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

Language:

Release Date:

20 August 1927 (USA)  »

Also Known As:

La ley del hampa  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

"Underworld" was submitted to the British Board of Film Censors three times:
  • The first submission, under the original title, was rejected because of the sympathetic portrayal of a criminal.


  • The second submission, under the title "The Penalty" and with cuts, was rejected.


  • The third submission, under the title "Paying the Penalty" to give the movie a more moral stance, and with additional cuts, was passed with an "A" certificate.


See more »

Quotes

'Bull' Weed: -There was something I had to find out - - and that hour was worth more to me than my whole life.
See more »

Connections

Referenced in Scarface (1932) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
A stylish crime drama from the late silent era that still packs a punch
12 March 2005 | by (Westchester County, NY) – See all my reviews

Books and essays about the gangster genre often cite Josef Von Sternberg's Underworld as an early, influential milestone, but unfortunately it's not easy to track down in any home-viewable format. Recently I was lucky enough to see this film in a theater, accompanied by live music in a packed house of enthused buffs. Whenever possible, this is the way to see a silent movie! The combination of a good score and the response of a simpatico crowd can really bring these works to life. And while there are some dramas of the '20s that show their age and provoke giggles at the wrong moments, this one is not in that category. Underworld holds up, and offers an unlikely yet oddly credible romantic triangle set in a milieu of violent crime. Like all of Von Sternberg's work it's exquisitely well photographed, and like many late silent films takes full advantage of a range of dynamic devices, including a "whip-pan" from face to face in one early scene and a startlingly fast montage of close-ups in another. But what makes this movie click isn't flashy cinematography or editing, it's the chemistry between a trio of top-drawer players working at full steam.

The story is built around three personalities: Bull Weed, played by George Bancroft, "Feathers," played by Evelyn Brent, and "Rolls Royce," played by Clive Brook. Bancroft is unforgettable as Bull, an outlaw of the old school who robs banks and jewelry stores single-handed. The character is, in some respects, the model for gangland kingpins played in later years by Jimmy Cagney and Paul Muni, and yet in a sense he's not a "gangster" at all, for he works solo and has only a handful of allies who show up at key moments and then vanish. Bull doesn't travel with bodyguards or hang out with the boys; despite his natty suits and urban lifestyle he suggests a Western bad man who rides alone. In the early scenes when he's at the top of his game Bull is boisterous, punctuating every conversation with gusts of hearty laughter, but as his situation darkens the laughter vanishes and the guy suddenly resembles an actual bull in an arena, grim and beady-eyed, still physically powerful but cornered and bewildered over how it could have happened. It's easy to see why this performance made George Bancroft so popular at the time: he's a larger-than-life actor with one of those homely/attractive faces, along the lines of an Edward G. Robinson or a Wallace Beery, not handsome but decidedly charismatic.

The beautiful Evelyn Brent is Bull's girlfriend Feathers, so called because of her feathery outfits. Although her character is not as fully delineated as Bancroft's Brent manages to convey a great deal of information with her fascinating eyes. It's clear that Feathers is a lot more intelligent than she lets on. She stays with Bull out of loyalty and gratitude but is well aware of his limitations, and increasingly unhappy about her own dependent status as his "moll." When an opportunity arises to run away with a more attractive and substantial guy she is immediately tempted, even if it means toying with the idea of betraying Bull to the cops, but she's also decent enough to recognize her obligation to him. Bull, after all, risks everything as a direct result of defending her honor when she's attacked. Feathers, despite her froufrou outfits and a nickname more suitable to a bimbo, is smart, sensitive, and surprisingly ethical for someone in her position.

Bancroft and Brent are terrific, but for my money the most memorable performance in Underworld is delivered by Clive Brook. Before this I'd seen Brook in several other films (including Von Sternberg's Shanghai Express opposite Marlene Dietrich), most often playing noble, stiff-upper-lip Englishmen, handsome and respectable but just a bit dull. Here, Brook is a revelation. In the opening scenes he's so decrepit he's not even recognizable, playing against type as a washed-up bum, unshaven and bleary-eyed. We learn that Brook's character is an attorney who went crooked and eventually became an alcoholic, but we aren't told much more. However, like Brent, the actor tells us everything we need to know that isn't directly stated in the text. His transformation begins when Bull Weed takes a liking to him, nicknames him "Rolls Royce" and makes him, in effect, his lieutenant. Much of what happens after that point concerns the growing tension between the three characters as an unavoidable attraction develops between Feathers and Rolls Royce, although they fight temptation and struggle to remain loyal to their boss. The scenes between the trio really heat up as the sexual tension between Feathers and Rolls Royce deepens.

Underworld isn't as flamboyantly violent as some of the famous crime flicks of the '30s and '40s, but there are a number of stylistic touches that mark it as a definite progenitor of those films. For instance, just before the climactic gun battle, Bull takes a sympathetic interest in an orphaned kitten, a motif echoed years later in This Gun for Hire. At another point, with rather heavy irony, a crook is gunned down in a flower shop before a wreath reading "Rest In Peace." A drawback as the film rolls along is the pile-up of increasingly unlikely plot twists, especially where Bull's escape from jail is concerned, although the momentum of events tends to carry the viewer along. Also, while the writing is generally taut, one title card during the gangsters' party sequence is so over-written it suggests a witches' coven. (This line drew chuckles at the screening I attended.) Aside from that unfortunate lapse into purple prose, Underworld holds up beautifully, at least as well as the more familiar gangster classics of the '30s it influenced. This film deserves the attention that should come with a full restoration and greater availability.


36 of 36 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
OH COME ON NOW!!!!!!!! BG43214
Any Idea If This Can Be Seen GiveMeFilm
Was this film previously 'lost?' bob_gilmore1
New York screening on March 5, 2009 neil57
Discuss Underworld (1927) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?