Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.
Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
A crook's ex-wife marries the state's governor, and the crook sees an opportunity to make some money by threatening to expose his wife's past if the governor doesn't pay him off. The ... See full summary »
John Francis Dillon
Robert Emmett O'Connor
Americans Sgt. Peter O'Gaffney and one of his soldiers, privileged "pretty boy" W. Daingerfield Phelps III (who is always drawing caricatures), are captured and interred at a POW camp in Northern Germany near the end of WWI. Their relationship has always been an antagonistic one based on what Phelps sees as O'Gaffney pushing him around. O'Gaffney's rank is despite being wanted by the police back home as a con man. It is because of these differences that their resulting friendship at camp is so unlikely, the friendship based on both having the nerve to attempt to escape. On a snow covered day, they do manage to escape, in part by stealing white robes to camouflage themselves against the snow. In their adventures and misadventures on the outside in trying to get to safety, those adventures which include being mistaken for Arab prisoners, they find themselves as stowaways on board a cargo ship headed to Arabia. It is there that they meet a beautiful Arab woman named Mirza, who they save ... Written by
This film was once believed to have been lost. A copy was found in the vaults of producer Howard Hughes, following his death, along with copies of two other "lost" films produced by Hughes, The Racket (1928) and The Mating Call (1928). See more »
One of three Oscar winning films unavailable for viewing.
There are only three Oscar winning films that are unavailable for viewing. Two of them (THE PATRIOT -Best Screenplay; THE WAY OF ALL FLESH - Best Actor) are lost. The third is Lewis Milestone's directorial win the first year of the Oscars for TWO ARABIAN KNIGHTS. The film (along with a Best Picture nominee of the same year, THE RACKET, also directed by Milestone) does exist in both negative and 35 mm print form, housed at an "obscure location" and owned by the Howard Hughes Estate. Problems with rights keep both Lewis Milestone films from distribution. They have never been released to television or video and no archive contains material on them. It is to be hoped that these two important films are made available to the public in the near future.
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