| Photos (See all 14 | slideshow) |
| George O'Brien | ... | The Man | |
| Janet Gaynor | ... | The Wife | |
| Margaret Livingston | ... | The Woman From the City | |
| Bodil Rosing | ... | The Maid | |
| J. Farrell MacDonald | ... | The Photographer (as J. Farrell McDonald) | |
| Ralph Sipperly | ... | The Barber | |
| Jane Winton | ... | The Manicure Girl | |
| Arthur Housman | ... | The Obtrusive Gentleman | |
| Eddie Boland | ... | The Obliging Gentleman | |
| rest of cast listed alphabetically: | |||
| Herman Bing | ... | Streetcar Conductor (uncredited) | |
| Sidney Bracey | ... | Dance Hall Manager (uncredited) | |
| Gino Corrado | ... | Manager of Hair Salon (uncredited) | |
| Sally Eilers | ... | Woman in Dance Hall (uncredited) | |
| Gibson Gowland | ... | Angry Driver (uncredited) | |
| Fletcher Henderson | ... | Performer - Song: 'Tozo' (uncredited) | |
| Thomas Jefferson | ... | Old Seaman (uncredited) | |
| Bob Kortman | ... | Villager (uncredited) | |
| F.W. Murnau | ... | Dancer (uncredited) | |
| Barry Norton | ... | Ballroom Dancer / Kissing Couple (uncredited) | |
| Robert Parrish | ... | Boy (uncredited) | |
| Sally Phipps | ... | Ballroom Dancer / Kissing Couple (uncredited) | |
| Harry Semels | ... | Carnival Gallery Man with Pig (uncredited) | |
| Phillips Smalley | ... | Head Waiter (uncredited) | |
| Leo White | ... | Barber (uncredited) | |
| Clarence Wilson | ... | Money Lender (uncredited) | |
Directed by | |||
| F.W. Murnau | |||
Writing credits | ||
| Carl Mayer | (scenario) | |
| Hermann Sudermann | (from an original theme by) | |
| Katherine Hilliker | (titles) and | |
| H.H. Caldwell | (titles) | |
Produced by | |||
| William Fox | .... | producer (uncredited) | |
Original Music by | |||
| Sheldon Mirowitz | (2011) | ||
| Willy Schmidt-Gentner | |||
| R.H. Bassett | (Los Angeles premiere) (uncredited) | ||
| Carli Elinor | (Los Angeles premiere) (uncredited) | ||
| Erno Rapee | (New York premiere) (uncredited) | ||
| Hugo Riesenfeld | (1928) (uncredited) | ||
Cinematography by | |||
| Charles Rosher | (photography) | ||
| Karl Struss | (photography) | ||
Film Editing by | |||
| Harold D. Schuster | (uncredited) | ||
Art Direction by | |||
| Rochus Gliese | (uncredited) | ||
Makeup Department | |||
| Charlie Dudley | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Herman Bing | .... | assistant director (uncredited) | |
Art Department | |||
| Don B. Greenwood | .... | property master (uncredited) | |
| Alfred Metscher | .... | assistant art director (uncredited) | |
| Edgar G. Ulmer | .... | assistant art director (uncredited) | |
| Gordon Wiles | .... | art department head (uncredited) | |
Special Effects by | |||
| Frank Williams | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Hal Carney | .... | assistant camera (uncredited) | |
| Frank Powolny | .... | still photographer (uncredited) | |
| Stuart Thompson | .... | assistant camera (uncredited) | |
Music Department | |||
| Maurice Baron | .... | orchestrator: Erno Rapee score (uncredited) | |
Other crew | |||
| William Fox | .... | presenter | |
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| Peyton Place | Madame Bovary | The Good Earth | Madame Bovary | Brokeback Mountain |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
While some film critics disagreed in the late fifties, giving the nod to Murnau's equally brilliant "Last Laugh," this in my view is the crowning achievement of the German genius. Many polls rank it as the greatest silent film ever made and many rank it very high on the all time list of great movies.
The plot is melodramatic, the acting in places heavy handed, and the action seemingly non-existent, at least in the eyes of the "Terminator 3" generation,yet "Sunrise" is so captivating a film that it can be watched over and over again and deliver the same punch every time. In fact, like the other greats,including "Citizen Kane," you can probably get something new out of "Sunrise" every time you watch it, no matter how many times you watch.
Murnau takes barren sets and dark, hallow rooms and turns them into treasure troves of lighting and nuance. He creates something as simple as a railway depot or a big traffic intersection and makes it a story all by itself.
"Sunrise" stands today as one of the most visually fascinating films ever made. Murnau's cinematographers, Charles Rosher and Karl Struss, got an Oscar for their work and surely deserved it. Janet Gaynor won the Best Actress award for her body of work that also included "Seventh Heaven" and also richly deserved the prize. Her face expresses her inner emotions so perfectly that some of her scenes are achingly beautiful.
And the film itself received an academy award for "Most unique and artistic production," an award never given out again, maybe because no picture could live up to the standard set by "Sunrise."
The new DVD version being marketed on the quiet by Fox is marvelous, with a wonderfully restored print that seems just as bright today as it must have in late 1927 when the film was released. The DVD includes an interesting commentary option by cinematographer John Baily and no film is better suited for this, since it tells its story brilliantly with pictures alone, so the commentary option is not a distraction.
One of the great tragedies of the cinema in my view is that few people alive today have seen "Sunrise." They have no idea what they are missing.
This one ranks among the five best films ever made.