Millionaire's son Duke wants to be a champion boxer but takes time out to enroll in college when he sees co-ed Susie. The students wonder about his having a chauffeur and house full of ... See full summary »
Hired to spy on a philandering husband, Luo Haitao soon becomes entangled in a clandestine affair with the other man. Along with Luo's girlfriend, they succumb to the delirium of drunken nights, but how long can their tryst last?
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
While returning to Montana from a fling in New York, wealthy Joan Prescott leaves the train, intending to return to the big city. She runs into handsome cowboy Larry and gets engaged. On ... See full summary »
Malcolm St. Clair
Johnny Mack Brown,
Able wilderness fighter Colonel O'Hara loves Rene, daughter of the commander of the French forces during the French and Indian War. The Indians, under Pontiac, kidnap Rene. O'Hara hopes to rescue and wed her.
Wrongfully blamed for the death of Col. John Randall, Cameo Kirby (Gilbert) must find the true villain and clear his name before he can declare his love for Adele (Olmstead), the dead man's... See full summary »
Three department store girls--Connie, Franky, and Jerry--share an apartment on West 91st Street in New York City. Each earns little more than 20 dollars per week. Jerry is the sensible one,... See full summary »
Great chemistry between Haines and Crawford but formula plot...
SPRING FEVER is a silent comedy that plods along with too many dull scenes on a golf course, occasionally enlightened by some good comic glances from WILLIAM HAINES and some nice reaction shots from the wealthy golf set, including a very young JOAN CRAWFORD (without the thick eyebrows and overpainted mouth).
But the story is formula stuff, much like other Haines comedies that I've seen, whereby he struggles to prove himself (all for the sake of winning the girl) and goes through a series of Harold Lloyd-like situations before the clinch in the final reel.
TCM's print shows quite a bit of film damage, so apparently they saved this one for restoration just in time. Some of the title cards are quite amusing but the background score imposed on the film is pretty tiresome before it's over.
The best that can be said for this vehicle is that it shows Haines had the makings of a very good romantic leading man (in the Cary Grant vein when it comes to comedy), and his chemistry with Joan Crawford is evident from their first scene. In real life, they were great friends--and she helped him when the studios had to drop him because he refused to silence his homosexual lifestyle--whereby Crawford remained friends and gave him permission to design her new home which led to a new career for Haines in Hollywood.
As for the film itself, it was hardly worth saving--very thin on plot and not a comfortable viewing experience due to the often poor quality of the print.
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