The husband and wife acting team of Mae Feather and Julian Gordon is torn apart when he discovers she is having an affair with the screen comedian Andy Wilks. Mae hatches a plot to kill her... See full summary »
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Cast

Cast overview:
Annette Benson ...
...
Julian Gordon
Donald Calthrop ...
Andy Wilkes
Wally Patch ...
Property Man
David Brooks ...
Turner
Ella Daincourt ...
Asphodel Smythe - Journalist
Chili Bouchier ...
Winnie - Bathing Beauty (as Chili Boucher)
Tubby Phillips ...
Fatty
Ian Wilson ...
Reporter
Judd Green ...
Lighting Man
Jack Rawl ...
Hero
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Storyline

The husband and wife acting team of Mae Feather and Julian Gordon is torn apart when he discovers she is having an affair with the screen comedian Andy Wilks. Mae hatches a plot to kill her husband by putting a real bullet in the prop gun which will be fired at him during the making of their new film, 'Prairie Love'. Written by daniel.king11@btopenworld.com

Plot Summary | Add Synopsis

Genres:

Drama | Western

Certificate:

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Details

Country:

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Release Date:

February 1928 (UK)  »

Also Known As:

Estrellas fugaces  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Life imitated art during the making of this picture as Brian Aherne was in a romantic relationship with Clare Eames, wife of Sidney Howard. See more »

Connections

Featured in Time to Remember: Stage and Screen (2010) See more »

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User Reviews

 
Try it, even if you don't like silents
4 January 2003 | by (London, England) – See all my reviews

This was the first full-length silent film I saw and I must say it took me quite by surprise. For a start it does not feel like it was made almost eighty years ago. The technical staff of the 'film-within-a-film' would not look out of place in the '40s and '50s. The leading players are rather heavily made up with the lips in particular looking rather odd, especially on the male characters. Brian Aherne looks almost contemporary but one could that down to his classical good looks (he is rather reminiscent of Matthew McConnaughey). The acting, too, was a surprise. Being a silent film you have to expect a certain amount of gesturing with the hands to make up for the lack of dialogue; the actors must have some means of expression. In close-ups, however, the acting is good. When Julian discovers his wife's adultery, and when he watches himself in the cinema, his reactions are fabulous to behold. The film's theme is an age-old one: the love triangle. When one of these three is a murderously ambitious wife it becomes heady stuff. Personally I think the coda should have been omitted, despite the fact that Mae's slow walk off the set is one of the best shots in the entire film. Considering the basic technical and narrative advances that have been made since 1928 are few it is remarkable that this film was made only 30-odd years after film had really been invented.


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