| Photos (see all 5 | slideshow) |
| Janet Gaynor | ... | Diane | |
| Charles Farrell | ... | Chico | |
| Ben Bard | ... | Col. Brissac | |
| Albert Gran | ... | Boul | |
| David Butler | ... | Gobin | |
| Marie Mosquini | ... | Madame Gobin | |
| rest of cast listed alphabetically: | |||
| Dolly Borzage | |||
| Mary Borzage | |||
| Lewis Borzage Sr. | |||
| Sue Borzage | |||
| Gladys Brockwell | ... | Nana | |
| Emile Chautard | ... | Father Chevillon | |
| Jessie Haslett | ... | Aunt Valentine | |
| Brandon Hurst | ... | Uncle George | |
| George E. Stone | ... | Sewer Rat | |
| Lillian West | ... | Arlette | |
| Henry Armetta | ... | (uncredited) | |
| Lois Hardwick | ... | Bit Role (uncredited) | |
Directed by | |||
| Frank Borzage | |||
Writing credits | ||
| Austin Strong | (play) | |
| Benjamin Glazer | (screenplay) | |
| H.H. Caldwell | titles | |
| Katherine Hilliker | titles | |
| Bernard Vorhaus | uncredited | |
Produced by | |||
| William Fox | .... | producer | |
| Sol M. Wurtzel | .... | supervising producer | |
Cinematography by | |||
| Ernest Palmer | |||
| Joseph A. Valentine | |||
Film Editing by | |||
| H.H. Caldwell | |||
| Katherine Hilliker | |||
Art Direction by | |||
| Harry Oliver | |||
| Freddie Stoos | (uncredited) | ||
Costume Design by | |||
| Kathleen Kay | |||
| Bert Offord | (uncredited) | ||
Makeup Department | |||
| Peggy Christman | .... | hair stylist | |
| Kitty Thompson | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Lew Borzage | .... | assistant director | |
| Park Frame | .... | assistant director | |
Special Effects by | |||
| Louis J. Witte | .... | matte paintings | |
| David Anderson | .... | lighting (uncredited) | |
| Max Borch | .... | matte paintings (uncredited) | |
| Joe Les Coulie | .... | matte paintings (uncredited) | |
| Walter Pallman | .... | miniatures (uncredited) | |
Camera and Electrical Department | |||
| Stanley Little | .... | assistant camera | |
| Julian Robinson | .... | assistant camera | |
| Harold D. Schuster | .... | assistant camera | |
| Max M. Autrey | .... | still photographer (uncredited) | |
Editorial Department | |||
| Philip Klein | .... | supervising editor (uncredited) | |
Music Department | |||
| William P. Perry | .... | composer: theme music | |
| S.L. Rothafel | .... | orchestrator | |
Other crew | |||
| André Chotin | .... | technician | |
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| Till We Meet Again | Mata Hari | Stevie | The Life and Death of Colonel Blimp | Jules et Jim |
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There is some pedestrian acting in Seventh Heaven; furthermore, there are situations which in the world of today seem crass beyond belief. But anyone who can watch this film, with its original tints and Movietone score, without a complete sense of wonder at what film once was, and might be again if the business of films allowed, is dead emotionally and spiritually.
It is no wonder Janet Gaynor won an Oscar for this, and other, film in 1927. Frank Borzage, who seems to be the forgotten director of all time, deserved sainthood for getting at least a credi8ble performance from Charles Farrell. His deft handling of the material and the camera is really astounding. His use of the helix as a symbol of re-birth, not original, is flawless and we still get fatigued walking with the two lovers up seven flights of stairs with his excellent crane shot. One suspects Lewis Milestone learned much from the war scenes and I wonder how Borzage would film Iraq, Afghanistan, or the World Trade Centre.
Simply put, no cinema fan can comment intelligently on film without seeing this masterpiece. I prefer it to Sunrise, no easy thing to admit. I rate it a 9 simply because Farrell is objectionable in so many ways. But Janet Gaynor is a wonder and Frank Borzage deserves a university course of his own.