| Janet Gaynor | ... | Diane | |
| Charles Farrell | ... | Chico | |
| Ben Bard | ... | Col. Brissac | |
| Albert Gran | ... | Boul | |
| David Butler | ... | Gobin | |
| Marie Mosquini | ... | Madame Gobin | |
| rest of cast listed alphabetically: | |||
| Lewis Borzage Sr. | |||
| Dolly Borzage | |||
| Mary Borzage | |||
| Sue Borzage | |||
| Gladys Brockwell | ... | Nana | |
| Emile Chautard | ... | Father Chevillon | |
| Jessie Haslett | ... | Aunt Valentine | |
| Brandon Hurst | ... | Uncle George | |
| George E. Stone | ... | Sewer Rat | |
| Lillian West | ... | Arlette | |
| Henry Armetta | ... | (uncredited) | |
| Italia Frandi | ... | (uncredited) | |
| Venezia Frandi | ... | (uncredited) | |
| Lois Hardwick | ... | Bit Role (uncredited) | |
Directed by | |||
| Frank Borzage | |||
Writing credits | ||
| Austin Strong | (play) | |
| Benjamin Glazer | (screenplay) | |
| H.H. Caldwell | titles | |
| Katherine Hilliker | titles | |
| Bernard Vorhaus | uncredited | |
Produced by | |||
| William Fox | .... | producer | |
| Sol M. Wurtzel | .... | supervising producer | |
Original Music by | |||
| William P. Perry | |||
| Erno Rapee | |||
| R.H. Bassett | (premiere: Los Angeles) (uncredited) | ||
Cinematography by | |||
| Ernest Palmer | |||
| Joseph A. Valentine | |||
Film Editing by | |||
| H.H. Caldwell | |||
| Katherine Hilliker | |||
Art Direction by | |||
| Harry Oliver | |||
| Freddie Stoos | (uncredited) | ||
Costume Design by | |||
| Kathleen Kay | |||
| Bert Offord | (uncredited) | ||
Makeup Department | |||
| Peggy Christman | .... | hair stylist | |
| Kitty Thompson | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Lew Borzage | .... | assistant director | |
| Park Frame | .... | assistant director | |
Special Effects by | |||
| Louis J. Witte | .... | matte paintings | |
| David Anderson | .... | lighting (uncredited) | |
| Max Borch | .... | matte paintings (uncredited) | |
| Joe Les Coulie | .... | matte paintings (uncredited) | |
| Walter Pallman | .... | miniatures (uncredited) | |
Camera and Electrical Department | |||
| Stanley Little | .... | assistant camera | |
| Julian Robinson | .... | assistant camera | |
| Harold D. Schuster | .... | assistant camera | |
| Max M. Autrey | .... | still photographer (uncredited) | |
Editorial Department | |||
| Philip Klein | .... | supervising editor (uncredited) | |
Music Department | |||
| S.L. Rothafel | .... | musical presentation: New York premiere | |
| Maurice Baron | .... | orchestrator: Erno Rapee score (uncredited) | |
Other crew | |||
| André Chotin | .... | technician | |
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| Sunshine | Till We Meet Again | 2 Days in Paris | Persepolis | Mata Hari |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
"Seventh Heaven," Frank Borzage's poetic romantic melodrama from 1927, was the last of the three films nominated for the first Best Picture Oscar that I have now finished viewing (the other two being Lewis Milestone's "The Racket" and William A. Wellman's "Wings"). It's a sweet little movie about a meek waif (Janet Gaynor) who meets cute with a macho street cleaner (Charles Farrell) and then proceeds to fall in love with him, and he with her, while living together as a fake husband and wife in order to fool the authorities and prevent Gaynor from going to jail (that's another story, and is disposed of within the film's first 20 minutes or so). From there, the film transitions into full-blown melodrama as Farrell goes off to war and Gaynor waits stoically for him to return.
This all would be enough to make one gag, if someone other than Borzage had directed it. He had a knack for taking the most saccharine subject matter and handling it with utmost delicacy; as a result, you're utterly charmed and swept up in the film's romanticism even as your head tells you you should be rolling your eyes. It also helps that Farrell and especially Gaynor were very good actors, and they make the characters believable while keeping the rampant sentimentality at bay.
Borzage won the first Best Director Oscar for his work, and Gaynor was Oscar's first Best Actress, winning for this and two other films, "Street Angel" and "Sunrise," back when Oscars were given for entire bodies of work over a year and not for one specific film. Writer Benjamin Glazer completed the film's triplicate wins by taking home the first Oscar for Writing (Adaptation), before a screenplay award even existed.
"Seventh Heaven" was passed over in the Best Picture category for "Wings," and it also lost Art Direction (for Harry Oliver's impressive Parisian loft and WWI battlefield sets), but with five nominations it emerged as the most nominated film in Oscar's debut year.
Grade: A