Two convicts (Laurel & Hardy), in an escape attempt, tunnel into the warden's office, instead. They then disguise themselves as painters and walk out the front gate. Needing new clothes, ... See full summary »
Two convicts (Laurel & Hardy), in an escape attempt, tunnel into the warden's office, instead. They then disguise themselves as painters and walk out the front gate. Needing new clothes, they steal suits from visiting dignitaries, take their places in a limousine, and are delivered back to the same prison for a tour. Written by
Herman Seifer <email@example.com>
Two jail birds (Laurel and Hardy) escape from custody and assume the identities of French dignitaries who turn out to be prison inspectors (Otto Fries and Bob O'Conor) on their way to the very jail from which L&H have just escaped! Havoc ensues.
One of the best of L&H's silent comedies, and certainly their best collaboration with director Fred Guiol. This one features a full range of amusing set-pieces, including an inspired sequence in which The Boys elude a nosey cop by pretending to be painters (only to end up painting everything in sight, including someone's car!), and the lengthy scene in which they're mistaken for visiting VIP's and received at the prison as guests of honor by warden James Finlayson, only to cause chaos at the dinner table. The escalation of comic incidents is entirely believable throughout. However, the film also contains an offensive sight gag, when L&H accidentally slap white paint all over the face of an African-American passer-by.
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