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The Second 100 Years (1927)

 -  Comedy | Short  -  8 October 1927 (USA)
6.8
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Two convicts (Laurel & Hardy), in an escape attempt, tunnel into the warden's office, instead. They then disguise themselves as painters and walk out the front gate. Needing new clothes, ... See full summary »

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Title: The Second 100 Years (1927)

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Cast

Cast overview:
...
Little Goofy
...
Big Goofy
James Finlayson ...
Governor Browne Van Dyke
Tiny Sandford ...
Prison Guard (as Stanley Sandford)
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Storyline

Two convicts (Laurel & Hardy), in an escape attempt, tunnel into the warden's office, instead. They then disguise themselves as painters and walk out the front gate. Needing new clothes, they steal suits from visiting dignitaries, take their places in a limousine, and are delivered back to the same prison for a tour. Written by Herman Seifer <alagain@aol.com>

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Genres:

Comedy | Short

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Release Date:

8 October 1927 (USA)  »

Also Known As:

The Second Hundred Years  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

This was the first Laurel and Hardy film to be released by MGM. See more »

Connections

Featured in 4 Clowns (1970) See more »

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User Reviews

 
Stan 'n' Ollie cause chaos in jail!
12 March 2005 | by See all my reviews

THE SECOND HUNDRED YEARS

Aspect ratio: 1.33:1

Sound format: Silent

(Black and white - Short film)

Two jail birds (Laurel and Hardy) escape from custody and assume the identities of French dignitaries who turn out to be prison inspectors (Otto Fries and Bob O'Conor) on their way to the very jail from which L&H have just escaped! Havoc ensues.

One of the best of L&H's silent comedies, and certainly their best collaboration with director Fred Guiol. This one features a full range of amusing set-pieces, including an inspired sequence in which The Boys elude a nosey cop by pretending to be painters (only to end up painting everything in sight, including someone's car!), and the lengthy scene in which they're mistaken for visiting VIP's and received at the prison as guests of honor by warden James Finlayson, only to cause chaos at the dinner table. The escalation of comic incidents is entirely believable throughout. However, the film also contains an offensive sight gag, when L&H accidentally slap white paint all over the face of an African-American passer-by.


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