The Red Mill (1927)

Passed  |   |  Comedy, Romance  |  29 January 1927 (USA)
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Reviews: 14 user | 2 critic

A silent version of the Victor Herbert-Henry Blossom operetta


(as William Goodrich)


(adaptation), (scenario), 2 more credits »
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Complete credited cast:
Willem (as George Siegman)
Captain Jacop
Russ Powell ...
Burgomaster (as J. Russell Powell)
Snitz Edwards ...
William Orlamond ...
Ignatz ...
Himself - a Mouse


Tina works as a barmaid at the Red Mill Tavern and is at the mercy of volatile and bad tempered owner, Willem. Dennis is a visitor to the area and Tina soon falls in love with him. Dennis doesn't share her feeling and leaves only to return later on. He becomes interested in Gretchen, the Burgomaster's daughter. However, Gretchen, about to enter into an arranged marriage with the Governor, is in love with Captain Jacop Van Goop. Tina and Gretchen enter into an elaborate masquerade in order to be with the men they each love. Written by jodlyn

Plot Summary | Add Synopsis

Plot Keywords:

winter | windmill | well | wedding | tavern | See All (31) »


Comedy | Romance


Passed | See all certifications »




Release Date:

29 January 1927 (USA)  »

Also Known As:

A vörös malom  »

Company Credits

Show detailed on  »

Technical Specs


(2006 alternate)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »

Did You Know?


Film debut of Sally Eilers. See more »


Featured in The Big Parade of Comedy (1964) See more »

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User Reviews

Delightfully restored on TCM, one of Marion Davies' best comedies...
9 April 2007 | by (U.S.A.) – See all my reviews

The good news is that even the title cards have a wit and humor that is carried over beautifully onto film under Fatty Arbuckle's direction for THE RED MILL, based loosely on a Victor Herbert operetta.

Quaint is a good word to describe the costumes and settings of the Dutch tale, which opens with a charming ice skating sequence that is played for laughs and largely succeeds because of the clever acting of MARION DAVIES and OWEN MOORE. The tale that follows is a case of mistaken identity, with Moore confusing Davies with the burgonmaster's daughter LOUISE FAZENDA, who is engaged in a comical relationship with someone else.

Davies has never been better at establishing herself as a comedienne from the start, given lots of bits of business (on and off the ice), including the stay in a haunted mill that occupies that last fifteen minutes of the story and is a good mixture of laughter and fright.

Technically, the film looks great with TCM's restoration and a bouncy score that accompanies rather than distracts (as some of the new scores do). Very worthwhile Marion Davies vehicle shows that she did indeed have promise as more than Hearst's favorite protégé.

Trivia note: The sets and costumes cry out for early Technicolor but only the night scenes are shaded a blue tint.

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