Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his ... See full summary »
The story of a farmer in China: a story of humility and bravery. His father gives Wang Lung a freed slave as wife. By diligence and frugality the two manage to enlarge their property. But ... See full summary »
Tina works as a barmaid at the Red Mill Tavern and is at the mercy of volatile and bad tempered owner, Willem. Dennis is a visitor to the area and Tina soon falls in love with him. Dennis doesn't share her feeling and leaves only to return later on. He becomes interested in Gretchen, the Burgomaster's daughter. However, Gretchen, about to enter into an arranged marriage with the Governor, is in love with Captain Jacop Van Goop. Tina and Gretchen enter into an elaborate masquerade in order to be with the men they each love. Written by
The saddest thing about The Red Mill is that it never got a sound adaption so the Victor Herbert-Henry Blossom score was never heard. Watching it I was hoping at least to hear some of the songs on the sound track. But there was nary a note of Herbert's heard in the film.
The Red Mill was a vehicle for the famous vaudeville team of Fred Stone and David Montgomery and ran in the 1906-07 season for 274 performances. The score consisted of such Herbert classics as In Old New York and Every Day Is Lady's Day With Me and Moonbeams. Purportedly there was a planned remake of it that was shelved that would have starred Laurel and Hardy. It might have been a great film.
This version has the plot somewhat altered to fit Marion Davies who plays a Dutch barmaid who falls in love with visiting Irishman Owen Moore. It's a good thing that Roscoe Arbuckle directing under the pseudonym William Goodrich was in charge. He saw that Davies got some nice comedy bits at which she was so much better at than some of the heavy dramatics that William Randolph Hearst her patron and paramour saw as her strength.
MGM spent a lot of money designing some great sets including a Dutch mill where Davies spends the climax trying to elude the villain with Moore trying to rescue her. It's similar to the rather outlandish and funny climax in the rollicking film Many Rivers To Cross that starred Robert Taylor and Eleanor Parker with Davies her own worst enemy in the rescue.
The mill itself is very similar to the one in the Frankenstein movies over at Universal. It's quite remarkable even for today.
I'm disappointed in not hearing any Victor Herbert music, but Marion Davies is quite good in this film.
1 of 1 people found this review helpful.
Was this review helpful to you?