An educated, upscale young black musician marries a woman from a lower socioeconomic class to get her out of the clutches of her stepfather, who beats and abuses her. However, once he "... See full summary »
Hank owns horses, stables horses and races horses. He favorite horse always wins and he is prosperous and will known. His son (Bob), however dreams only of the future of the horseless ... See full summary »
Roy Del Ruth
When the small criminal Macklin is released from prison, he learns that his brother was shot by two mob killers. He didn't know that the bank he robbed was owned by the syndicate. When he's... See full summary »
The frothy experiences of a vain little flapper. Her father induces an actor friend to become a gentlemanly cave man and the film becomes another variation of the 'Taming of the Shrew' ... See full summary »
Robert G. Vignola
The Vasquez family are one of the oldest families in San Francisco, but their day of glory is past and now all that remains of them are an old man and his granddaughter, the innocent Dolores. The villainous Chris Buckwell wants to steal their land and ranch from them, even using unfair means to get his hands on it. One of his employees' has a nephew who falls for Dolores, however, and together they make plans to save the ranch. Unfortunately for them, Buckwell has a secret and discovering it might prove dangerous. Written by
One thing you sure have to say about OLD SAN FRANCISCO is that it is a very lovely film to see. The print, though very old, is in almost pristine shape (at least the version they showed on Turner Classic Movies) and the soundtrack exceptional. In addition, the director and cinematographer were absolutely brilliant--making the most of every scene with the most artistic touch for a silent I have seen in a very long time. Delores Costello is simply luminous thanks to them and so many of the scenes were treats for the eyes--such as the scene between Costello and her suitor at the fountain. It just doesn't get much prettier than this.
As for the story, it was nice to see that Hollywood was trying to be sensitive towards Hispanic-Americans, as they are shown in a very sympathetic light. A major problem is that despite being so very pro-minority, none of the people playing these roles are Hispanic--a very common problem in Hollywood until the 1960s (and sometimes beyond). Today such a practice would be condemned--in 1927, it was par for the course. In this film, Delores Costello did a great job acting (she was terrific), but she looked about as Hispanic as Shirley Temple. If you don't believe me that such casting was common, try watching a Charlie Chan or Mr. Moto film---as these characters were repeatedly played by actors of European descent. In fact, Warner Oland who popularized the Chan role is even in this film playing the role of a big dumb jerk who happens to be a Mongolian man posing as a White man! Oh, and most of the Asians in this film are drug dealers, pimps or assorted low-lifes, so I am pretty sure Asian-Americans probably didn't line up to see this film!
The story is about a family of noble Spanish blood living in San Francisco in the early 20th century. Though they have lived there before the Americans arrived, they are continually treated like outsiders as the Anglos and Chinese gangs take advantage of them again and again. Thanks to a nice young Irishman who has fallen for sweet Delores, the family has a benefactor and things might work out for the better....or not! See it for yourself to see if sweet Delores manages to escape the lecherous clutches of the Chinese underworld white slavers and greedy land speculators (for a hint: God doesn't like what is happening and perhaps He'll have to intervene).
Despite the film's many shortcomings and overt racism as well as a sappy ending (all of which can be understood based on the age of the film and prevailing social mores), the film certainly IS exciting--mostly because of its scandalous subject matter and fast pace. This combined with the artistic nature of the film make it a film worth seeing. Just don't let your politically correct friends and co-workers know! The sight of Oland's midget brother kept locked in a cage throughout the film like a dog is just too much to bear.
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