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Old San Francisco (1927)
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Overview
User Rating:
Release Date:
4 September 1927 (USA) moreTagline:
A Romance of the Days When 'Frisco Was the Paris of America!---The Barbary Coast!---The Fire of 1906!---Massive!---Unprecedented morePlot Keywords:
moreUser Comments:
Stale When It Was Made....... moreCast
(Complete credited cast)| Dolores Costello | ... | Dolores Vasquez | |
| Warner Oland | ... | Chris Buckwell | |
| Charles Emmett Mack | ... | Terrence O'Shaughnessy (as Chas. E. Mack) | |
| Josef Swickard | ... | Don Hernandez de Vasquez | |
| Anders Randolf | ... | Michael Brandon (as Anders Randolph) | |
| Angelo Rossitto | ... | Chang Loo - the Dwarf (as Angelo Rossita) | |
| Anna May Wong | ... | A Flower of the Orient | |
| Lawson Butt | ... | Captain Enrique de Solano Y Vasquez - in Prologue | |
| Walter McGrail | ... | Vasquez's Grandson Who is Shot - in Prologue | |
| Otto Matieson | ... | Vasquez's Second Grandson - in Prologue | |
| Martha Mattox | ... | Mother Vasquez - in Prologue | |
| Tom Santschi | ... | Captain Stoner - in Prologue |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
88 min (24 fps)Country:
USAColor:
Black and WhiteAspect Ratio:
1.33 : 1 moreCertification:
USA:Passed (National Board of Review)Filming Locations:
San Francisco, California, USAFun Stuff
Trivia:
Vitaphone production reels #576-585; 5th Warner Bros. full-length feature to be released with Vitaphone musical accompaniment. moreQuotes:
Chris Buckwell: [threatening the heroine, via subtitles, just before the 1906 San Francisco earthquake and fire] You are the last of your line, my dear. Who will save a Vasquez now? moreFAQ
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This movie was probably a little stale when it was first released in 1927. Dolores Costello is beautiful, but doesn't seem to really be trying to act (from this effort, you can't tell whether she was a good or a bad actress). Oland is sinister but he is only going through the motions of his basic "sinister act". Charles Mack is a typical perky 1920's leading man, but appears just average and generic for the times.
In contrast, the old actor who portrays Costello's grandfather does a great job of overcoming the general flatness of the production and the other stars (in addition to being a very competent actor, he is really trying to emote and you can see the good result). His strong acting contrasts with Costello's no-effort, pretty-smile stroll and makes their scenes together noticeably out of sync for me.
The production values are as good as any high-quality "costume drama" of the era but somehow the writing and the general production has a staleness and lack of originality. Also, the racial slurs are uncomfortable to watch.