Oswald wakes up grumpy and takes it out on his alarm clock, afterward trying his best to wake up the mechanical cow sleeping in the bed beside him, with limited success. They finally do get... See full summary »
Oswald's country is at war, like many other volunters he joins the army and finds himself soon in the trenches. A short battle leaves him wounded, but at least in the field hospital where his girlfriend is working.
Oswald is off to see his sweetheart when he is passed by a rival in a faster car. He takes the lead, though, when both drivers encounter a mud puddle; Oswald isn't afraid to get a little ... See full summary »
For anyone interested in the history of animated cartoons, this is a fascinating glimpse of early Disney work. It is not a classic, but nevertheless full of clever and amusing moments. Given the fact that there was no sound track (though the version I saw had music and minimal sounds) and very few words written on screen, the story-telling is amazingly clear. The sight gags are delightful, some of them clearly inspired by (or stolen from) Chaplin and other silent-movie comic geniuses. But what Disney understood right from the beginning is how to use the medium of drawn animation to go far beyond what real-life comedians could do on screen. One example: when one character yells "HELP", the letters of the word kick Oswald to get his attention and point toward the damsel in distress to direct him. Even Chaplin couldn't have come up with a sight gag of that kind.
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