Napoleon (1927)
"Napoléon" (original title)

A film about the French Field Marshal's youth and early military career.

Director:

Abel Gance

Writer:

Abel Gance

Stars:

Albert Dieudonné, Vladimir Roudenko, Edmond Van Daële

3 wins.

Cast

Cast overview, first billed only:
Albert Dieudonné	...	Napoléon Bonaparte
Vladimir Roudenko	...	Napoléon Bonaparte enfant
Edmond Van Daële	...	Maximilien Robespierre
Alexandre Koubitzky	...	Danton
Antonin Artaud	...	Marat
Abel Gance	...	Louis Saint-Just
Gina Manès	...	Joséphine de Beauharnais
Suzanne Bianchetti	...	Marie-Antoinette
Marguerite Gance	...	Charlotte Corday
Yvette Dieudonné	...	Élisa Bonaparte
Philippe Hériat	...	Antonio Salicetti
Pierre Batcheff	...	Le général Lazare Hoche
Eugénie Buffet	...	Laetizia Bonaparte
Acho Chakatouny	...	Pozzo di Borgo
Nicolas Koline	...	Tristan Fleuri

Storyline

A massive six-hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.

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Plot Keywords:

military | corsica | french revolution | campaign | snowball fight | 

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Taglines:

Abel Gance's 1927 Masterpiece [reissue]

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Genres:

Biography | Drama | History | War

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Details

Country:

France

Release Date:

17 February 1929 (USA)

Also Known As:

Abel Gance's Napoleon

Filming Locations:

Briançon, Hautes-Alpes, France

Company Credits

Production Co:

Ciné France Films, Films Abel Gance, Isepa-Wengeroff Film GmbH

Technical Specs

Runtime:

240 min 222 min (DVD edition) 330 min (2000 restoration) 235 min (1981 restored) 313 min (cinémathèque française print)

Sound Mix:

Dolby (1981 re-release) Mono Silent

Color:

Black and White Black and White (tinted) (some sequences)

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Originally produced by Giuseppe Barattolo (1882 - 1949) who had to pullout due to the Italian film industry's financial crisis (Rome, 30th January 1924).

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Goofs

The drawing and name of Saint Helena on the blackboard differ between shots - the shape of the island, the accents used.

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Connections

Edited into Histoire(s) du cinéma: La monnaie de l'absolu (1998)

User Reviews

Excellent -- but where's the DVD?

I saw this back in '81 or '82, on the Big Screen at the Shrine Auditorium in Los Angeles, with Carmine Coppola conducting a live orchestra -- there has never been anything like that in all my movie-going experience! The closest that's come since was _Intolerance_, restored, with another live orchestra performing under the baton of the composer, Gillian Anderson (no, not the one from the X-Files). That, too, was an occasion to remember ... but where is Napoleon on DVD?

As many other reviewers have said, Napoleon was a relevatory experience. Certainly, other films to that point had used most of the devices Gance employed so brilliantly (except, of course, his three-screen-wide "Polyvision"), but then sound came in and the requirements of the microphone killed the recently mobilized camera. The camera became very static for at least the next ten years of films -- dynamic camera movements only returned when sound mixing came in to being, and scenes could be shot MOS (mit out sound), with foley and overdubbing replacing the missed sounds.

For this reason, Napoleon is important to see -- as a technical achievement. But Gance's artistry wasn't limited to gimmicks. His pacing, editing, and direction of the actors (including Dieudonne as Nappy -- looking amazingly Rod-Stewart-like) is excellent as well.

Highly recommended -- and when the DVD comes out -- hopefully, with the fuller, five-hour restoration, and Coppola's music on one track, with a reconstruction of the original music on another (and perhaps Gillian Anderson has a score of her own to share?) -- you'll owe it to yourself, as a student of Film, to see it, over and over again.