Harry Doolittle wakes up on the day he's to marry Betty Bright. He has a terrible hangover. A strange woman appears in his room saying that he married her the night before, and just then, ... See full summary »
A returning seminary student goes up against a small New England town when he comes to the aid of a prostitute who has been injured, despite the townspeople's calls for her to be run out of... See full summary »
Harry and Marcie are on a train headed for a new job. There's comedy in the berths and during Harry's morning shave, then a thief steals the money Harry needed for his new job, so he has to... See full summary »
Frank J. Coleman
When Roger Balfour is found shot dead in his London home, his death is declared a suicide by Inspector Burke of Scotland Yard, even though the executor of Balfour's estate, Sir James Hamlin, insists his friend never would have taken his own life. Five years later, the abandoned Balfour house comes to life again with the arrival of two sinister-looking tenants: a fiendish-looking man with pointed teeth, bulging eyes and a tall beaver hat, and a pale young woman in a long gown. The presence of the strangers prompts Sir James, who lives next door, to call in Inspector Burke again. Also living in the Hamlin household are the other people who were also present in Balfour's house the night he died: Sir James' nephew, Arthur Hibbs; the late Balfour's now-grown daughter, Lucille; and Williams, the butler. Burke expresses skepticism about Sir James' suspicions that the new neighbors might have been involved in Balfour's death, until strange things start happening: Balfour's body disappears ... Written by
Eugene Kim <email@example.com>
It is believed that this film existed until 1967. Inventory records indicated that the only remaining print was being stored in MGM's vault #7 which was destroyed by fire in 1967. By that time, all other elements had been destroyed or were missing. See more »
From the day that the supposedly 'last' surviving copy of the movie was destroyed in a fire in the 60s, movie fans remained deprived of one of the GREATEST gems the horror-mystery genre had ever produced - until it was wonderfully restored in 2002, with very cleverly arranged scene stills and a very atmospheric music score. Now, watching this masterpiece of film restoration, you've REALLY got the feeling that you're actually watching the movie itself...
And it shows clearly that this early example of the classic mystery movie was almost MORE than perfect in every way: the atmosphere of the old mansion (complete with vaults, cobwebs, ancestors' portraits and bats hanging from the ceiling) would become kind of a basis for all the films of the genre - and was probably only equaled in Browning's other unique masterpiece, the one and only "Dracula"...
The narration technique (using flashbacks) was quite modern for the time, as well as the police methods depicted: even hypnotism was used to solve this 'horror' mystery - a feature which would also be 'borrowed' from many a movie of the genre's Classic era in the 30s...
And, of course, we can see the actors (even through the scene stills) at their VERY best - especially Lon Chaney, who is simply fabulous as the horrifying, devilishly grinning creature; with THIS make-up, he'd even have scared 'Nosferatu' Max Schreck himself! A really GREAT experience for every real fan of the genre, and a lesson for film specialists: it shows how even a 'lost' film can almost be 'put together' again with the help of scene stills - a really ADMIRABLE piece of work done by the experts from the USC and the AMPAS!
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