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The End of St. Petersburg (1927)
"Konets Sankt-Peterburga" (original title)

 |  Drama  |  30 May 1928 (USA)
7.6
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Ratings: 7.6/10 from 907 users  
Reviews: 11 user | 6 critic

A peasant comes to St. Petersburg to find work. He unwittingly helps in the arrest of an old village friend who is now a labor leader. The unemployed peasant is also arrested and sent to ... See full summary »

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Cast

Credited cast:
Aleksandr Chistyakov ...
Vera Baranovskaya ...
His wife
Ivan Chuvelyov ...
Peasant boy
V. Obolensky ...
Lebedev
Rest of cast listed alphabetically:
Aleksei Davor
Vladimir Fogel ...
German Officer
Aleksandr Gromov ...
Revolutionary (as A. Gromov)
Nikolay Khmelyov
Sergey Komarov ...
His employer
...
German Officer
Max Tereshkovich
Viktor Tsoppi ...
Patriot
M. Tsybulsky
Anna Zemtsova
Edit

Storyline

A peasant comes to St. Petersburg to find work. He unwittingly helps in the arrest of an old village friend who is now a labor leader. The unemployed peasant is also arrested and sent to fight in World War I. After three years, he returns ready for revolution. Written by Erik Gregersen <erik@astro.as.utexas.edu>

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

30 May 1928 (USA)  »

Also Known As:

The End of St. Petersburg  »

Company Credits

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Technical Specs

Runtime:

(DVD special edition)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Trivia

Vsevolod Pudovkin:  The German officer. See more »

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User Reviews

 
Startling early Russian silent
14 April 2007 | by (United States) – See all my reviews

Wow!! I wasn't expecting something like this. Quite frankly, silent Russian directors make American directors of the same era look anemic by comparison.

Nearly every shot in this film is poetry - beautifully composed, lit, not over-acted (like so many silents), simple, and brutally powerfully. The faces, the atmosphere. Vsevolod had an AMAZING eye for composition. The close-ups are gorgeous and intense and fiery and the wide shots are breathtaking in the way they emphasize man's fragile diminutive size.

Of course, this is a propaganda film, so the upper class are portrayed as fat, hysterical beast-people and the lower-class are all rough-hewn and beautiful, but WHO CARES when the movie is this good! And this is during the age of Eisenstein so the quick-cut editing comes into play during the end with the big overthrow of St. Petersburg with great edits that are nearly subliminal.

Wonderful stuff


7 of 8 people found this review helpful.  Was this review helpful to you?

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