A peasant comes to St. Petersburg to find work. He unwittingly helps in the arrest of an old village friend who is now a labor leader. The unemployed peasant is also arrested and sent to ... See full summary »
With an international chess tournament in progress, a young man becomes completely obsessed with the game. His fiancée has no interest in it, and becomes frustrated and depressed by his ... See full summary »
José Raúl Capablanca,
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
A five-person team of gold prospectors in the Yukon has just begun to enjoy great success when one of the members snaps, and suddenly kills two of the others. The two survivors, a husband ... See full summary »
Natasha and her grandfather live in a cottage near Moscow, making hats for Madame Irène. Madame and her husband have told the housing committee that Natasha rents a room from them; this ... See full summary »
Primarily a biographical documentary about the military career of Alexander Vasilvich Suvorov, who was Field Marshal of the armies of Catherine the Great and Czar Paul I. After many ... See full summary »
Nikolai P. Cherkasov,
A peasant comes to St. Petersburg to find work. He unwittingly helps in the arrest of an old village friend who is now a labor leader. The unemployed peasant is also arrested and sent to fight in World War I. After three years, he returns ready for revolution. Written by
Erik Gregersen <firstname.lastname@example.org>
Wow!! I wasn't expecting something like this. Quite frankly, silent Russian directors make American directors of the same era look anemic by comparison.
Nearly every shot in this film is poetry - beautifully composed, lit, not over-acted (like so many silents), simple, and brutally powerfully. The faces, the atmosphere. Vsevolod had an AMAZING eye for composition. The close-ups are gorgeous and intense and fiery and the wide shots are breathtaking in the way they emphasize man's fragile diminutive size.
Of course, this is a propaganda film, so the upper class are portrayed as fat, hysterical beast-people and the lower-class are all rough-hewn and beautiful, but WHO CARES when the movie is this good! And this is during the age of Eisenstein so the quick-cut editing comes into play during the end with the big overthrow of St. Petersburg with great edits that are nearly subliminal.
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