The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Angela and Bob Brooks are an upper class couple. Unfortunately, Bob is an unfaithful husband. But Angela has a plan to win back her husband's affections. An elaborate masquerade ball is to ... See full summary »
Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to see Jesus and becomes repentant. From there the Bible story unfolds through the Crucifixion and Resurrection. Written by
Ed Stephan <email@example.com>
Most reverent and strikingly beautiful panorama of the tragedy of all ages--the world's greatest screen epic. A production acclaimed by world-famed scholars, press and public in this country and abroad, as the most ambitious presentation of the final years of the life of Jesus ever pictured on the screen. An epochal motion picture that will live forever in the hearts of mankind. See more »
The Temple of Jerusalem set was constructed on the Pathe (later, RKO) backlot in Culver City. It was redressed as the "Great Wall" set that the title character breaks through in King Kong (1933). It was later reused in David O. Selznick's The Garden of Allah (1936) and finally went out in a blaze of glory after it was redressed with Civil War era building fronts, burned and pulled down by a tractor to represent the burning of Atlanta munitions warehouses in Selznick's Gone with the Wind (1939). See more »
In the first scene in Mary Magdalene's house, studio lights are reflected in a large hand-held mirror. See more »
In the original premiere version, there is no 'THE END' title. The film fades to black after the final scene of Jesus looming over a modern city with the title 'LO, I AM WITH YOU ALWAYS' superimposed. See more »
What a masterpiece! Visually stunning and deeply moving, even for the non-religious. DeMille was at his best in the silent era, and I have never seen the story of Christ told so beautifully. With more than a passing nod to nineteenth century Biblical painting, DeMille recreates the last days of Jesus' life in painstaking detail. He takes some liberty with chronolgy, and there is his trademark combination of religious fervour and delicious decadence. But the passion and sincerity are so strong that I'll be surprised if you don't shed a tear once or twice. And Joseph Schildkraut is stunning as Judas.
Eye-popping sets and superb photography combine with huge crowds of extras and excellent costumes to create one of the great epic films. And dig that opening orgy scene involving a scantily clad Mary Magdalene, a couple of old men, a leopard and a hunky charioteer leading a team of zebra! Wow! The first shot of Jesus is also cinema magic, an unforgettable moment. This film is superb.
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