Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to see Jesus and becomes repentant. From there the Bible story unfolds through the ... See full summary »
Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees ... See full summary »
Cecil B. DeMille
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One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit ... See full summary »
Cecil B. DeMille
Michael Ramsay only has time for gathering his fortune in wheat. His wife seeks comfort elsewhere and, to avoid a scandal, her daughter Matilda assumes her mother's guilt. Ramsay nearly goes broke but gets rich again; his wife returns.
Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to see Jesus and becomes repentant. From there the Bible story unfolds through the Crucifixion and Resurrection. Written by
Ed Stephan <email@example.com>
Most reverent and strikingly beautiful panorama of the tragedy of all ages--the world's greatest screen epic. A production acclaimed by world-famed scholars, press and public in this country and abroad, as the most ambitious presentation of the final years of the life of Jesus ever pictured on the screen. An epochal motion picture that will live forever in the hearts of mankind. See more »
The Temple of Jerusalem set was constructed on the Pathe (later, RKO) backlot in Culver City. It was redressed as the "Great Wall" set that the title character breaks through in King Kong (1933). It was later reused in David O. Selznick's The Garden of Allah (1936) and finally went out in a blaze of glory after it was redressed with Civil War era building fronts, burned and pulled down by a tractor to represent the burning of Atlanta munitions warehouses in Selznick's Gone with the Wind (1939). See more »
In the first scene in Mary Magdalene's house, studio lights are reflected in a large hand-held mirror. See more »
Harness my zebras - gift of the Nubian King! This Carpenter shall learn that he cannot hold a man from Mary Magdalene!
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This Cecil B. DeMille silent classic is still well worth seeing. It is creative and interesting, while remaining respectful to its subject, and thus it is among the best of the many movies made about Jesus. Unlike most directors (especially today), DeMille did not think that he was bigger than his subject, and thus he uses his skills to illustrate the well-known story and to make it memorable, rather than expending time and energy in trying to push some trivial perspective of his own. He makes it lavish when it should be lavish, and keeps it simple when it should be simple.
The opening scene, with Mary Magdalene and her admirers hearing bits of news regarding Jesus and Judas Iscariot, is a good introduction to the rest of the story, and also sets the tone for what follows. While it is a fictionalized scene not found in the Bible, it seems natural and works well. The rest of the movie likewise does not always follow the biblical narratives exactly, but the added material is always in keeping with the main themes. The cast is pretty good, although given the nature of the story, most of them have limited screen time. H.B. Warner looks just a little too old to be fully convincing as Jesus, but otherwise he is good enough in a difficult role. Probably the best performance is given by Joseph Schildkraut as Judas. He is quite believable, and is especially good in the Last Supper scene. His father Rudolph is also good in a smaller role as the high priest Caiaphas.
With the vast number of movies that are always being made about religious subjects, no doubt it will only be silent movie fans who will seek out this version of "The King of Kings", but that's unfortunate because it is nicely made and has many positives that make it worth seeing.
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