The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Angela and Bob Brooks are an upper class couple. Unfortunately, Bob is an unfaithful husband. But Angela has a plan to win back her husband's affections. An elaborate masquerade ball is to ... See full summary »
Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to see Jesus and becomes repentant. From there the Bible story unfolds through the Crucifixion and Resurrection. Written by
Ed Stephan <email@example.com>
Mary Magdalene's chariot from this film was at one point housed in The Crocker Museum in Hollywood, the first museum dedicated to props and other artifacts from American films. The museum was started by actor Harry Crocker, circa 1928, and was located on Sunset Blvd. See more »
In the first scene in Mary Magdalene's house, studio lights are reflected in a large hand-held mirror. See more »
[Speaking to herself]
I am LUST! Hold me fast, Mary - my arms are the gates of life! I am GREED! I drain hearts, but I fill thy purse - let Him not destroy me! Keep me, Mary - I am PRIDE! Through me thou hast enslaved Kings! We are GLUTTONY-INDOLENCE-ENVY-ANGER! We teach thee to forget, and to hate, and to consume!
See more »
In the original premiere version, there is no 'THE END' title. The film fades to black after the final scene of Jesus looming over a modern city with the title 'LO, I AM WITH YOU ALWAYS' superimposed. See more »
Movie follows the story of Jesus Christ (H.B. Warner) starting with Mary Magdelene (Jacqueline Logan) and ending with his resurrection.
While not exactly accurate (Magdalene was Judas' lover?) to the Bible this is actually an excellent movie. It's very reverent to the story and doesn't preach to the audience like other Biblical movies did. Some of the shots of Jesus were stunning--he (literally) GLOWS. It's all done with lighting but it looks realistic. And since it's directed by Cecil B. DeMille it's a spectacle--this movie is BIG! The sets are colossal, there's a cast of hundreds and a big huge Crucifiction sequence that is quite impressive. There's also some nice special effects--surprising in a movie that's over 70 years old. Also, it's well-cast. The standouts are Warner as Jesus; Logan making a very impressive Magdelene and Joseph Schildkraut playing a very young and handsome Judas. Also his father Rudolph Schildkraut plays Caiaphas. And the Resurrection sequence at the end is in two-color Technicolor.
This is a much better than the 1961 remake. That one was badly cast (Jeffrey Hunter was way too young for the role), too long (almost 3 hours) and dragged. This one is barely 2 hours and moves very quickly.
A very impressive silent film--well worth catching.
22 of 24 people found this review helpful.
Was this review helpful to you?