In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives ... See full summary »
The lives of numerous people over the course of 20 years in 19th century France, weaved together by the story of an ex-convict named Jean Valjean on the run from an obsessive police inspector, who pursues him for only a minor offense.
Wazed Ali Shah was the ruler of one of the last independent kingdoms of India. The British, intent on controlling this rich country, had sent general Outram on a secret mission to clear the... See full summary »
Three working girls in Budapest pool their resources to get a better apartment and impress their dates. One dates a nobleman and, learning of her rejection by him, considers poison. Another... See full summary »
Zvenigora stars Nikolai Nademsky (Earth), as the grandfather of Timoshka (Semyon Svashenko), whom he alerts to secret treasure buried in the mountains and the boy spends the rest of his ... See full synopsis »
Divided into two parts, the first half is okay, if generally unremarkable. It concerns a group of Polish people rebelling against the Russians, who are dominating them. The second half is mostly painful to sit through. The leader of the Polish rebels, Boleslas (Pierre Blanchar), is disguised as an undefeatable robotic chess player, designed by Baron von Kempelen (Charles Dullin), who is famous for his automatons. When the automaton faces the Empress of Russia, Catherine II, she cheats to see what her opponent will do. He responds by swiping the pieces off the chess board. The Empress finds it amusing, but orders the automaton to be shot. The film is way overlong (imdb lists under 90 minutes, but the Milestone DVD runs 139), and the story and themes are convoluted. Like a lot of overambitious silent films, its far too many characters are easy to confuse. I was quite bored through the film. There were several great moments, though. The battle scenes in the first half are exceptional. Bernard uses some sort of handheld camera to make it seem like the viewer is in the battle. It's a common technique nowadays, but I can't recall seeing it earlier than 1927. This has to be at least one of the first times when this was done. The cinematography is generally good, and often great, especially in the first half. Although the second half is hard to sit through, there is an extended sequence where one character is caught in the middle of a group of Baron von Kempelen's automaton soldiers. I didn't even really know who this character was exactly, but it was a neat scene.
5 of 11 people found this review helpful.
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