| Photos (See all 20 | slideshow) |
| Al Jolson | ... | Jakie Rabinowitz | |
| May McAvoy | ... | Mary Dale | |
| Warner Oland | ... | The Cantor | |
| Eugenie Besserer | ... | Sara Rabinowitz | |
| Otto Lederer | ... | Moisha Yudelson | |
| Robert Gordon | ... | Jakie Rabinowitz - Age 13 (as Bobby Gordon) | |
| Richard Tucker | ... | Harry Lee | |
| Cantor Joseff Rosenblatt | ... | Cantor Rosenblatt - Concert Recital | |
| rest of cast listed alphabetically: | |||
| Jane Arden | ... | Small Part (uncredited) | |
| Ernest Belcher | ... | Choreographer - 'April Follies' (uncredited) | |
| Violet Bird | ... | Small Part (uncredited) | |
| Nat Carr | ... | Levi (uncredited) | |
| Claire Delmar | ... | Small Part (uncredited) | |
| William Demarest | ... | Buster Billings (uncredited) | |
| Neely Edwards | ... | Dance Director (uncredited) | |
| Audrey Ferris | ... | Chorus Girl (uncredited) | |
| Joseph Green | ... | Walk-on (uncredited) | |
| Ena Gregory | ... | Small Part (uncredited) | |
| Roscoe Karns | ... | Agent (uncredited) | |
| Mary Grace Larsen | ... | Small part (uncredited) | |
| Myrna Loy | ... | Chorus Girl (uncredited) | |
| John Miljan | ... | Host (uncredited) | |
| Margaret Oliver | ... | Small Part (uncredited) | |
| Anders Randolf | ... | Dillings (uncredited) | |
| Josele Rosenblatt | ... | Cantor (uncredited) | |
| Carolynne Snowden | ... | Backstage Maid (uncredited) | |
| Marie Stapleton | ... | Small Part (uncredited) | |
| Will Walling | ... | Doctor (uncredited) | |
Directed by | |||
| Alan Crosland | |||
Writing credits | ||
| Samson Raphaelson | (short story "The Day of Atonement") uncredited | |
| Samson Raphaelson | (play) | |
| Alfred A. Cohn | (adaptation) | |
| Jack Jarmuth | (titles) | |
Original Music by | |||
| Louis Silvers | (uncredited) | ||
Cinematography by | |||
| Hal Mohr | (photography) | ||
Film Editing by | |||
| Harold McCord | (edited by) | ||
Second Unit Director or Assistant Director | |||
| Gordon Hollingshead | .... | assistant director | |
Sound Department | |||
| Gerald W. Alexander | .... | sound (uncredited) | |
| Harvey Cunningham | .... | sound engineer (uncredited) | |
| George Groves | .... | sound recordist (uncredited) | |
| Nathan Levinson | .... | sound supervisor (uncredited) | |
| William A. Mueller | .... | sound technician (uncredited) | |
| William Schwartz | .... | sound (uncredited) | |
| James V. Swartz | .... | sound (uncredited) | |
Special Effects by | |||
| Nugent Slaughter | .... | special effects (uncredited) | |
Music Department | |||
| Rosa Rio | .... | orchestrator | |
| Louis Silvers | .... | musical director: Vitaphone Orchestra | |
| Louis Silvers | .... | musical score directed by | |
| Edmund Ross | .... | orchestrator (uncredited) | |
Other crew | |||
| Alpharetta | .... | technician | |
| Lewis Geib | .... | technician | |
| Esdras Hartley | .... | technician | |
| Fred Jackman | .... | technician | |
| F.N. Murphy | .... | technician | |
| Victor Vance | .... | technician | |
| Ernest Belcher | .... | choreographer (uncredited) | |
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| Love Me or Leave Me | The Jazz Singer | August Rush | As It Is in Heaven | The Harmonists |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
An historic film, billed as "the first talkie," this was a surprise because many of the lines are not verbalized, only when Al Jolson sings or just before or just after his songs. Otherwise, most of it is still a silent film with the words shown on the screen as in the other silent films.
This is a powerful story with interesting characters and good songs, to boot. It was different to see Warner Oland as somebody else besides Charlie Chan. He played Jolson's father and I never would have recognized him had I not read the credits. Nor would I have recognized William Demarest.
Jolson, however, is the man who dominates the film. Some of this songs wound up being classics, ones played for years and years, such as "Toot, Toot Toosie" and "Mammy."
Faced with a very tough decision on what to do with his life, Jolson's character does the right thing in the end, which was nice to see. Overall, it's entertaining.