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The Jazz Singer (1927)

Unrated | | Drama, Music, Musical | 6 October 1927 (USA)
The son of a Jewish Cantor must defy the traditions of his religious father in order to pursue his dream of becoming a jazz singer.



(play), (adaptation) | 1 more credit »

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Nominated for 1 Oscar. Another 2 wins. See more awards »
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Complete credited cast:
Otto Lederer ...
Robert Gordon ...
Jakie Rabinowitz - Age 13 (as Bobby Gordon)
Richard Tucker ...
Yossele Rosenblatt ...
Cantor Rosenblatt - Concert Recital (as Cantor Joseff Rosenblatt)


Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by Snow Leopard

Plot Summary | Add Synopsis


Hear him sing Mammy, Toot Toot Tootsie, My Gal Sal, Mother I Still Have You. See more »


Unrated | See all certifications »

Parents Guide:





Release Date:

6 October 1927 (USA)  »

Also Known As:

Der Jazzsänger  »

Box Office


$422,000 (estimated)


$3,000,000 (USA)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.33 : 1
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Did You Know?


Many documentaries and historians state that immediately after the release and success of The Jazz Singer (1927) that all of Hollywood switched to sound. This is not true for several reasons. First, there were two competing and incompatible sound systems. The Vitaphone process was cumbersome, relying on an electro-mechanical interface between the projector and the turntable. Fox's Fotofilm was a superior sound-on-film process that allowed for easier editing but required a costlier projector (the Vitaphone system would be quietly killed off by 1932). Secondly, either sound process nearly doubled the budget of a film. Thirdly, theater chains faced enormous conversion costs (MGM-parent company Loew's Inc. owned over 1,000 outlets, and took a deliberately slow wait-and-see attitude toward sound). The first feature film with all synchronous dialog was Lights of New York (1928). Also, in the midst of the talkie-craze of 1928-30, studio bosses were faced with a limited amount of sound equipment and qualified sound technicians, causing them innumerable headaches over which productions to produce as talkies vs. silents. Also, silents were internationally marketable via cheap title card translations while talkies, prior to the advent of subtitles, usually required completely different foreign language versions to be produced simultaneously. Low budget producers of westerns along poverty row were especially impacted, with silents continuing in that market through the end of 1930. Many studios continued to produce both silent and sound versions of their films, including the classic All Quiet on the Western Front (1930). See more »


When Jack is writing the aforementioned August 7 letter to Mary following the Yossele Rosenblatt recital, immediately after he writes the words "nearly stopped," there is a splice in the film (but not the soundtrack) and the insert of the writing is repeated at an earlier point so that Jack writes the same sentence again. This may have been to allow for a reel/disc change, since there is a conspicuous pause of silence in the middle of the shot where the music cue ends and another begins. See more »


[title/caption appearing after Yudelson and Jakie's mother first sees him in blackface]
Moisha Yudelson: He sounds like Jakie, but he looks like his shadow!
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Referenced in The 50th Annual Academy Awards (1978) See more »


In the Good Old Summertime
(1902) (uncredited)
Music by George Evans
Played at the saloon before young Jakie sings
See more »

Frequently Asked Questions

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User Reviews

First "Talkie" in General Circulation
23 September 2006 | by (California) – See all my reviews

I rate the movie a "10" for its historical significance. "The Jazz Singer" is the answer to the perennial trivia question, "What was the first sound motion picture?" Certainly there were other talkies before this, but this one, the first feature-length talkie in the world -- is the one that turned Hollywood and the movie-going public on its ear.

It's fascinating. We think of "The Jazz Singer" as a talkie, but most of the picture is in typical "silent pictures" style -- with intertitles (title cards) to convey character dialog. Only with Jolson's vocal numbers and two other scenes is the new sound technology is used, and we hear the voice of the man many have called the world's greatest entertainer.

14 of 19 people found this review helpful.  Was this review helpful to you?

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