Claire Tree is a singer/dancer who goes after what she wants in a straight-forward, no-nonsense manner, so when she finds herself in the New York City hotel-suite, in fashionable Peacock ... See full summary »
Marcel De Sano
Jason Robards Sr.
As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
In a remote 19th Danish century village two sister lead a rigid life centered around their father, the local minister, and their church. Both had opportunities to leave the village: one ... See full summary »
Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been Cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by
The world premiere was at the Tower Theater in Los Angeles. See more »
During the audience applause after "Tootsie", it's clear that the clip is just being looped, as a person behind the counter in the background repeatedly enters from off-screen without exiting. See more »
Whatever might be the shortcomings of this famous film, it is an uncanny experience to visit it from time to time. As we know, although it's the first 'talki' it's mostly a silent movie with all that entails. Nevertheless, those moments when sound and image are synchronised, often just for one side of the disc used for the soundtrack, are electrifying. The heat is turned up by the fact that Al Jolson improvised some of his lines, much to the horror of his stage mother. And besides, the tale of the errant son making good in the big lights is affecting. The music is superb, and we are rewarded by some haunintg evocations of the Jewish cantor tradition. I love the film.
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