In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by
Wait a minute! Wait a minute! You ain't heard nothing' yet. Wait a minute, I tell ya, you ain't heard nothing'! Do you wanna hear 'Toot, Toot, Tootsie!'? All right, hold on, hold on. Listen. Play 'Toot, Toot, Tootsie!' Three choruses, you understand. In the third chorus I whistle. Now give it to 'em hard and heavy. Go right ahead! Toot, Toot, Tootsie! See more »
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on Monday, August 10th, 1936 with Al Jolson reprising his film role. They did a second one on Tuesday, June 2nd, 1947. 3,949 days, 564 weeks and 1 day differ between these two radio adaptation dates. See more »
Jack and his mother rise from the piano twice upon the Cantor's entry. See more »
I'll walk a million miles for one of your smiles, my Mammy.
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I rate the movie a "10" for its historical significance. "The Jazz Singer" is the answer to the perennial trivia question, "What was the first sound motion picture?" Certainly there were other talkies before this, but this one, the first feature-length talkie in the world -- is the one that turned Hollywood and the movie-going public on its ear.
It's fascinating. We think of "The Jazz Singer" as a talkie, but most of the picture is in typical "silent pictures" style -- with intertitles (title cards) to convey character dialog. Only with Jolson's vocal numbers and two other scenes is the new sound technology is used, and we hear the voice of the man many have called the world's greatest entertainer.
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