Claire Tree is a singer/dancer who goes after what she wants in a straight-forward, no-nonsense manner, so when she finds herself in the New York City hotel-suite, in fashionable Peacock ... See full summary »
Marcel De Sano
Jason Robards Sr.
As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
In a remote 19th Danish century village two sister lead a rigid life centered around their father, the local minister, and their church. Both had opportunities to leave the village: one ... See full summary »
Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been Cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by
According to the dates of the letter/telegram shown and the title card preceding Jakie's return to New York, and allowing one day for travel, the Cantor's date of birth would have been on Saturday, August 9th, 1867 or Sunday, August 10th, 1867. See more »
Before the dress rehearsal "Jakie" applies black face and he misses a portion on the upper right forehead. He dons the wig which covers the white spot. After he returns from the dress rehearsal and removes the wig, there is no white spot. It is covered with black face. See more »
We in the show business have our religion too - on every day, the show must go on!
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There are so many stupid comments expressed in the reviews of this film that it boggles the mind. This film, good or bad, is not about race, racism, attitudes towards black Americans, nor is the character in the film a "minstrel." Holy cow, did anybody actually SEE THE MOVIE? Does anyone know who Al Jolson was and what he accomplished? what he stood for regarding black Americans? what blackface meant in 1920?
Good Lord. Such myopic political correctness distorts history, reality, and finds fault where there is none. The Amsterdam News, the leading newspaper of Harlem in the 20's lauded Jolson's performance as one "every black man should be proud of." Attitudes, beliefs, values CHANGE OVER TIME...HELLOOOO!!! The fact that Jolson wore blackface says NOTHING about his, the audiences, the producers, actors, or, song writers atttituds toward race. How dumb have we become?
People under the age of five should NOT be allowed to post opinions on this forum.
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