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The Jazz Singer (1927)

 -  Drama | Music | Musical  -  6 October 1927 (USA)
6.9
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Ratings: 6.9/10 from 5,810 users  
Reviews: 78 user | 48 critic

The son of a Jewish Cantor must defy his father in order to pursue his dream of becoming a jazz singer.

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(play), (adaptation), 2 more credits »
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Title: The Jazz Singer (1927)

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Nominated for 1 Oscar. Another 2 wins. See more awards »
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Cast

Complete credited cast:
...
...
...
The Cantor
Eugenie Besserer ...
Otto Lederer ...
Robert Gordon ...
Jakie Rabinowitz - Age 13 (as Bobby Gordon)
Richard Tucker ...
Cantor Joseff Rosenblatt ...
Cantor Rosenblatt - Concert Recital
Rest of cast listed alphabetically:
Seymour Kupper
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Storyline

Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been Cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

cantor | jazz | jazz singer | singer | jewish | See more »

Taglines:

The Biggest Thrill You Ever Had in Your Life! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 October 1927 (USA)  »

Also Known As:

Der Jazzsänger  »

Box Office

Budget:

$422,000 (estimated)

Gross:

$3,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Vitaphone)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Many documentaries and historians state that immediately after the release and success of The Jazz Singer (1927) that all of Hollywood switched to sound. This is not true for several reasons. First, there were two competing and incompatible sound systems. The Vitaphone process was cumbersome, relying on an electro-mechanical interface between the projector and the turntable. Fox's Fotofilm was a superior sound-on-film process that allowed for easier editing but required a costlier projector (the Vitaphone system would be quietly killed off by 1932). Secondly, either sound process nearly doubled the budget of a film. Thirdly, theater chains faced enormous conversion costs (MGM-parent company Loew's Inc. owned over 1,000 outlets, and took a deliberately slow wait-and-see attitude toward sound). The first feature film with all synchronous dialog was Lights of New York (1928). Also, in the midst of the talkie-craze of 1928-30, studio bosses were faced with a limited amount of sound equipment and qualified sound technicians, causing them innumerable headaches over which productions to produce as talkies vs. silents. Also, silents were internationally marketable via cheap title card translations while talkies, prior to the advent of subtitles, usually required completely different foreign language versions to be produced simultaneously. Low budget producers of westerns along poverty row were especially impacted, with silents continuing in that market through the end of 1930. Many studios continued to produce both silent and sound versions of their films, including the classic All Quiet on the Western Front (1930). See more »

Goofs

The head on Yudelson's beer disappears and re-appears between shots. See more »

Quotes

Jack Robin: We in the show business have our religion too - on every day, the show must go on!
See more »


Soundtracks

Waiting for the Robert E. Lee
(1912) (uncredited)
Music by Lewis F. Muir
Lyrics by L. Wolfe Gilbert
Sung by Robert Gordon
See more »

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User Reviews

 
Well done
3 October 2005 | by (United States) – See all my reviews

You have to learn how to watch a silent movie. Most people who watch one get bored, and expect modern day techniques. All of the actors/actresses did great in this version, even Al Jolson who was not "hammy" as he has been called. He, like the others, made use of wide expressive movements with his hands. Some of the lighting could be improved, but this may have been taken on a remastered DVD, I haven't seen one yet. The music that is used expresses the mood of the scenes very well for that period. The use of Blackface at that time and before was not offensive to most anyone, even black people, as one of their own, Bert Williams, used it over his own black skin. This movie deserves a proper viewing, the viewer should learn a little entertainment business history first.


24 of 30 people found this review helpful.  Was this review helpful to you?

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