In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
In 1918 a simple Mongolian herdsman escapes to the hills after brawling with a western capitalist fur trader who cheats him. In 1920 he helps the partisans fight for the Soviets against the... See full summary »
Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by
George Jessel, star of the stage version, was asked to play the role in the film, but refused over a pay dispute. Eddie Cantor was also asked, and also refused. See more »
In the scene where the Cantor prepares to whip the 13-year old Jakie, the boy has three buttons conspicuously pinned to his shirt for most of the take. However in the shot where the cantor shoves him towards the bedroom, there are only two buttons. See more »
I'll walk a million miles for one of your smiles, my Mammy.
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I gave this movie a 10 out of respect for the first talkie. Imagine the pressure in Hollywood at the time. Movies were rolling along at a great pace and silent film stars were icons. The technology of putting talking words to film was being developed and Hollywood had to choose the one star that could make it happen. That star...Al Jolson. Already incredibly adored and admired for a great singing and entertaining talent this legend accepted the challenge and forged Hollywood into a brand new era. Until the advent of computers and graphic enhancements with special effects Hollywood just refined that which Jolson brought to the public in 1927.
If ever you want to get a real kick see this movie, if you can find a viewable copy, and revel in the historical significance of it. Also take out your copy, or pick up Singing In The Rain, which pays homage to the advent of talking pictures. Although they goof with the characters, such as the voice of Lina Lamont, the very real challenges of transitioning from a silent world to a talkie world is very evident.
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