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The Jazz Singer (1927)

Unrated | | Drama, Music, Musical | 6 October 1927 (USA)
The son of a Jewish Cantor must defy the traditions of his religious father in order to pursue his dream of becoming a jazz singer.

Director:

Writers:

(play), (adaptation) | 1 more credit »
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Nominated for 1 Oscar. Another 2 wins. See more awards »
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Cast

Complete credited cast:
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Robert Gordon ...
Jakie Rabinowitz - Age 13 (as Bobby Gordon)
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Yossele Rosenblatt ...
Cantor Rosenblatt - Concert Recital (as Cantor Joseff Rosenblatt)
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Storyline

Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by Snow Leopard

Plot Summary | Add Synopsis

Taglines:

Hear him sing Mammy, Toot Toot Tootsie, My Gal Sal, Mother I Still Have You. See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 October 1927 (USA)  »

Also Known As:

Der Jazzsänger  »

Box Office

Budget:

$422,000 (estimated)

Gross:

$3,000,000 (USA)
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Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Vitaphone)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Warner Brothers quietly threw in the towel on the Vitaphone disk process in 1932. Not wanting to risk losing the disks, Warner Bros. had all of the Vitaphone sound for the film transferred to optical tracks on the side of the film itself in the 1930s. See more »

Goofs

In his dressing room before rehearsal, Jack puts on a suit with short lapels and three buttons. But he performs on stage in a jacket with longer lapels and two buttons. Also, a breast pocket handkerchief appears and disappears both on stage and off. See more »

Quotes

The Cantor: Leave my house. I never want to see you again, you Jazz singer!
See more »

Connections

Referenced in Behind the Tunes: One Hit Wonders (2006) See more »

Soundtracks

Dirty Hands, Dirty Face
(1923) (uncredited)
Music by James V. Monaco
Lyrics by Edgar Leslie, Grant Clarke and Al Jolson
Sung by Al Jolson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
a film boosted by its legendary historical status
11 September 2004 | by (Dublin, Ireland) – See all my reviews

Whatever might be the shortcomings of this famous film, it is an uncanny experience to visit it from time to time. As we know, although it's the first 'talki' it's mostly a silent movie with all that entails. Nevertheless, those moments when sound and image are synchronised, often just for one side of the disc used for the soundtrack, are electrifying. The heat is turned up by the fact that Al Jolson improvised some of his lines, much to the horror of his stage mother. And besides, the tale of the errant son making good in the big lights is affecting. The music is superb, and we are rewarded by some haunintg evocations of the Jewish cantor tradition. I love the film.


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