The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love... See full summary »
George W. Hill
It's 1896. Yankel Bogovnik, a Russian Jew, emigrated to the United States three years earlier and has settled where many of his background have, namely on Hester Street on the Lower East ... See full summary »
Ayoung kid from Upstate New York named Eddie (Landis) is conned into fronting for a speakeasy on Broadway. Throughout the con there is an inevitable chorus-girl with a heart of gold (... See full summary »
Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been Cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by
According to the dates of the letter/telegram shown and the title card preceding Jakie's return to New York, and allowing one day for travel, the Cantor's date of birth would have been on Saturday, August 9th, 1867 or Sunday, August 10th, 1867. See more »
In the scene where the Cantor prepares to whip the 13-year old Jakie, the boy has three buttons conspicuously pinned to his shirt for most of the take. However in the shot where the cantor shoves him towards the bedroom, there are only two buttons. See more »
We in the show business have our religion too - on every day, the show must go on!
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Whatever might be the shortcomings of this famous film, it is an uncanny experience to visit it from time to time. As we know, although it's the first 'talki' it's mostly a silent movie with all that entails. Nevertheless, those moments when sound and image are synchronised, often just for one side of the disc used for the soundtrack, are electrifying. The heat is turned up by the fact that Al Jolson improvised some of his lines, much to the horror of his stage mother. And besides, the tale of the errant son making good in the big lights is affecting. The music is superb, and we are rewarded by some haunintg evocations of the Jewish cantor tradition. I love the film.
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