Two brothers, Phil and Ted Stoneman, visit their friends in Piedmont, South Carolina: the family Cameron. This friendship is affected by the Civil War, as the Stonemans and the Camerons ... See full summary »
Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by
George Jessel, star of the stage version, was asked to play the role in the film, but refused over a pay dispute. Eddie Cantor was also asked, and also refused. See more »
The saloon pianist's cigarette behind his ear disappears and re-appears between shots. See more »
[opening lines, first quote and first words in the first widely-seen talking picture]
Wait a minute, wait a minute, you ain't heard nothin' yet! Wait a minute, I tell ya! You ain't heard nothin'! You wanna hear "Toot, Toot, Tootsie"? All right, hold on, hold on...
[then he walks back to one of the band members]
Lou, listen. Play "Toot, Toot, Tootsie", three chorus, you understand. In the third chorus, I whistle. Now give it to 'em hard and heavy, go right ahead.
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I rate the movie a "10" for its historical significance. "The Jazz Singer" is the answer to the perennial trivia question, "What was the first sound motion picture?" Certainly there were other talkies before this, but this one, the first feature-length talkie in the world -- is the one that turned Hollywood and the movie-going public on its ear.
It's fascinating. We think of "The Jazz Singer" as a talkie, but most of the picture is in typical "silent pictures" style -- with intertitles (title cards) to convey character dialog. Only with Jolson's vocal numbers and two other scenes is the new sound technology is used, and we hear the voice of the man many have called the world's greatest entertainer.
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