It is the fate of a small frontier town, adjoining the no-man's-land where the Russians and Austrians are fighting out one of the final campaigns of World War I, to be occupied one day by ... See full summary »
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EROTIKON surely pushed the boundaries of what was acceptable on the screen in 1920: Irene, the bored wife of a distracted entomologist, pursues a womanizing aviator, but she may actually be... See full summary »
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During World War I, an Austrian officer is trapped behind the Russian lines. He tries to sneak through to his own lines, but is forced to take refuge in a small hotel, where he is hidden by the establishment's chambermaid. The two fall in love, but a Russian general makes the hotel his headquarters and sets his sights on the maid. In addition, the Austrian must find out the identity of a spy who is feeding the Russians military information that could lead to the destruction of the Austrian army. Written by
Great atmosphere, great Negri, everything else not so great
I admit I am not on the same page as the other folks on here: I do not view Hotel Imperial (1927) as a lost gem from the silent era. It is beautifully directed and shot, with fluid cinematography and mostly competent performances. Negri shines brightest, bringing her naturalistic acting and passion to her performance. It is she who makes this film so memorable.
The story is what brings everything down. The story is meant to be good drama, but the lack of subtlety in the villains and lapses of intelligence in most of the characters just drags everything down.
A beautifully made but certainly not classic film. Watch for the atmosphere and Negri.
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