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The General (1926)

8.3
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Ratings: 8.3/10 from 37,855 users  
Reviews: 219 user | 103 critic

When Union spies steal an engineer's beloved locomotive, he pursues it single handedly and straight through enemy lines.

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Title: The General (1926)

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Cast

Complete credited cast:
...
Johnnie Gray
Marion Mack ...
Glen Cavender ...
Jim Farley ...
Frederick Vroom ...
Charles Henry Smith ...
Annabelle's Father (as Charles Smith)
Frank Barnes ...
Joe Keaton ...
Union General
Mike Donlin ...
Union General
Tom Nawn ...
Union General
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Storyline

Johnnie loves his train ("The General") and Annabelle Lee. When the Civil War begins he is turned down for service because he's more valuable as an engineer. Annabelle thinks it's because he's a coward. Union spies capture The General with Annabelle on board. Johnnie must rescue both his loves. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Plot Keywords:

general | confederate | train | love | spy | See more »

Taglines:

Love, Locomotives and Laughs


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 February 1927 (France)  »

Also Known As:

The General  »

Filming Locations:

 »

Box Office

Budget:

$750,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1982) | (1962) | (2003 alternate) |

Sound Mix:

Color:

(Sepiatone)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The film's hard-edged look was inspired by the battlefield photographs of Mathew Brady, which captured the carnage of the Civil War in shocking detail. See more »

Goofs

The General is equipped with air brakes which weren't invented until 1872 by George Westinghouse. See more »

Quotes

[first lines]
Annabelle's brother: Fort Sumter has been fired upon.
Mr. Lee: Then the war is here.
Annabelle's brother: Yes, dad, and I'm going to be one of the first to enlist.
See more »

Connections

Featured in Nós Que Aqui Estamos por Vós Esperamos (1999) See more »

Frequently Asked Questions

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User Reviews

 
The Greatest War Comedy ?
27 May 2006 | by (United States) – See all my reviews

It is "generally" (or should I pun and say "General Lee"?) said that the best comedy of the silent film career of Buster Keaton's career was his Civil War epic THE GENERAL. Apparently planned with more care than any of his other film projects, it involved not only researching a period of history some sixty years in the past, but getting the correct rolling stock, costumes, weapons, and props to make it look correct. And it worked so well that Keaton never really could (despite some great moments in STEAMBOAT BILL JR.) out-do it. In fact, the closest thing to his best sound film (or film that he influenced that was a sound film) was his work with Red Skelton in the comedy A SOUTHERN YANKEE, where he returned to a Civil War theme.

THE GENERAL (as I mentioned in discussing the Disney film THE GREAT LOCOMOTIVE CHASE) is based on the "Andrews Raiders" stealing of the Confederate locomotive "The General", and an attached train, which was used to damage tracks and bridges. The raid (in February 1862) was from northern Georgia into Tennesee. It only lasted 20 miles, as the coal for the train was used up and not replaced. Andrews and several raiders were hanged after a trial. Others went to southern prisoner of war camps. The effect of the incident far outstripped it's military success. The damage (after all) could be repaired. But like Jimmy Doolittle's Raid over Tokyo in April 1942, it had a tremendous effect hurting Confederate morale. The area attacked was hundreds of miles from the battlefronts of Virginia or Kentucky/Northern Tennessee that were in the current events of the War at the time, and so was considered safe by the Confederate government and public. Instead it had been shown quite easy for Northern raiders to hit and run for awhile.

Despite it being a brief incident of the war, the locomotive chase would remain famous after more important events were forgotten. The actual locomotive is still in existence in a museum in the south. When Lesney did it famous series of "Models of Yesteryear" the first locomotive that was included in that series of collectible toys was "The General".

The story, however, was ultimately a downer. But Keaton took the basic tale and made it a comedy of the period. First he changes the viewer's perspective - it is not concentrating on Andrews and his men, but on the Confederates. Secondly, he builds up the story of Johnny Gray, a railroad engineer who tries to enlist but is rejected (the twist of logic failure in the script is that the Confederate draft board head does not bother to explain to Johnny that he is more useful as an engineer to the cause than as a soldier). Because Keaton's family and girl friend (Marion Mack) see he is not enlisted, they believe he turned coward.

Johnny eventually is the only person who tries to retake "the General" from the raiders, and the film has actually two chases in it - first Andrews and his men stealing the train, and then Keaton sneaking into Northern lines with Mack and retaking it.

Along the way are many comic classic moments, such as Keaton carefully standing on the cowcatcher and carefully using physics to knock off broken wooden ties that might derail the train, or when (at a moment of dejection) Keaton sits on the connecting rod that links the trains wheels and finds himself pulled into the locomotive barn while in a sitting positions. The situation of fighting the Yankees during the second chase, and finding Marion Mack there "helping" him, are wonderful - especially when she judges which lumps of coal are pretty enough to be used to keep the engine fired (she throws away the ugly little ones). Keaton's reaction to her stupidity is a wonderful moment.

The classic conclusion of the comedy is the battle of the two sides at the river, and the burning of the railroad bridge (with it's destruction of a second locomotive). It has been called the most expensive sight gag in history. By the way, the Northern General who ordered the locomotive across the bridge is of some special interest. He was Mike "Turkey Strut" Donlin, a frequent member (and starring player) of the old New York Giants under John McGraw and Christy Matthewson in the first two decades of the 20th Century. Donlin (who got his funny nickname from the way he ran the bases) left baseball to become a film actor (he had worked a bit in vaudeville). Keaton was a sports fan (and showed this in his film COLLEGE, where he shows his abilities in several sports) and hired Donlin. This was the latter's most famous performance - look at his reaction to the collapse.

It must be regarded as Keaton's finest film, and certainly the best war comedy to come out in the silent period. It may also be the best war comedy to come out of any period of motion pictures.


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