In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Johnnie loves his train ("The General") and Annabelle Lee. When the Civil War begins he is turned down for service because he's more valuable as an engineer. Annabelle thinks it's because he's a coward. Union spies capture The General with Annabelle on board. Johnnie must rescue both his loves. Written by
Ed Stephan <email@example.com>
The film's hard-edged look was inspired by the battlefield photographs of Matthew Brady, which captured the carnage of the Civil War in shocking detail. See more »
The General and Texas are seen numbered 3 and 5, respectively. At the time the film is set, the engines of the Western and Atlantic were only known by their names, as were the General and the Texas. The railroads in the Confederacy did not begin numbering their engines until after the war. At that time, the General and Texas were numbered 39 and 49, respectively. The General did not receive the number 3 until the 1880s, and the Texas was renumbered 12 in 1880, then 212 in 1890, and never received the number 5. See more »
Probably Buster Keaton's best film, and oddly enough, it's not even a straightforward comedy it's actually an action film, with clever doses of romance and comedy tossed in for good measure. `The General', which is set during the Civil War, is about a train engineer named Johnny Gray (Buster Keaton, of course) who tries to enlist in the Confederate Army . . . and is turned down because the army feels he'd be much more valuable for the war effort as an engineer instead of a soldier. However, through a series of misunderstandings, both Johnny's family and his girl think he's a coward, and they refuse to speak to him until he becomes a soldier. Months pass, and Johnny, sad and alone, is piloting his train the General when it is stolen from him by the North. Johnny's efforts to recover the General and to win back his girl's love become an unbelievably funny and action-packed series of events, as Johnny tries to go from being a sad-sack buffoon to being a hero.
If you haven't watched many silent films, they demand a greater amount of attention than `normal' film there are no audio cues; and volumes can be spoken with a simple facial expression. Buster Keaton is amazingly expressive, as he's fully capable of going from wildly happy to downtrodden and sad in the blink of an eye. While funny, Keaton is much more than just a clownish figure he manages to evoke a lot of sympathy as well, and he genuinely becomes what can only be described as an action hero as well. His timing, whether for a joke or for a tender moment, is absolutely impeccable.
What's also great about `The General' is the sheer amount of stunts and physical humor a movie like this couldn't be made today. No amount of insurance would cover it. Keaton does all his own stunts, and manages to perform a number of feats that are simultaneously hilarious and dangerous he chases down `The General' with a bike, he sits on a moving cattlecatcher, knocking away railroad ties with a tie of his own. All these stunts are fantastic, but it's scary to think that any one of these probably could've killed Keaton if something even went slightly wrong.
`The General' is a lot more than slapstick. Personally, I think it's one of the first films to push the envelope of movies it goes for action, romance, and humor, and it pulls all of those elements together into a terrific movie. If you've never seen Buster Keaton or, for that matter, a silent film go find this one and watch it. It's a classic. A+
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