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The Gaucho (1927)

Approved  |   |  Adventure, Romance  |  30 January 1928 (Finland)
7.2
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Ratings: 7.2/10 from 221 users  
Reviews: 12 user | 9 critic

A girl is saved by a miracle after she falls from a cliff in the Argentine Andes, and is blessed with healing powers. A shrine is built on the site, and a whole city grows around it, rich ... See full summary »

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(story) (as Elton Thomas)
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Title: The Gaucho (1927)

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Cast

Complete credited cast:
...
The Mountain Girl
Joan Barclay ...
The Girl of the Shrine (as Geraine Greear)
Eve Southern ...
The Girl of the Shrine
Gustav von Seyffertitz ...
Ruiz - The Usurper
Michael Vavitch ...
The Usurper's First Lieutenant
Charles Stevens ...
The Gaucho's First Lieutenant
Nigel De Brulier ...
The Padre (as Nigel de Brulier)
Albert MacQuarrie ...
Victim of the Black Doom
...
The Gaucho
Edit

Storyline

A girl is saved by a miracle after she falls from a cliff in the Argentine Andes, and is blessed with healing powers. A shrine is built on the site, and a whole city grows around it, rich with gold from the grateful worshipers. Ruiz, an evil and sadistic general, captures the city, confiscates the gold, and closes the shrine. But the Gaucho, the charismatic leader of a band of outlaws, comes to the rescue. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Plot Keywords:

miracle | religion | swashbuckler | See All (3) »

Taglines:

Saints and cutthroats! Shrines and robbers' lairs! A madcap mountain lass and a bandit chieftain---the Gaucho! A fiery tale of the most picturesque adventure beyond the Andes! See more »

Genres:

Adventure | Romance

Certificate:

Approved
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Details

Country:

Language:

Release Date:

30 January 1928 (Finland)  »

Also Known As:

Douglas Fairbanks as The Gaucho  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

| (2-strip Technicolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

A new preservation print of the film, created by the Museum of Modern Art, was first shown at the Academy of Motion Picture Arts and Sciences in 2008. It has subsequently been screened at MoMA (2008), the San Francisco Silent Film Festival (2009), and the National Gallery of Art (2009) to promote the new book "Douglas Fairbanks" (UC Press/Academy Imprints, 2008) with the author introducing the screenings. See more »

Connections

Referenced in Mary Pickford: A Life on Film (1997) See more »

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User Reviews

 
Even when not not Fairbanks' strongest films, fans will still find much to enjoy
17 May 2014 | by (United Kingdom) – See all my reviews

Of the Douglas Fairbanks films I've seen so far, there is not one that came across as bad. The Gaucho may be my least favourite of them, it does get a tad too heavy-handed at times and the religious stuff sometimes bogs it down and give off an odd feel. But what makes Fairbanks' films as good as they are are most definitely present in The Gaucho. The sets are some of the most exotic and lavish of any Fairbanks film, and the same can be said of the costumes. The photography is equally beautiful, and the music score is appropriately rousing which make the stunts and such even more exciting than they already are. There is a strong sense of humour that is as fresh and current now as it was then, the director handles things deftly and the story cannot be called routine, if anything of all the films Fairbanks did The Gaucho is perhaps his least conventional story-wise. It is also very briskly paced and with a constant sense of fun and energy, as well as memorable scenes like the aftermath of the healing miracle. It's not a Fairbanks film without mentioning the stunts and they are spectacularly choreographed and dazzlingly executed. And with real athleticism that has not been matched much by many films today standards. Fairbanks steals the show, as he should as he is the star, he is charisma personified and clearly looks like he's enjoying every moment. His stunts are athletic and youthful and he does show some expressive acting like in the healing miracle scene and its aftermath. He is very well-supported by the rest of the cast, the standouts being Lupe Velez, who plays with a lot of appealing spunk and is sexy without even trying, and Gustav von Seyffertitz, whose suave charm but very twisted malevolence makes for one of the nastiest villains of any Fairbanks film. All in all, while not one of Douglas Fairbanks' best it is still a treat. 8/10 Bethany Cox


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