Natasha and her grandfather live in a cottage near Moscow, making hats for Madame Irène. Madame and her husband have told the housing committee that Natasha rents a room from them; this ... See full summary »

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Cast

Cast overview:
...
Vladimir Mikhaylov
...
Fogelev
Ivan Koval-Samborsky ...
Ilya Snegiryov
Serafima Birman ...
Madame Irène
Pavel Pol ...
Irène's Husband (as P. Paul)
Yeva Milyutina ...
Marfusha
Vladimir Popov
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Storyline

Natasha and her grandfather live in a cottage near Moscow, making hats for Madame Irène. Madame and her husband have told the housing committee that Natasha rents a room from them; this fiddle gives Madame's lazy husband a room for lounging. The local railroad clerk, Fogelev, loves Natasha but she takes a shine to Ilya, a clumsy student who sleeps in the train station. To help Ilya, Natasha marries him and takes him to Madame's to live in the room the house committee thinks is hers. Meanwhile, Madame's husband pays Natasha with a lottery ticket he thinks is a loser, and when it comes up big, just as Ilya and Natasha are falling in love, everything gets complicated Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

love | student | train | hat | burlesque | See All (7) »

Genres:

Comedy | Drama | Romance

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Details

Country:

Release Date:

19 April 1927 (Soviet Union)  »

Also Known As:

Moskow Laughs and Cries  »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (Copy with French titles at Brussels Musée du Cinéma)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Featured in Komediya davno minuvshikh dney (1980) See more »

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User Reviews

 
An Absolute Classic!
28 December 2016 | by (Crystal Palace) – See all my reviews

The Russian silent cinema does it again with this wonderful comedy starring Anna Sten. She's such a delight that one watches this film in awe at the near-genius with which Samuel Goldwyn managed to transform her during the thirties into such a pudding - and one of Hollywood's biggest industry jokes - attempting to mold her into a second Garbo.

Director Boris Barnet throughout makes dynamic use for comic effect both of the frame and of the movement of characters within it, both indoors and out in the snow; an additional bonus being the fleeting views of twenties Moscow provided in some of the outdoors scenes. The entire cast throw themselves into the proceedings with infectious gusto; and one would have liked to have seen more of Eva Milyutina as the maid, Marfusha.


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