Lot in Sodom is a sensual depiction of the Sodom and Gomorrah story filled with sinewy and semi-clad bodies, delirious bacchanales devoted to physical pleasure, and a searing, cataclysmic ... See full summary »
James Sibley Watson,
Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared ... See full summary »
Léonid Walter de Malte,
Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two ... See full summary »
Allan has a hard time finding the Usher's house, which is known to be cursed... But he is a personal friend of Roderick Usher, who lives with his sick wife Madeline and a doctor. Roderick ... See full summary »
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
A spiral design spins dizzily. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as ... See full summary »
The life of a great city (Paris) from dawn until dusk, including the beautiful and the ragged, the rich and the poor, with little or no comment (intertitles) from the director, Cavalcanti (whose first film this was).
One of most celebrated avant garde movie of all time
The predecessor of Un Chien Andalou and directed by the lone woman filmmaker of her time, La Coquille et le Clergyman is one of the most celebrated of French avant-garde movies of the '20s, partly because Antonin Artaud wrote the script, partly because the British censor of the time banned it with the legendary words 'If this film has a meaning, it is doubtless objectionable'. Artaud was reputedly unhappy with Dulac's realization of his scenario, and it's true that the story's anti-clericalism (a priest develops a lustful passion that plunges him into bizarre fantasies) is somewhat undermined by the director's determined visual lyricism. But the fragmentation of the narrative and the innovative imagery remain provocative, and the film is of course fascinating testimony to the currents of its time.
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