Allan has a hard time finding the Usher's house, which is known to be cursed... But he is a personal friend of Roderick Usher, who lives with his sick wife Madeline and a doctor. Roderick ... See full summary »
For Balduin, going out to beer parties with his fellow students and fighting out disputes at the tip of the sword have lost their charms. He wants to find love; but how would he, a ... See full summary »
Elizza La Porta,
Rich old Cyrus West's relatives are waiting for him to die so they can inherit. But he stipulates that his will be read 20 years after his death. On the appointed day his expectant heirs arrive at his brooding mansion. The will is read and it turns out that Annabelle West, the only heir with his name left, inherits, if she is deemed sane. If she isn't, the money and some diamonds go to someone else, whose name is in a sealed envelope. Before he can reveal the identity of her successor to Annabelle, Mr. Crosby, the lawyer, disappears. The first in a series of mysterious events, some of which point to Annabelle in fact being unstable. Written by
Writer/director Robert F. Hill not only wrote the adaptation for this film but also served as a sort of assistant/associate director for Paul Leni. Leni, a German, didn't speak much English, and Hill spoke German, so he acted as a liaison between Leni and the cast and crew. See more »
When the murdered lawyer falls from behind a concealed door, he falls face down, but in the subsequent scenes he is shown on his back. See more »
On a lonely pine-clad hill overlooking the Hudson, stood the grotesque mansion of an eccentric millionaire...
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This has been restored by Kevin Brownlow and Photoplay Productions. The new print is beautiful and shows why Paul Leni was considered a master. Sure, the plot is slight, but Leni is so imaginative and unrestrained in his style that you just sit there with your mouth open in amazement. Most every shot is a masterpiece. The sets and photography are wonderful. There's way too much silly humor in it -- Leni's far more effective at the scary moments. But leading lady La Plante is effective; and the more ghoulish secondary roles are handled with relish. You wonder why most haunted house movies of the 30's and 40's didn't have this much style. They should have learned from the Master. I hope this restored version makes it out on DVD soon.
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