In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she... See full summary »
A very long, beginning-to-end life story of an eighteenth century womanizer that is arrested, not so much for his crimes, but because he is viewed as an undesirable by the husbands and ... See full summary »
The Italian adventurer and libertine Giovanni Jacopo Casanova lived from 1725 to 1798, but in this six-part series Dennis Potter attempted to find a contemporary relevance through his ... See full summary »
The business tycoon Nicolas Saccard is nearly ruined by his rival Gunderman, when he tries to raise capital for his company. To push up the price of his stock, Saccard plans a publicity ... See full summary »
Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two ... See full summary »
Allan has a hard time finding the Usher's house, which is known to be cursed... But he is a personal friend of Roderick Usher, who lives with his sick wife Madeline and a doctor. Roderick ... See full summary »
'Casanova' shows Mosjoukine at his most light-hearted - like the great artist he was, he makes everything seem easy. This movie is episodic in structure, almost like a collection of short stories. Casanova bounces from one adventure to another, going from Venice to Austria to Russia and finally back to Venice again, and always in the service of women, as he puts it in a letter to a man he's good-naturedly robbed. In the end, all his romancing catches up with him, and he's forced to choose between two women - the scene where they both confront him reminds me a little of Moliere's Dom Juan, though Mosjoukine's Casanova is far more innocent. He delights in tricking and robbing men, especially the pompous and undeserving, but the moment he realizes that he has hurt a woman, his heart is crushed, and he surrenders to his enemies. Mosjoukine always demonstrates great sensitivity to women and I think this is at the root of his only unconvincing moment in the film. When he meets a young girl who is disguised as a boy, he's just too aware of her as a woman to be able to play the role of someone who's fooled into thinking that he's dealing with another man. But apart from this, Mosjoukine's performance is flawless. Rudolf Klein-Rogge, as the half-mad Czar Peter, is also brilliantly funny, marching around barking orders for his soldiers to recover from typhoid, and complaining that the business of state keeps distracting him from his fat, plain mistress. He also accomplishes the rare feat of upstaging Mosjoukine in their one scene together, when Casanova gives the Czar a manicure, and where they play off each other like a seasoned comedy team. Their by-play is so natural, and almost under the radar (the scene is mostly filmed in a kind of medium long shot, not at all focusing on them), it makes me think that they might have been ad-libbing. Klein-Rogge is obviously very comfortable playing comedy, and it would have been nice to see him do more in this vein. The music by Georges Delerue for the restoration of 'Casanova' is perfectly suited to the light-hearted freedom of the piece, and makes the whole experience a joy.
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