7.8/10
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Berlin: Symphony of a Great City (1927)

Berlin: Die Sinfonie der Grosstadt (original title)
This movie shows us one day in Berlin, the rhythm of that time, starting at the earliest morning and ends in the deepest night.

Director:

(as Walther Ruttmann)

Writers:

(screenplay), (idea) | 1 more credit »
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Cast

Uncredited cast:
Paul von Hindenburg ...
Himself (uncredited)
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Storyline

A train speeds through the country on its way to Berlin, then gradually slows down as it pulls into the station. It is very early in the morning, about 5:00 AM, and the great city is mostly quiet. But before long there are some signs of activity, and a few early risers are to be seen on the streets. Soon the new day is well underway - it's just a typical day in Berlin, but a day full of life and energy. Written by Snow Leopard

Plot Summary | Add Synopsis

Genres:

Documentary

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Details

Country:

Release Date:

13 May 1928 (USA)  »

Also Known As:

Berlin: Symphony of a Great City  »

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Technical Specs

Runtime:

| (restored)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

After showing the movie, Arte TV showed three short trick films previously made by director Walter Ruttmann, whose motives had been used as transitions in the movie (air date: 1 Dec 2007). See more »

Connections

Featured in Lulu in Berlin (1984) See more »

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User Reviews

 
more interesting as history than film-making, but it has its moments
3 November 2009 | by (United States) – See all my reviews

Berlin: City Symphony is one of those early experiments in montage - early as in before sound was invented and right after Battleship Potemkin changed everything. It's not always montage, as some might believe from its recommendations (i.e. Koyannasquati), as the director Walter Ruttmann is making documentary as much as city-scape. It's about a full day and night among the dwellers and the objects of a city: the moving trains, the people shuffling by about their various concerns, and the people at jobs and things like a factory at work and phones being answered used for editing fodder.

Some of this is dazzling work, cut and speed up to reflect a mood of a city that is vibrant and hectic, imaginative and crazy, and sometimes tending for the dramatic. Ruttmann also has a rather weird design with the pacing at times; a woman in one 'scene' looks over a river, and in a state of sorrow falls over. People rush over to see what has happened, and we see a shot of the water and the woman gone under... and then it cuts right away to a beauty pageant! It throws a viewer off to see Ruttmann's unconventional choices, and how images flow together like the racers (cars, horses, people, boxcars), and there develops a simple but engrossing poetry of people as "actors" in front of a camera on their daily travels or having fun like at the funshow in the auditorium. It's not always as exciting or delirious as a Russian counterpart like Man with a Movie Camera or Kino Eye, but it pays loving tribute to its city at its time and place, showing the light with the dark, the commonplace with the unusual.


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