Against a dark background, several bright, curved or rounded shapes pulse towards the center of the screen, one at a time. They are followed by many other shapes, some irregular, some ... See full summary »
Edwin, a taxi driver, lives with Annie, a neurasthenic model. They plan to spend Sunday at the Nikolassee beach with Wolfgang, an officer, gentleman, antiquarian, gigolo, at the moment a ... See full summary »
A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, ... See full summary »
The life of a great city (Paris) from dawn until dusk, including the beautiful and the ragged, the rich and the poor, with little or no comment (intertitles) from the director, Cavalcanti (whose first film this was).
A train speeds through the country on its way to Berlin, then gradually slows down as it pulls into the station. It is very early in the morning, about 5:00 AM, and the great city is mostly quiet. But before long there are some signs of activity, and a few early risers are to be seen on the streets. Soon the new day is well underway - it's just a typical day in Berlin, but a day full of life and energy. Written by
It's like Koyaanisqatsi of 20s! It's miraculous! Awesome! It's all about the idea of a great city moving forward up-tempo but still having quite common problems of Germany's twenties poverty and exacerbation, nevertheless Berlin being one of the most fashionable cities of Europe of that particular time. But it's not the movie's main account. Its atmosphere was created by excellent cameraman work. The frame when a train moves right into you and then suddenly turns away is quite impressive. Never seen that advanced cameraman till Citizen Kane. I'd also definitely recommend watching Ruttmann's 'Lichtspiel Opus I ', an avant-garde animated movie created in 1921.
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