Antinea. the Queen of Atlantis, rules her secret kingdom hidden beneath the Sahara Desert. One day two lost explorers stumble into her kingdom, and soon realize that they haven't really ... See full summary »
Allan has a hard time finding the Usher's house, which is known to be cursed... But he is a personal friend of Roderick Usher, who lives with his sick wife Madeline and a doctor. Roderick ... See full summary »
The business tycoon Nicolas Saccard is nearly ruined by his rival Gunderman, when he tries to raise capital for his company. To push up the price of his stock, Saccard plans a publicity ... See full summary »
For Balduin, going out to beer parties with his fellow students and fighting out disputes at the tip of the sword have lost their charms. He wants to find love; but how would he, a ... See full summary »
Elizza La Porta,
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
Brief, brief review of Munich Filmmuseum Restoration
I've just seen the world theatrical premier of the Munich Filmmuseum's restoration of this classic, presented by University of Chicago's Documentary Film Group in cooperation with Chicago's Goethe Institute and Lufthansa. Live piano accompaniment was provided by the excellent Aljoshe Zimmerman with an introduction by Stefan Drößler, director of the Filmmuseum. Zimmerman composed the score for the Filmmuseum and additionally accompanied "Nosferatu, eine Symphonie des Grauens" (also restored and presented as a double feature). The restoration was pieced together largely from surviving reels from Russia and Denmark, which focused on Alraune's mother and father, respectively. The restoration sports quite a few intertitles, in German, some of which were present in the original. Absolutely remarkable, and a must for anyone who appreciates excellent cinema.
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