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Sparrows (1926)

 -  Drama  -  1926 (Germany)
7.6
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Ratings: 7.6/10 from 740 users  
Reviews: 29 user | 22 critic

Molly, the eldest child at a baby farm hidden deep in a swamp, must rescue the others when their cruel master decides that one of them will be disposed of.

Directors:

, (uncredited)

Writers:

(story), (titles), 1 more credit »
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Title: Sparrows (1926)

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Cast

Cast overview, first billed only:
...
Roy Stewart ...
Dennis Wayne
Mary Louise Miller ...
Doris Wayne (the baby)
Gustav von Seyffertitz ...
Mr. Grimes (as Gustave Von Seyffertitz)
Charlotte Mineau ...
Mrs. Grimes
Spec O'Donnell ...
Ambrose (as 'Spec' O'Donnell)
Lloyd Whitlock ...
Bailey
Billy Butts ...
Monty O'Grady ...
Jack Lavine ...
Billy 'Red' Jones ...
One of the Children (as Billy Jones)
Muriel McCormac ...
One of the Children (as Muriel MacCormac)
Florence Rogan ...
Mary McLain ...
One of the Children (as Mary Frances McLean)
Sylvia Bernard ...
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Storyline

Evil Mr.Grimes keeps a rag-tag bunch orphans on his farm deep in a swamp in the US South. He forces them to work in his garden and treats them like slaves. They are watched over by the eldest, Molly. A gang in league with Mr. Grimes kidnaps Doris, the beautiful little daughter of a rich man, and hides her out on Grimes' farm, awaiting ransom. When the police close in, and Mr. Grimes threatens to throw Doris into the bottomless mire, Molly must lead her little flock out through the alligator-infested swamp. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Plot Keywords:

swamp | south | rescue | orphan | police | See All (26) »

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

1926 (Germany)  »

Also Known As:

Scraps  »

Box Office

Budget:

$463,455 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Toward the end of the picture, director William Beaudine and star Mary Pickford clashed so often that Beaudine developed a serious paralysis of his face from the pressure and aggravation due to their frequent arguments. He finally turned the picture over to his assistant, Tom McNamara, and left the set. McNamara finished the picture, uncredited. See more »

Connections

Featured in Mary Pickford: The Muse of the Movies (2008) See more »

Soundtracks

Shall We Gather at the River?
(1864)
Written by Robert Lowry
Sung by the children
See more »

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User Reviews

 
White version of Uncle Tom's Cabin
4 May 2014 | by (Buffalo, New York) – See all my reviews

According to the film history book on United Artists, Sparrows did not quite as well as expected. I suspect the reason is because Mary Pickford at 33 was getting a little long in the tooth to be believable as an orphan waif. Soon enough her golden curls were shorn and she would finally be taking grown up roles at the end of the silent era.

Sparrows takes a lot from Uncle Tom's Cabin without the racial component. Mary is the oldest of several orphan kids who work just like slaves on the farm of the Simon Legree character Gustav Von Syefertitz who played many villainous roles in silents and his wife Charlotte Mineau who aids and abets her husband's villainy.

Von Seyfertitz is up for all kinds of villainy so when some kidnappers want to stash a baby, rich Roy Stewart's baby he's willing for a cut of the ransom. Later when Stewart agrees to pay the kidnappers come back, but by that time Mary is leading her charges through the swamp to escape as she and the kids have had enough.

Most of the film is a white version of Uncle Tom's Cabin, but the ending is out of David Copperfield.

Sparrows is a great example of the art of Mary Pickford and what her appeal was to the movie-going public. She personified goodness and innocence on the screen despite three marriages. Instead of an icy Ohio River, Mary gets to take her brood through the Louisiana swamps with the ever present danger of alligators. I'm sure for 1926 audiences it must have been quite thrilling.

It will still thrill audiences of a new century.


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