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Overture: Tannhäuser (1926)

 -  Short | Music  -  6 August 1926 (USA)
5.8
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Ratings: 5.8/10 from 25 users  
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The New York Philharmonic Orchestra performs the Prelude to Tannhaeuser by Richard Wagner.

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(uncredited)
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Title: Overture: Tannhäuser (1926)

Overture: Tannhäuser (1926) on IMDb 5.8/10

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Cast

Complete credited cast:
New York Philharmonic ...
Themselves (as New York Philharmonic Orchestra)
Henry Hadley ...
Himself (conductor)
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Storyline

Henry Hadley (1871-1937) conducts the New York Philharmonic Orchestra in the overture to Wagner's "Tannhäuser." Two cameras provide some visual variation: a stationary one that shows Hadley and the full orchestra of more than 80 musicians, and one that does a modest amount of panning and is closer to the musicians, usually showing us about 15 within the frame. All are men, in tuxedos. No words are spoken in this early talkie. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

opera | classical music

Genres:

Short | Music

Certificate:

Not Rated
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Details

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Release Date:

6 August 1926 (USA)  »

Also Known As:

Overture Tannhäuser, by Richard Wagner, Played by the New York Philharmonic Orchestra  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Vitaphone)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Vitaphone Production Reel #314. See more »

Connections

Featured in Okay for Sound (1946) See more »

Soundtracks

Prelude to Tannhäuser
Music by Richard Wagner
Performed by the New York Philharmonic (as New York Philharmonic Orchestra)
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User Reviews

 
As The Title
12 September 2005 | by (New York City) – See all my reviews

One of the series of Vitaphone shorts that played on the program of the screen premiere of DON JUAN -- itself a landmark as the first feature film with a full synchronized score -- this is nothing more or less than a performance of the Metropolitan Opera company playing.... well, the overture to TANNHAUSER, in the pit at the old Opera House.

The camera is leaden, as you might expect. There are two basic camera positions, a medium long shot with most of the orchestra in view, and a closer camera. The second is the one that moves a bit in pans, mostly to show you the flautists to the left of conductor Henry Hadley.

The sound is also pretty good, although a bit thin in the upper registers. Still, given the restrictions of the era, this is an important document of the era, as it was meant to be. And the performance is, as one would expect of the Met, excellent.


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