Overview
Release Date:
13 March 1927 (USA)
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Tagline:
There can be no understanding between the hands and the brain unless the heart acts as mediator.
Plot:
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
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full synopsis
Awards:
2 wins
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2 nominations
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User Comments:
Movie Milestone and Masterpiece!
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- Alpha-Omega Digital digital restoration (as ALPHA-OMEGA, Munich)
- August Scherl Verlag original book publisher
- Bundesarchiv-Filmarchiv Koblenz film processing: restoration (as Bundesarchiv-Filmarchiv, Berlin / Koblenz)
- Bundesarchiv-Filmarchiv Koblenz restoration carried out by (as Bundesarchiv-Filmarchiv, Berlin)
- Centrimage digital restoration (as centrimage, Paris)
- Cinémathèque Française restoration contributor (as Cinémathèque Française, Paris)
- Deutsches Filminstitut (DIF) restoration carried out together with (member of the Association of Cinematheques) (as Deutsches Filminstitut - DIF, Frankfurt am Main / Wiesbaden)
- Deutsches Filmmuseum Frankfurt restoration carried out together with (member of the Association of Cinematheques) (as Deutsches Filmmuseum, Frankfurt am Main)
- Filmmuseum Berlin restoration carried out together with (member of the Association of Cinematheques) (as Filmmuseum Berlin - Deutsche Kinemathek, Berlin)
- Filmmuseum Düsseldorf restoration carried out together with (member of the Association of Cinematheques) (as Filmmuseum der Landeshauptstadt Düsseldorf)
- Filmmuseum Munich restoration carried out together with (as Filmmuseum im Stadtmuseum Munich)
- Fondazione Cineteca Italiana restoration contributor (as Fondazione Cineteca Italiana, Milan)
- Friedrich-Wilhelm-Murnau-Stiftung restoration carried out by (as Friedrich-Wilhelm-Murnau-Foundation, Wiesbaden)
- George Eastman House restoration contributor (as George Eastman House, Rochester)
- Gosfilmofond restoration contributor (as Gosfilmofond, Moscow)
- Kinograph Inc. English translation: restoration (as Kinograph, Montréal)
- Modegeschaft Knitze costume fitting
- Museum of Modern Art, The (MoMA) restoration contributor (as The Museum of Modern Art, New York)
- National Film and Television Archive restoration contributor (as National Film and Television Archive, London)
- Rundfunk-Sinfonieorchester Saarbrücken original score performed by: restoration
- Schuhgeschäft Breitspecher men's shoes
- Schuhgeschäft Reiss women's shoes
- Screensound Australia restoration contributor (as Screensound Australia, Canberra)
- Studio Babelsberg sound stages
- Transit Film world sales: restoration (as Transit Film GmbH, Munich)
- TrickWilk, Berlin intertitles: restoration (as trickWILK, Berlin)
- Werkstätten der UFA costumes
Additional Details
Runtime:
153 min | Germany:147 min (2001 restored version) | Germany:210 min (premiere cut) | Germany:80 min (Giorgio Moroder version) | Germany:93 min (re-release version) | USA:114 min (25 fps) (1927 cut version) | USA:123 min (2002 Murnau Foundation 75th aniversary restored version) | Spain:118 min (DVD edition) | USA:117 min
Aspect Ratio:
1.33 : 1
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Fun Stuff
Goofs:
Revealing mistakes: Fritz Lang shot more than one version of this movie. There are differences between the version on the Madacy DVD and the Kino DVD. In the Kino DVD, Freder exits the Moloch machine hall in chapter 7 (at 15:55). The shot of Freder descending the stairs is missing two motorized utility carts. These appear in the Madacy Video DVD in Chapter 3 (at 14:24).
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Quotes:
Man at Nightclub:
For her, all seven deadly sins!
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Soundtrack:
Machines
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FAQ
A Note Regarding Spoilers
Is "Metropolis" based on a novel?
How did they shoot the rings around the machine when it was transforming into the guise of Maria?
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Message Boards
Discuss this movie with other users on
IMDb message board for Metropolis (1927)
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Recommendations
Related Links
Metropolis is surely one of the greatest films ever made. Its scope, its reach, its magnitude and its message are truly incredible even by today's standards of film-making. Seen in context of its premier in 1927, Metropolis is a giant of filmdom and film history. Lots of people always ask what makes a movie great, and in particular, Metropolis. A great film is one that stirs the imagination, leaves the viewer with images that will last perhaps forever, forces contemplation of issues dealing with the very essence of life, and achieves a kind of immortality. Metropolis is a film that succeeds with each of these criteria. Metropolis is a film that hailed in a new era of making films with it futuristic settings, halluciatory scenes, and its breadth of spirit and sheer scope, most clearly exhibited by its cast of epic proportions. There are images that blind the viewer with genius such as the beginning scene of the changing of the workers or the creation of the robot Maria. Metropolis challenges its viewers to think about their relationship with society both as a whole and with each individual, as well as contemplate the rationale of divisions amongst peoples and groups. Lastly, Metropolis has stood the test of time. It is a landmark film and an ignitor for the evolution of the science fiction/fantasy film genre. The story itself is simple,a Biblical allegory, about how people with a vision should share that vision in order to make it happen. The film is anything but simple. It is immense, and a rich legacy that director Fritz Lang has left us.