| Photos (See all 75 | slideshow) | Videos (see all 6) |
| Alfred Abel | ... | Joh Fredersen | |
| Gustav Fröhlich | ... | Freder - Joh Fredersen's Son | |
| Rudolf Klein-Rogge | ... | C.A. Rotwang - the Inventor | |
| Fritz Rasp | ... | The Thin Man | |
| Theodor Loos | ... | Josaphat | |
| Erwin Biswanger | ... | 11811 - Georgy | |
| Heinrich George | ... | Grot - the Guardian of the Heart Machine | |
| Brigitte Helm | ... | The Creative Man / The Machine Man / Death / The Seven Deadly Sins / Maria | |
| rest of cast listed alphabetically: | |||
| Fritz Alberti | ... | Creative Human - Man who Convinces Babel (uncredited) | |
| Grete Berger | ... | Working Woman (uncredited) | |
| Olly Boeheim | ... | Working Woman (uncredited) | |
| Max Dietze | ... | Working Man (uncredited) | |
| Ellen Frey | ... | Working Woman (uncredited) | |
| Beatrice Garga | ... | Woman of Eternal Gardens (uncredited) | |
| Heinrich Gotho | ... | Master of Ceremonies (uncredited) | |
| Dolly Grey | ... | Working Woman (uncredited) | |
| Anny Hintze | ... | Woman of Eternal Gardens (uncredited) | |
| Georg John | ... | Working Man Who Causes Explosion of M-Machine (uncredited) | |
| Walter Kuehle | ... | Working Man (uncredited) | |
| Margarete Lanner | ... | Lady in Car / Woman of Eternal Gardens (uncredited) | |
| Rose Lichtenstein | ... | Working Woman (uncredited) | |
| Hanns Leo Reich | ... | Marinus (uncredited) | |
| Arthur Reinhardt | ... | Working Man (uncredited) | |
| Curt Siodmak | ... | Working Man (uncredited) | |
| Henrietta Siodmak | ... | Working Woman (uncredited) | |
| Olaf Storm | ... | Jan (uncredited) | |
| Erwin Vater | ... | Working Man (uncredited) | |
| Rolf von Goth | ... | Son in Eternal Gardens (uncredited) | |
| Helen von Münchofen | ... | Woman of Eternal Gardens (uncredited) | |
| Helene Weigel | ... | Working Woman (uncredited) | |
| Hilde Woitscheff | ... | Woman of Eternal Gardens (uncredited) | |
Directed by | |||
| Fritz Lang | |||
Writing credits | ||
| Thea von Harbou | (screenplay) | |
| Thea von Harbou | (novel) | |
| Fritz Lang | screenplay (uncredited) | |
Produced by | |||
| Erich Pommer | .... | producer | |
Original Music by | |||
| Gottfried Huppertz | |||
| Abel Korzeniowski | (2004) | ||
| Giorgio Moroder | (1984) | ||
| Peter Osborne | (1998) | ||
| Bernd Schultheis | |||
| Benjamin Speed | (2005/2011) | ||
| Wetfish | (1999) | ||
Cinematography by | |||
| Karl Freund | |||
| Günther Rittau | |||
| Walter Ruttmann | |||
Art Direction by | |||
| Otto Hunte | |||
| Erich Kettelhut | |||
| Karl Vollbrecht | |||
Costume Design by | |||
| Aenne Willkomm | |||
Art Department | |||
| Otto Hunte | .... | set designer | |
| Erich Kettelhut | .... | set designer | |
| Walter Schulze-Mittendorff | .... | sculptor (as Walter Schultze-Mittendorf) | |
| Karl Vollbrecht | .... | set designer | |
| Edgar G. Ulmer | .... | set designer (uncredited) | |
Special Effects by | |||
| Ernst Kunstmann | .... | special effects | |
| Konstantin Irmen-Tschet | .... | special photographic effects sequences (uncredited) | |
| Erich Kettelhut | .... | trick photography (uncredited) | |
Visual Effects by | |||
| Jeff Matakovich | .... | color and opticals (1984 restoration) | |
| Eugen Schüfftan | .... | special visual effects | |
| Erich Kettelhut | .... | painting effects (uncredited) | |
| Ernst Kunstmann | .... | assistant compositing effects artist (uncredited) | |
| Willy Muller | .... | model maker (uncredited) | |
| Hugo O. Schulze | .... | assistant trick photography (uncredited) | |
Camera and Electrical Department | |||
| Karl Freund | .... | camera operator | |
| Günther Rittau | .... | camera operator (as Gunther Rittau) | |
| Robert Baberske | .... | assistant camera (uncredited) | |
| Horst von Harbou | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Hermann I. Kaufmann | .... | wardrobe (uncredited) | |
Music Department | |||
| Otto Harzner | .... | conductor: original score (uncredited) | |
| Frank Strobel | .... | conductor (uncredited) | |
Other crew | |||
| Rudi George | .... | key production assistant (uncredited) | |
| Erich Holder | .... | production assistant (uncredited) | |
| Erich Kettelhut | .... | technical consultant (uncredited) | |
| Gustav Püttjer | .... | production assistant (uncredited) | |
| Hans Taussig | .... | production assistant (uncredited) | |
Thanks | |||
| Bob Badami | .... | special thanks (1984 restoration) | |
| Eileen Bowser | .... | special thanks (1984 restoration) | |
| John Branca | .... | special thanks (1984 restoration) | |
| Mark Damon | .... | special thanks (1984 restoration) | |
| Michael Dilbeck | .... | special thanks (1984 restoration) | |
| Jere Huggins | .... | special thanks (1984 restoration) | |
| Dieter Kosslick | .... | special thanks (2010 restoration) | |
| Rusty Lemorande | .... | special thanks (1984 restoration) | |
| Tom Luddy | .... | special thanks (1984 restoration) | |
| Mike Lynskey | .... | special thanks (1984 restoration) | |
| Alan Marshall | .... | special thanks (1984 restoration) | |
| Michael Maslansky | .... | special thanks (1984 restoration) (as Mike Maslansky) | |
| Alan Parker | .... | special thanks (1984 restoration) | |
| Paul Schrader | .... | special thanks (1984 restoration) | |
| David Shepard | .... | special thanks (1984 restoration) | |
| Gary Stiffelman | .... | special thanks (1984 restoration) | |
| Walter Yetnikoff | .... | special thanks (1984 restoration) | |
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Metropolis is surely one of the greatest films ever made. Its scope, its reach, its magnitude and its message are truly incredible even by today's standards of film-making. Seen in context of its premier in 1927, Metropolis is a giant of filmdom and film history. Lots of people always ask what makes a movie great, and in particular, Metropolis. A great film is one that stirs the imagination, leaves the viewer with images that will last perhaps forever, forces contemplation of issues dealing with the very essence of life, and achieves a kind of immortality. Metropolis is a film that succeeds with each of these criteria. Metropolis is a film that hailed in a new era of making films with it futuristic settings, halluciatory scenes, and its breadth of spirit and sheer scope, most clearly exhibited by its cast of epic proportions. There are images that blind the viewer with genius such as the beginning scene of the changing of the workers or the creation of the robot Maria. Metropolis challenges its viewers to think about their relationship with society both as a whole and with each individual, as well as contemplate the rationale of divisions amongst peoples and groups. Lastly, Metropolis has stood the test of time. It is a landmark film and an ignitor for the evolution of the science fiction/fantasy film genre. The story itself is simple,a Biblical allegory, about how people with a vision should share that vision in order to make it happen. The film is anything but simple. It is immense, and a rich legacy that director Fritz Lang has left us.