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Metropolis
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Metropolis (1927) More at IMDbPro »

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Metropolis -- Metropolis Trailer

Overview

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Director:
Writers:
Thea von Harbou (screenplay)
Thea von Harbou (novel)
(more)
Contact:
View company contact information for Metropolis on IMDbPro.
Release Date:
13 March 1927 (USA) See more »
Genre:
Tagline:
Fritz Lang's 1927 Masterpiece Now With 25 Minutes of Lost Footage (2010 re-release) See more »
Plot:
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences. Full summary » | Add synopsis »
Plot Keywords:
Awards:
2 wins & 4 nominations See more »
NewsDesk:
(449 articles)
Fritz Lang and Metropolis
 (From CultureCatch. 12 July 2014, 1:54 AM, PDT)

Indie Spotlight
 (From DailyDead. 6 July 2014, 12:21 PM, PDT)

Interview with Bong Joon-ho about Snowpiercer
 (From eyeforfilm.co.uk. 27 June 2014, 1:29 PM, PDT)

User Reviews:
Movie Milestone and Masterpiece! See more (378 total) »

Cast

  (in credits order)
Alfred Abel ... Joh Fredersen

Gustav Fröhlich ... Freder - Joh Fredersen's Son
Rudolf Klein-Rogge ... C.A. Rotwang - the Inventor
Fritz Rasp ... The Thin Man
Theodor Loos ... Josaphat
Erwin Biswanger ... 11811 - Georgy
Heinrich George ... Grot - the Guardian of the Heart Machine

Brigitte Helm ... The Creative Man / The Machine Man / Death / The Seven Deadly Sins / Maria
rest of cast listed alphabetically:
Fritz Alberti ... Creative Human - Man who Convinces Babel (uncredited)
Grete Berger ... Working Woman (uncredited)
Olly Boeheim ... Working Woman (uncredited)
Max Dietze ... Working Man (uncredited)
Ellen Frey ... Working Woman (uncredited)
Beatrice Garga ... Woman of Eternal Gardens (uncredited)
Heinrich Gotho ... Master of Ceremonies (uncredited)
Dolly Grey ... Working Woman (uncredited)
Anny Hintze ... Woman of Eternal Gardens (uncredited)
Georg John ... Working Man Who Causes Explosion of M-Machine (uncredited)
Walter Kuehle ... Working Man (uncredited)
Margarete Lanner ... Lady in Car / Woman of Eternal Gardens (uncredited)
Rose Lichtenstein ... Working Woman (uncredited)
Hanns Leo Reich ... Marinus (uncredited)
Arthur Reinhardt ... Working Man (uncredited)
Curt Siodmak ... Working Man (uncredited)
Henrietta Siodmak ... Working Woman (uncredited)
Olaf Storm ... Jan (uncredited)
Erwin Vater ... Working Man (uncredited)
Rolf von Goth ... Son in Eternal Gardens (uncredited)
Helen von Münchofen ... Woman of Eternal Gardens (uncredited)
Helene Weigel ... Working Woman (uncredited)
Hilde Woitscheff ... Woman of Eternal Gardens (uncredited)
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Directed by
Fritz Lang 
 
Writing credits
Thea von Harbou (screenplay)

Thea von Harbou (novel)

Fritz Lang  screenplay (uncredited)

Produced by
Erich Pommer .... producer
 
Original Music by
Gottfried Huppertz 
Abel Korzeniowski (2004)
Giorgio Moroder (1984)
Peter Osborne (1998)
Bernd Schultheis 
Benjamin Speed (2005/2011)
Wetfish (1999)
 
Cinematography by
Karl Freund 
Günther Rittau 
Walter Ruttmann 
 
Art Direction by
Otto Hunte 
Erich Kettelhut 
Karl Vollbrecht 
 
Costume Design by
Aenne Willkomm 
 
Art Department
Otto Hunte .... set designer
Erich Kettelhut .... set designer
Walter Schulze-Mittendorff .... sculptor (as Walter Schultze-Mittendorf)
Karl Vollbrecht .... set designer
Edgar G. Ulmer .... set designer (uncredited)
 
Special Effects by
Ernst Kunstmann .... special effects
Konstantin Irmen-Tschet .... special photographic effects sequences (uncredited)
Erich Kettelhut .... trick photography (uncredited)
 
Visual Effects by
Jeff Matakovich .... color and opticals (1984 restoration)
Eugen Schüfftan .... special visual effects
Erich Kettelhut .... painting effects (uncredited)
Ernst Kunstmann .... assistant compositing effects artist (uncredited)
Willy Muller .... model maker (uncredited)
Hugo O. Schulze .... assistant trick photography (uncredited)
 
Camera and Electrical Department
Karl Freund .... camera operator
Günther Rittau .... camera operator (as Gunther Rittau)
Robert Baberske .... assistant camera (uncredited)
Horst von Harbou .... still photographer (uncredited)
 
Costume and Wardrobe Department
Hermann I. Kaufmann .... wardrobe (uncredited)
 
Music Department
Frank Strobel .... music editor
Otto Harzner .... conductor: original score (uncredited)
Frank Strobel .... conductor (uncredited)
 
Other crew
Rudi George .... key production assistant (uncredited)
Erich Holder .... production assistant (uncredited)
Erich Kettelhut .... technical consultant (uncredited)
Gustav Püttjer .... production assistant (uncredited)
Hans Taussig .... production assistant (uncredited)
 
Thanks
Bob Badami .... special thanks (1984 restoration)
Eileen Bowser .... special thanks (1984 restoration)
John Branca .... special thanks (1984 restoration)
Mark Damon .... special thanks (1984 restoration)
Michael Dilbeck .... special thanks (1984 restoration)
Jere Huggins .... special thanks (1984 restoration)
Dieter Kosslick .... special thanks (2010 restoration)
Rusty Lemorande .... special thanks (1984 restoration)
Tom Luddy .... special thanks (1984 restoration)
Mike Lynskey .... special thanks (1984 restoration)
Alan Marshall .... special thanks (1984 restoration)
Michael Maslansky .... special thanks (1984 restoration) (as Mike Maslansky)
Alan Parker .... special thanks (1984 restoration)
Paul Schrader .... special thanks (1984 restoration)
David Shepard .... special thanks (1984 restoration)
Gary Stiffelman .... special thanks (1984 restoration)
Walter Yetnikoff .... special thanks (1984 restoration)
 

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Additional Details

Also Known As:
"The Complete Metropolis" - International (English title) (restored version)
See more »
Runtime:
153 min | Germany:210 min (premiere cut) | Germany:93 min (re-release version) | USA:114 min (25 fps) (1927 cut version) | USA:123 min (2002 Murnau Foundation 75th aniversary restored version) | 119 min (DVD edition) (2002 Murnau Foundation 75th aniversary restored version) | 80 min (Giorgio Moroder version) | 145 min (2010 restored version)
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Dolby Digital (1995 restored version) | Silent (original release)
Certification:
Argentina:Atp | Australia:G | Canada:G | Chile:TE | Finland:K-7 | Germany:o.Al. (DVD re-rating) | Germany:12 (video rating) (re-release) | Germany:18 (original rating) (1927) | Iceland:L | Netherlands:12 (DVD rating) | Norway:12 (1986) | Peru:PT | Portugal:M/6 (DVD rating) | Portugal:17 (original rating) | South Korea:12 (DVD rating) | Spain:T (DVD rating) | Sweden:15 (original rating) | Sweden:11 (re-release) | UK:A (original rating) | UK:PG (video rating) | USA:Not Rated | West Germany:16 (theatrical re-release) (1962)

Did You Know?

Trivia:
In certain versions of the film, Fritz Rasp is credited as playing 'Slim', not the Thin Man.See more »
Goofs:
Continuity: The lever on the heart-machine pulled by the false Maria to destroy it is pointing upwards and downwards between shots.See more »
Quotes:
Maria:There can be no understanding between the hand and the brain unless the heart acts as mediator.See more »
Soundtrack:
Here She ComesSee more »

FAQ

What are the differences between the 2001 Restoration and the 2010 Restoration?
How did they shoot the rings around the machine when it was transforming into the guise of Maria?
Is "Metropolis" based on a book?
See more »
71 out of 85 people found the following review useful.
Movie Milestone and Masterpiece!, 1 February 2000

Metropolis is surely one of the greatest films ever made. Its scope, its reach, its magnitude and its message are truly incredible even by today's standards of film-making. Seen in context of its premier in 1927, Metropolis is a giant of filmdom and film history. Lots of people always ask what makes a movie great, and in particular, Metropolis. A great film is one that stirs the imagination, leaves the viewer with images that will last perhaps forever, forces contemplation of issues dealing with the very essence of life, and achieves a kind of immortality. Metropolis is a film that succeeds with each of these criteria. Metropolis is a film that hailed in a new era of making films with it futuristic settings, halluciatory scenes, and its breadth of spirit and sheer scope, most clearly exhibited by its cast of epic proportions. There are images that blind the viewer with genius such as the beginning scene of the changing of the workers or the creation of the robot Maria. Metropolis challenges its viewers to think about their relationship with society both as a whole and with each individual, as well as contemplate the rationale of divisions amongst peoples and groups. Lastly, Metropolis has stood the test of time. It is a landmark film and an ignitor for the evolution of the science fiction/fantasy film genre. The story itself is simple,a Biblical allegory, about how people with a vision should share that vision in order to make it happen. The film is anything but simple. It is immense, and a rich legacy that director Fritz Lang has left us.

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