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Metropolis
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Metropolis (1927) More at IMDbPro »

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Metropolis -- Metropolis Trailer

Overview

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Director:
Writers:
Thea von Harbou (screenplay)
Thea von Harbou (novel)
(more)
Contact:
View company contact information for Metropolis on IMDbPro.
Release Date:
13 March 1927 (USA) See more »
Genre:
Tagline:
Fritz Lang's 1927 Masterpiece Now With 25 Minutes of Lost Footage (2010 re-release) See more »
Plot:
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences. Full summary » | Add synopsis »
Plot Keywords:
Awards:
2 wins & 4 nominations See more »
NewsDesk:
(456 articles)
Blu-ray Review: 'Frau im Mond' review
 (From CineVue. 26 August 2014, 5:33 AM, PDT)

The Best Film of 1989 That Wasn't
 (From FilmExperience. 25 August 2014, 12:00 PM, PDT)

Learning From The Masters Of Cinema: Fritz Lang's Frau Im Mond
 (From Twitch. 25 August 2014, 2:00 AM, PDT)

User Reviews:
So old…and yet so futuristic! See more (379 total) »

Cast

  (in credits order)
Alfred Abel ... Joh Fredersen

Gustav Fröhlich ... Freder - Joh Fredersen's Son

Rudolf Klein-Rogge ... C.A. Rotwang - the Inventor
Fritz Rasp ... The Thin Man
Theodor Loos ... Josaphat
Erwin Biswanger ... 11811 - Georgy

Heinrich George ... Grot - the Guardian of the Heart Machine

Brigitte Helm ... The Creative Man / The Machine Man / Death / The Seven Deadly Sins / Maria
rest of cast listed alphabetically:
Fritz Alberti ... Creative Human - Man who Convinces Babel (uncredited)
Grete Berger ... Working Woman (uncredited)
Olly Boeheim ... Working Woman (uncredited)
Max Dietze ... Working Man (uncredited)
Ellen Frey ... Working Woman (uncredited)
Beatrice Garga ... Woman of Eternal Gardens (uncredited)
Heinrich Gotho ... Master of Ceremonies (uncredited)
Dolly Grey ... Working Woman (uncredited)
Anny Hintze ... Woman of Eternal Gardens (uncredited)
Georg John ... Working Man Who Causes Explosion of M-Machine (uncredited)
Walter Kuehle ... Working Man (uncredited)
Margarete Lanner ... Lady in Car / Woman of Eternal Gardens (uncredited)
Rose Lichtenstein ... Working Woman (uncredited)
Hanns Leo Reich ... Marinus (uncredited)
Arthur Reinhardt ... Working Man (uncredited)
Curt Siodmak ... Working Man (uncredited)
Henrietta Siodmak ... Working Woman (uncredited)
Olaf Storm ... Jan (uncredited)
Erwin Vater ... Working Man (uncredited)
Rolf von Goth ... Son in Eternal Gardens (uncredited)
Helen von Münchofen ... Woman of Eternal Gardens (uncredited)
Helene Weigel ... Working Woman (uncredited)
Hilde Woitscheff ... Woman of Eternal Gardens (uncredited)
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Directed by
Fritz Lang 
 
Writing credits
Thea von Harbou (screenplay)

Thea von Harbou (novel)

Fritz Lang  screenplay (uncredited)

Produced by
Erich Pommer .... producer
 
Original Music by
Gottfried Huppertz 
Abel Korzeniowski (2004)
Giorgio Moroder (1984)
Peter Osborne (1998)
Bernd Schultheis 
Benjamin Speed (2005/2011)
Wetfish (1999)
 
Cinematography by
Karl Freund 
Günther Rittau 
Walter Ruttmann 
 
Art Direction by
Otto Hunte 
Erich Kettelhut 
Karl Vollbrecht 
 
Costume Design by
Aenne Willkomm 
 
Art Department
Otto Hunte .... set designer
Erich Kettelhut .... set designer
Walter Schulze-Mittendorff .... sculptor (as Walter Schultze-Mittendorf)
Karl Vollbrecht .... set designer
Edgar G. Ulmer .... set designer (uncredited)
 
Special Effects by
Ernst Kunstmann .... special effects
Konstantin Irmen-Tschet .... special photographic effects sequences (uncredited)
Erich Kettelhut .... trick photography (uncredited)
 
Visual Effects by
Jeff Matakovich .... color and opticals (1984 restoration)
Eugen Schüfftan .... special visual effects
Erich Kettelhut .... painting effects (uncredited)
Ernst Kunstmann .... assistant compositing effects artist (uncredited)
Willy Muller .... model maker (uncredited)
Hugo O. Schulze .... assistant trick photography (uncredited)
 
Camera and Electrical Department
Karl Freund .... camera operator
Günther Rittau .... camera operator (as Gunther Rittau)
Robert Baberske .... assistant camera (uncredited)
Horst von Harbou .... still photographer (uncredited)
 
Costume and Wardrobe Department
Hermann I. Kaufmann .... wardrobe (uncredited)
 
Music Department
Brian Reeves .... mixing engineer
Frank Strobel .... music editor
Otto Harzner .... conductor: original score (uncredited)
Frank Strobel .... conductor (uncredited)
 
Other crew
Rudi George .... key production assistant (uncredited)
Erich Holder .... production assistant (uncredited)
Erich Kettelhut .... technical consultant (uncredited)
Gustav Püttjer .... production assistant (uncredited)
Hans Taussig .... production assistant (uncredited)
 
Thanks
Bob Badami .... special thanks (1984 restoration)
Eileen Bowser .... special thanks (1984 restoration)
John Branca .... special thanks (1984 restoration)
Mark Damon .... special thanks (1984 restoration)
Michael Dilbeck .... special thanks (1984 restoration)
Jere Huggins .... special thanks (1984 restoration)
Dieter Kosslick .... special thanks (2010 restoration)
Rusty Lemorande .... special thanks (1984 restoration)
Tom Luddy .... special thanks (1984 restoration)
Mike Lynskey .... special thanks (1984 restoration)
Alan Marshall .... special thanks (1984 restoration)
Michael Maslansky .... special thanks (1984 restoration) (as Mike Maslansky)
Alan Parker .... special thanks (1984 restoration)
Paul Schrader .... special thanks (1984 restoration)
David Shepard .... special thanks (1984 restoration)
Gary Stiffelman .... special thanks (1984 restoration)
Walter Yetnikoff .... special thanks (1984 restoration)
 

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Additional Details

Also Known As:
"The Complete Metropolis" - International (English title) (restored version)
See more »
Runtime:
153 min | Germany:210 min (premiere cut) | Germany:93 min (re-release version) | USA:114 min (25 fps) (1927 cut version) | USA:123 min (2002 Murnau Foundation 75th aniversary restored version) | 119 min (DVD edition) (2002 Murnau Foundation 75th aniversary restored version) | 80 min (Giorgio Moroder version) | 145 min (2010 restored version)
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Dolby Digital (1995 restored version) | Silent (original release)
Certification:
Argentina:Atp | Australia:G | Canada:G | Chile:TE | Finland:K-7 | Germany:o.Al. (DVD re-rating) | Germany:12 (video rating) (re-release) | Germany:18 (original rating) (1927) | Iceland:L | Netherlands:12 (DVD rating) | Norway:12 (1986) | Peru:PT | Portugal:M/6 (DVD rating) | Portugal:17 (original rating) | South Korea:12 (DVD rating) | Spain:T (DVD rating) | Sweden:15 (original rating) | Sweden:11 (re-release) | UK:A (original rating) | UK:PG (video rating) | USA:Not Rated | West Germany:16 (theatrical re-release) (1962)

Did You Know?

Trivia:
The mechanical right hand of one of the characters was later imitated in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964).See more »
Goofs:
Continuity: When Fredersen and Rotwang leave Rotwang's laboratory to observe Maria's secret meeting, they descend a spiral staircase that spirals clockwise. When they reach the bottom of the stairs, they are seen descending a spiral staircase that spirals counterclockwise. This is repeated when Freder uses the same staircase later in the film. (This could very well be the result of editing: the footage could have been reversed by mistake. This was the case in some of Lawrence of Arabia (1962)'s footage of the desert panoramas where a whole reel was reversed.)See more »
Quotes:
Maria:"We shall build a tower that will reach to the stars!" Having conceived Babel, yet unable to build it themselves, they had thousands to build it for them. But those who toiled knew nothing of the dreams of those who planned. And the minds that planned the Tower of Babel cared nothing for the workers who built it...See more »
Movie Connections:
Soundtrack:
DestructionSee more »

FAQ

What are the differences between the 2001 Restoration and the 2010 Restoration?
How did they shoot the rings around the machine when it was transforming into the guise of Maria?
Is "Metropolis" based on a book?
See more »
66 out of 83 people found the following review useful.
So old…and yet so futuristic!, 25 August 2005
Author: Coventry from the Draconian Swamp of Unholy Souls

Fritz Lang's groundbreaking landmark remains one of the biggest mysteries in the world of cinema. How can a movie that'll soon turn 80 years old still look so disturbingly futuristic?? The screenplay by Thea Von Harbou is still very haunting and courageously assails social issues that are of all ages. The world has been divided into two main categories: thinkers & workers! If you belong to the first category, you can lead a life of luxury above ground but if you're a worker, your life isn't worth a penny, and you're doomed to perilous labor underground. The further expansions and intrigues in the screenplay are too astonishing to spoil, so I strongly advise that you check out the film yourself. It's essential viewing, anyway! "Metropolis" is a very demanding film-experience and definitely not always entertaining. But, as it is often the case with silent-cinema classics, the respect and admiration you'll develop during watching it will widely excel the enjoyment-aspect. Fritz' brutal visual style still looks innovative and few directors since were able to re-create a similarly nightmarish composition of horizontal and vertical lines. Many supposedly 'restored' versions have been released over the years (in 1984 and 2002, for example) but the 1926-version is still the finest in my opinion, even though that one already isn't as detailed and punctual as Lang intended it. "Metropolis" perhaps is THE most important and influential movie ever made. "2001: A Space Odyssey", "Star Wars" and "Blade Runner" owe their existence (or at least their power) to it.

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