| Photos (See all 75 | slideshow) | Videos (see all 6) |
| Alfred Abel | ... | Joh Fredersen | |
| Gustav Fröhlich | ... | Freder - Joh Fredersen's Son | |
| Rudolf Klein-Rogge | ... | C.A. Rotwang - the Inventor | |
| Fritz Rasp | ... | The Thin Man | |
| Theodor Loos | ... | Josaphat | |
| Erwin Biswanger | ... | 11811 - Georgy | |
| Heinrich George | ... | Grot - the Guardian of the Heart Machine | |
| Brigitte Helm | ... | The Creative Man / The Machine Man / Death / The Seven Deadly Sins / Maria | |
| rest of cast listed alphabetically: | |||
| Fritz Alberti | ... | Creative Human - Man who Convinces Babel (uncredited) | |
| Grete Berger | ... | Working Woman (uncredited) | |
| Olly Boeheim | ... | Working Woman (uncredited) | |
| Max Dietze | ... | Working Man (uncredited) | |
| Ellen Frey | ... | Working Woman (uncredited) | |
| Beatrice Garga | ... | Woman of Eternal Gardens (uncredited) | |
| Heinrich Gotho | ... | Master of Ceremonies (uncredited) | |
| Dolly Grey | ... | Working Woman (uncredited) | |
| Anny Hintze | ... | Woman of Eternal Gardens (uncredited) | |
| Georg John | ... | Working Man Who Causes Explosion of M-Machine (uncredited) | |
| Walter Kuehle | ... | Working Man (uncredited) | |
| Margarete Lanner | ... | Lady in Car / Woman of Eternal Gardens (uncredited) | |
| Rose Lichtenstein | ... | Working Woman (uncredited) | |
| Hanns Leo Reich | ... | Marinus (uncredited) | |
| Arthur Reinhardt | ... | Working Man (uncredited) | |
| Curt Siodmak | ... | Working Man (uncredited) | |
| Henrietta Siodmak | ... | Working Woman (uncredited) | |
| Olaf Storm | ... | Jan (uncredited) | |
| Erwin Vater | ... | Working Man (uncredited) | |
| Rolf von Goth | ... | Son in Eternal Gardens (uncredited) | |
| Helen von Münchofen | ... | Woman of Eternal Gardens (uncredited) | |
| Helene Weigel | ... | Working Woman (uncredited) | |
| Hilde Woitscheff | ... | Woman of Eternal Gardens (uncredited) | |
Directed by | |||
| Fritz Lang | |||
Writing credits | ||
| Thea von Harbou | (screenplay) | |
| Thea von Harbou | (novel) | |
| Fritz Lang | screenplay (uncredited) | |
Produced by | |||
| Erich Pommer | .... | producer | |
Original Music by | |||
| Gottfried Huppertz | |||
| Abel Korzeniowski | (2004) | ||
| Giorgio Moroder | (1984) | ||
| Peter Osborne | (1998) | ||
| Bernd Schultheis | |||
| Benjamin Speed | (2005/2011) | ||
| Wetfish | (1999) | ||
Cinematography by | |||
| Karl Freund | |||
| Günther Rittau | |||
| Walter Ruttmann | |||
Art Direction by | |||
| Otto Hunte | |||
| Erich Kettelhut | |||
| Karl Vollbrecht | |||
Costume Design by | |||
| Aenne Willkomm | |||
Art Department | |||
| Otto Hunte | .... | set designer | |
| Erich Kettelhut | .... | set designer | |
| Walter Schulze-Mittendorff | .... | sculptor (as Walter Schultze-Mittendorf) | |
| Karl Vollbrecht | .... | set designer | |
| Edgar G. Ulmer | .... | set designer (uncredited) | |
Special Effects by | |||
| Ernst Kunstmann | .... | special effects | |
| Konstantin Irmen-Tschet | .... | special photographic effects sequences (uncredited) | |
| Erich Kettelhut | .... | trick photography (uncredited) | |
Visual Effects by | |||
| Jeff Matakovich | .... | color and opticals (1984 restoration) | |
| Eugen Schüfftan | .... | special visual effects | |
| Erich Kettelhut | .... | painting effects (uncredited) | |
| Ernst Kunstmann | .... | assistant compositing effects artist (uncredited) | |
| Willy Muller | .... | model maker (uncredited) | |
| Hugo O. Schulze | .... | assistant trick photography (uncredited) | |
Camera and Electrical Department | |||
| Karl Freund | .... | camera operator | |
| Günther Rittau | .... | camera operator (as Gunther Rittau) | |
| Robert Baberske | .... | assistant camera (uncredited) | |
| Horst von Harbou | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Hermann I. Kaufmann | .... | wardrobe (uncredited) | |
Music Department | |||
| Otto Harzner | .... | conductor: original score (uncredited) | |
| Frank Strobel | .... | conductor (uncredited) | |
Other crew | |||
| Rudi George | .... | key production assistant (uncredited) | |
| Erich Holder | .... | production assistant (uncredited) | |
| Erich Kettelhut | .... | technical consultant (uncredited) | |
| Gustav Püttjer | .... | production assistant (uncredited) | |
| Hans Taussig | .... | production assistant (uncredited) | |
Thanks | |||
| Bob Badami | .... | special thanks (1984 restoration) | |
| Eileen Bowser | .... | special thanks (1984 restoration) | |
| John Branca | .... | special thanks (1984 restoration) | |
| Mark Damon | .... | special thanks (1984 restoration) | |
| Michael Dilbeck | .... | special thanks (1984 restoration) | |
| Jere Huggins | .... | special thanks (1984 restoration) | |
| Dieter Kosslick | .... | special thanks (2010 restoration) | |
| Rusty Lemorande | .... | special thanks (1984 restoration) | |
| Tom Luddy | .... | special thanks (1984 restoration) | |
| Mike Lynskey | .... | special thanks (1984 restoration) | |
| Alan Marshall | .... | special thanks (1984 restoration) | |
| Michael Maslansky | .... | special thanks (1984 restoration) (as Mike Maslansky) | |
| Alan Parker | .... | special thanks (1984 restoration) | |
| Paul Schrader | .... | special thanks (1984 restoration) | |
| David Shepard | .... | special thanks (1984 restoration) | |
| Gary Stiffelman | .... | special thanks (1984 restoration) | |
| Walter Yetnikoff | .... | special thanks (1984 restoration) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb Germany section |
Fritz Lang's Metropolis is the first true masterpiece of science fiction in film. You can see it's influence in films such as Star Wars, The Matrix, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Blade Runner, and countless others. Despite the fact that parts of the film are no longer available, the efforts to reconstruct the original film from its remains are valiant enough to provide enough to make the story clear. The special effects were far ahead of their time and the set designs were, in some cases, phenomenal. I can see where some people may not enjoy this movie. It is hard for some to really appreciate a movie that is 77 years old, because a lot has happened in film since then. Yet, if you look at the basic elements of this movie - its story, characters, artwork, cinematography, etc., I believe this movie has just as much to offer now as it must have in the late 1920's. Also, take into consideration the asthetics of German expressionist film when viewing this. The performances and set designs are going to be over the top. That was part of the style. Metropolis may not be for everyone, but, for those willing to read between the lines, this film still has a lot to offer!