| Photos (See all 75 | slideshow) | Videos (see all 6) |
| Alfred Abel | ... | Joh Fredersen | |
| Gustav Fröhlich | ... | Freder - Joh Fredersen's Son | |
| Rudolf Klein-Rogge | ... | C.A. Rotwang - the Inventor | |
| Fritz Rasp | ... | The Thin Man | |
| Theodor Loos | ... | Josaphat | |
| Erwin Biswanger | ... | 11811 - Georgy | |
| Heinrich George | ... | Grot - the Guardian of the Heart Machine | |
| Brigitte Helm | ... | The Creative Man / The Machine Man / Death / The Seven Deadly Sins / Maria | |
| rest of cast listed alphabetically: | |||
| Fritz Alberti | ... | Creative Human - Man who Convinces Babel (uncredited) | |
| Grete Berger | ... | Working Woman (uncredited) | |
| Olly Boeheim | ... | Working Woman (uncredited) | |
| Max Dietze | ... | Working Man (uncredited) | |
| Ellen Frey | ... | Working Woman (uncredited) | |
| Beatrice Garga | ... | Woman of Eternal Gardens (uncredited) | |
| Heinrich Gotho | ... | Master of Ceremonies (uncredited) | |
| Dolly Grey | ... | Working Woman (uncredited) | |
| Anny Hintze | ... | Woman of Eternal Gardens (uncredited) | |
| Georg John | ... | Working Man Who Causes Explosion of M-Machine (uncredited) | |
| Walter Kuehle | ... | Working Man (uncredited) | |
| Margarete Lanner | ... | Lady in Car / Woman of Eternal Gardens (uncredited) | |
| Rose Lichtenstein | ... | Working Woman (uncredited) | |
| Hanns Leo Reich | ... | Marinus (uncredited) | |
| Arthur Reinhardt | ... | Working Man (uncredited) | |
| Curt Siodmak | ... | Working Man (uncredited) | |
| Henrietta Siodmak | ... | Working Woman (uncredited) | |
| Olaf Storm | ... | Jan (uncredited) | |
| Erwin Vater | ... | Working Man (uncredited) | |
| Rolf von Goth | ... | Son in Eternal Gardens (uncredited) | |
| Helen von Münchofen | ... | Woman of Eternal Gardens (uncredited) | |
| Helene Weigel | ... | Working Woman (uncredited) | |
| Hilde Woitscheff | ... | Woman of Eternal Gardens (uncredited) | |
Directed by | |||
| Fritz Lang | |||
Writing credits | ||
| Thea von Harbou | (screenplay) | |
| Thea von Harbou | (novel) | |
| Fritz Lang | screenplay (uncredited) | |
Produced by | |||
| Erich Pommer | .... | producer | |
Original Music by | |||
| Gottfried Huppertz | |||
| Abel Korzeniowski | (2004) | ||
| Giorgio Moroder | (1984) | ||
| Peter Osborne | (1998) | ||
| Bernd Schultheis | |||
| Benjamin Speed | (2005/2011) | ||
| Wetfish | (1999) | ||
Cinematography by | |||
| Karl Freund | |||
| Günther Rittau | |||
| Walter Ruttmann | |||
Art Direction by | |||
| Otto Hunte | |||
| Erich Kettelhut | |||
| Karl Vollbrecht | |||
Costume Design by | |||
| Aenne Willkomm | |||
Art Department | |||
| Otto Hunte | .... | set designer | |
| Erich Kettelhut | .... | set designer | |
| Walter Schulze-Mittendorff | .... | sculptor (as Walter Schultze-Mittendorf) | |
| Karl Vollbrecht | .... | set designer | |
| Edgar G. Ulmer | .... | set designer (uncredited) | |
Special Effects by | |||
| Ernst Kunstmann | .... | special effects | |
| Konstantin Irmen-Tschet | .... | special photographic effects sequences (uncredited) | |
| Erich Kettelhut | .... | trick photography (uncredited) | |
Visual Effects by | |||
| Jeff Matakovich | .... | color and opticals (1984 restoration) | |
| Eugen Schüfftan | .... | special visual effects | |
| Erich Kettelhut | .... | painting effects (uncredited) | |
| Ernst Kunstmann | .... | assistant compositing effects artist (uncredited) | |
| Willy Muller | .... | model maker (uncredited) | |
| Hugo O. Schulze | .... | assistant trick photography (uncredited) | |
Camera and Electrical Department | |||
| Karl Freund | .... | camera operator | |
| Günther Rittau | .... | camera operator (as Gunther Rittau) | |
| Robert Baberske | .... | assistant camera (uncredited) | |
| Horst von Harbou | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Hermann I. Kaufmann | .... | wardrobe (uncredited) | |
Music Department | |||
| Otto Harzner | .... | conductor: original score (uncredited) | |
| Frank Strobel | .... | conductor (uncredited) | |
Other crew | |||
| Rudi George | .... | key production assistant (uncredited) | |
| Erich Holder | .... | production assistant (uncredited) | |
| Erich Kettelhut | .... | technical consultant (uncredited) | |
| Gustav Püttjer | .... | production assistant (uncredited) | |
| Hans Taussig | .... | production assistant (uncredited) | |
Thanks | |||
| Bob Badami | .... | special thanks (1984 restoration) | |
| Eileen Bowser | .... | special thanks (1984 restoration) | |
| John Branca | .... | special thanks (1984 restoration) | |
| Mark Damon | .... | special thanks (1984 restoration) | |
| Michael Dilbeck | .... | special thanks (1984 restoration) | |
| Jere Huggins | .... | special thanks (1984 restoration) | |
| Dieter Kosslick | .... | special thanks (2010 restoration) | |
| Rusty Lemorande | .... | special thanks (1984 restoration) | |
| Tom Luddy | .... | special thanks (1984 restoration) | |
| Mike Lynskey | .... | special thanks (1984 restoration) | |
| Alan Marshall | .... | special thanks (1984 restoration) | |
| Michael Maslansky | .... | special thanks (1984 restoration) (as Mike Maslansky) | |
| Alan Parker | .... | special thanks (1984 restoration) | |
| Paul Schrader | .... | special thanks (1984 restoration) | |
| David Shepard | .... | special thanks (1984 restoration) | |
| Gary Stiffelman | .... | special thanks (1984 restoration) | |
| Walter Yetnikoff | .... | special thanks (1984 restoration) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb Germany section |
Fritz Lang's groundbreaking landmark remains one of the biggest mysteries in the world of cinema. How can a movie that'll soon turn 80 years old still look so disturbingly futuristic?? The screenplay by Thea Von Harbou is still very haunting and courageously assails social issues that are of all ages. The world has been divided into two main categories: thinkers & workers! If you belong to the first category, you can lead a life of luxury above ground but if you're a worker, your life isn't worth a penny, and you're doomed to perilous labor underground. The further expansions and intrigues in the screenplay are too astonishing to spoil, so I strongly advise that you check out the film yourself. It's essential viewing, anyway! "Metropolis" is a very demanding film-experience and definitely not always entertaining. But, as it is often the case with silent-cinema classics, the respect and admiration you'll develop during watching it will widely excel the enjoyment-aspect. Fritz' brutal visual style still looks innovative and few directors since were able to re-create a similarly nightmarish composition of horizontal and vertical lines. Many supposedly 'restored' versions have been released over the years (in 1984 and 2002, for example) but the 1926-version is still the finest in my opinion, even though that one already isn't as detailed and punctual as Lang intended it. "Metropolis" perhaps is THE most important and influential movie ever made. "2001: A Space Odyssey", "Star Wars" and "Blade Runner" owe their existence (or at least their power) to it.