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Metropolis (1927)

Not Rated | | Drama, Sci-Fi | 13 March 1927 (USA)
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

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Writers:

(screenplay), (novel)
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Cast

Cast overview:
...
...
...
Fritz Rasp ...
The Thin Man
Theodor Loos ...
Josaphat
Erwin Biswanger ...
...
...
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Fritz Lang's 1927 Masterpiece Now With 25 Minutes of Lost Footage (2010 re-release) See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1927 (USA)  »

Also Known As:

Metrópolis  »

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Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend USA:

$19,386, 14 July 2002

Gross USA:

$26,435, 13 November 2011
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder)

Sound Mix:

(1995 restored version)| (original release)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

In January 1926, UFA executives met to determine what to do about the increasingly costly production, which seemed nowhere near completion. They considered pulling the plug, but instead settled on firing Erich Pommer from his position as head of the studio. He continued running interference on the production until April, when he left for a job at Paramount Pictures in the U.S. See more »

Goofs

In the Kino Video DVD, the cityscape shot that ends in Chapter 7 (at around 1 min) is cut short. It ends before a dirigible crosses the top of the shot flying from right to left. The dirigible appears in the Madacy Video DVD in Chapter 3 (at around 21 mins). See more »

Quotes

Worker #3: Get your women, your sons, from the worker's city! Let no one stay behind! Death to the machines - !
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Connections

Referenced in Edición Especial Coleccionista: Blu-ray: Depredador (2012) See more »

Soundtracks

Blood from a Stone
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Performed by Cycle V
Courtesy of Columbia Records
(from the 1984 re-release)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Highly influential and, dare I say, prophetic?
3 December 2004 | by See all my reviews

Fritz Lang's Metropolis is the first true masterpiece of science fiction in film. You can see it's influence in films such as Star Wars, The Matrix, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Blade Runner, and countless others. Despite the fact that parts of the film are no longer available, the efforts to reconstruct the original film from its remains are valiant enough to provide enough to make the story clear. The special effects were far ahead of their time and the set designs were, in some cases, phenomenal. I can see where some people may not enjoy this movie. It is hard for some to really appreciate a movie that is 77 years old, because a lot has happened in film since then. Yet, if you look at the basic elements of this movie - its story, characters, artwork, cinematography, etc., I believe this movie has just as much to offer now as it must have in the late 1920's. Also, take into consideration the asthetics of German expressionist film when viewing this. The performances and set designs are going to be over the top. That was part of the style. Metropolis may not be for everyone, but, for those willing to read between the lines, this film still has a lot to offer!


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