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Metropolis (1927)

 -  Drama | Sci-Fi  -  13 March 1927 (USA)
8.4
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Ratings: 8.4/10 from 81,694 users   Metascore: 98/100
Reviews: 376 user | 240 critic | 14 from Metacritic.com

In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

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(screenplay), (novel), 1 more credit »
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Title: Metropolis (1927)

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Top 250 #108 | 3 wins & 4 nominations. See more awards »

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Cast

Cast overview:
Alfred Abel ...
...
Rudolf Klein-Rogge ...
Fritz Rasp ...
Theodor Loos ...
Erwin Biswanger ...
11811 - Georgy
Heinrich George ...
...
The Creative Man / The Machine Man / Death / The Seven Deadly Sins / Maria
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children who quickly disappear. Trying to follow her, he, oblivious to such, is horrified to find an underground world of workers, apparently who run the machinery which keeps the above ground Utopian world functioning. One of the few people above ground who knows about the world below is Freder's father, Joh Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator or the "heart". Freder wants to help the plight of the workers in the want for a better life. But when Joh learns of what Maria is espousing and that Freder is joining their cause, Joh, with the assistance of an old colleague and now nemesis named ... Written by Huggo

Plot Summary | Add Synopsis

Plot Keywords:

worker | children | future | labor | robot | See more »

Taglines:

Fritz Lang's 1927 Masterpiece Now With 25 Minutes of Lost Footage (2010 re-release) See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1927 (USA)  »

Also Known As:

Metropolis  »

Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend:

$1,070 (USA) (8 August 2003)

Gross:

$26,435 (USA) (11 November 2011)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (premiere cut) | (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (DVD edition) (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder) | (2010 restored)

Sound Mix:

(1995 restored version)| (original release)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

In some international versions, in the credits Heinrich George is mistaken for Fritz Rasp. See more »

Goofs

The interior sets of the Rotwang house are much larger than the exterior views (this discrepancy was first noted in a review by H. G. Wells). See more »

Quotes

Man at Nightclub: For her, all seven deadly sins!
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Connections

Referenced in Fear in the Dark (1991) See more »

Soundtracks

The Legend of Babel
Written by Giorgio Moroder
Performed by Giorgio Moroder
Courtesy of Columbia Records
(from the 1984 re-release)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Restored Kino DVD changed my view of this film.
13 March 2004 | by (Long Island, NY) – See all my reviews

I doubt that I'd ever seen anything resembling a "complete" version of METROPOLIS before, though certain of its scenes were familiar to me, if only as used and abused in such films as Diane Keaton's HEAVEN (1987). In any case, whatever I had seen before had nothing like the clarity and beauty of the Kino restoration. I expected to be distracted by the restoration's technique of concise written descriptions of missing sequences, but the narrative coherence that these provided was definitely worth it. As "exaggerated" as the style of acting seems by contemporary standards, some performances, such as the Master of the city, are amazingly nuanced and layered, and Brigitte Helm is stunning as both Maria and her evil clone. The meticulous design of the film, the unerring camera placement and Lang's muscular choreography of the crowd scenes are breathtaking. I'd thought of METROPOLIS as a curiosity ("important" = "dull") but now I've come to appreciate it as the seminal work it has always been.


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Censorship on 2010 version mlink-36-9815
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