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Metropolis (1927)

Not Rated | | Drama, Sci-Fi | 13 March 1927 (USA)
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

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(screenplay), (novel)
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Cast

Cast overview:
...
...
...
Fritz Rasp ...
The Thin Man
Theodor Loos ...
Josaphat
Erwin Biswanger ...
...
...
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Fritz Lang's 1927 Masterpiece Now With 25 Minutes of Lost Footage (2010 re-release) See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1927 (USA)  »

Also Known As:

Metrópolis  »

Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend:

$19,978 (USA) (9 May 2010)

Gross:

$26,435 (USA) (13 November 2011)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (premiere cut) | (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (DVD edition) (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder) | (2010 restored)

Sound Mix:

(1995 restored version)| (original release)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Brigitte Helm recalled her experiences of shooting the film in a contemporary interview, saying that "the night shots lasted three weeks, and even if they did lead to the greatest dramatic moments - even if we did follow Fritz Lang's directions as though in a trance, enthusiastic and enraptured at the same time - I can't forget the incredible strain that they put us under. The work wasn't easy, and the authenticity in the portrayal ended up testing our nerves now and then. For instance, it wasn't fun at all when Grot drags me by the hair, to have me burned at the stake. Once I even fainted: during the transformation scene, Maria, as the android, is clamped in a kind of wooden armament, and because the shot took so long, I didn't get enough air." See more »

Goofs

When Freder, and Rotwang are fighting on top of the Cathedral, it is daytime. But in the shot of the workers, Grot, and Joh on the ground, it is night. See more »

Quotes

Maria: Today I will tell you the legend of THE TOWER OF BABEL... "Come, let us build us a tower whose top may reach unto the stars! And the top of the tower we will write the words: Great is the world and its Creator! And great is Man!" But the minds that had conceived the Tower of Babel could not build it. The task was too great. So they hired hands for wages. But the hands that built the Tower of Babel knew nothing of the dream of the brain that had conceived it. BABEL. BABEL. BABEL. BABEL. One ...
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Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Connections

Featured in Paris Belongs to Us (1961) See more »

Soundtracks

Here's My Heart
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Performed by Pat Benatar
Courtesy of Chrysalis Records
(from the 1984 re-release)
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Frequently Asked Questions

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User Reviews

 
Restored Kino DVD changed my view of this film.
13 March 2004 | by (Long Island, NY) – See all my reviews

I doubt that I'd ever seen anything resembling a "complete" version of METROPOLIS before, though certain of its scenes were familiar to me, if only as used and abused in such films as Diane Keaton's HEAVEN (1987). In any case, whatever I had seen before had nothing like the clarity and beauty of the Kino restoration. I expected to be distracted by the restoration's technique of concise written descriptions of missing sequences, but the narrative coherence that these provided was definitely worth it. As "exaggerated" as the style of acting seems by contemporary standards, some performances, such as the Master of the city, are amazingly nuanced and layered, and Brigitte Helm is stunning as both Maria and her evil clone. The meticulous design of the film, the unerring camera placement and Lang's muscular choreography of the crowd scenes are breathtaking. I'd thought of METROPOLIS as a curiosity ("important" = "dull") but now I've come to appreciate it as the seminal work it has always been.


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