Metropolis (1927)

Director:

Fritz Lang

Writers:

Thea von Harbou (screenplay)
Thea von Harbou (novel)

Release Date:

13 March 1927 (USA)

Genre:

Action | Adventure | Drama | Fantasy | Romance | Sci-Fi | Thriller

Tagline:

There can be no understanding between the hands and the brain unless the heart acts as mediator.

Plot:

In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

Plot Keywords:

Worker | Future | Vision | Suicide | Grim Reaper

Awards:

2 wins & 2 nominations

Cast

  (Credited cast)

Alfred Abel	...	Joh Fredersen
Gustav Fröhlich	...	Freder, Joh Fredersen's son
Rudolf Klein-Rogge	...	C. A. Rotwang, the inventor
Fritz Rasp	...	The Thin Man
Theodor Loos	...	Josaphat
Erwin Biswanger	...	11811
Heinrich George	...	Grot, the guardian of the Heart Machine
Brigitte Helm	...	Maria / The Robot

Runtime:

153 min | Germany:147 min (2001 restored version) | Germany:210 min (premiere cut) | Germany:80 min (Giorgio Moroder version) | Germany:93 min (re-release version) | USA:114 min (25 fps) (1927 cut version) | USA:123 min (2002 Murnau Foundation 75th aniversary restored version) | Spain:118 min (DVD edition) | USA:117 min

Country:

Germany

Language:

German

Color:

Black and White (tinted)

Aspect Ratio:

1.33 : 1

Sound Mix:

Dolby Digital (1995 restored version) | Silent (original release)

Certification:

Germany:12 (video rating) (re-release) | West Germany:16 (theatrical re-release) (1962) | Germany:18 (original rating) (1927) | Germany:o.Al. (DVD re-rating) | Iceland:L | Argentina:Atp | Australia:G | Canada:G | Chile:TE | Norway:12 (1986) | Peru:PT | Portugal:17 (original rating) | Portugal:M/6 (DVD rating) | South Korea:12 (DVD rating) | Spain:T (DVD rating) | Sweden:11 (re-release) | Sweden:15 (original rating) | UK:A (original rating) | UK:PG (video rating)

Filming Locations:

Berlin, Germany

Company:

Universum Film (UFA)

Trivia:

Film included more than 37,000 extras including 25,000 men, 11,000 women, 1,100 bald men, 750 children, 100 dark-skinned people and 25 Asians.

Goofs:

Continuity: After watching Maria's sermon, Fredersen withdraws his left hand twice from the hole in the wall next to Rotwang.

Quotes:

Man at Nightclub: For her, all seven deadly sins!

Movie Connections:

Referenced in The Holiday (2006)

Soundtrack:

Blood from a Stone

Early science fiction story that presents a pessimistic prediction of a future society.

Who ever heard of an epic science fiction film? Especially in the 1920s? Sure, some science fiction movies are huge today, such as George Lucas' latest goofy Star Wars movie, but in 1926, Fritz Lang came out with a brilliant film about what the future would be like if people went on living the way they were living back then. And sure enough, we went right ahead living the way we were living, the population got bigger and more crowded, and now modern society is not a whole lot different from what was presented in Metropolis.

The story is about a young rich kid without a care in the world who becomes concerned about the way that society (Metropolis) was run by his father, John Frederson, the master of Metropolis. He lives in a ‘Pleasure Garden' high above the level of the workers', and he worries about what would happen if the huge number of workers were to turn against his father, given the terrible conditions under which they live and work. Some of the best scenes in the film take place in the underground mines, showing the workers portrayed as little more than components on a gigantic, sinister looking machine. The scene where the machine overheated even contained some impressive stunts, as well as interesting cinematography as the machine transforms into a giant devil-looking monster. After countless workers are consumed by it (no wonder this was Hitler's favorite film), they are immediately replaced by other workers, who go right to the same spots that the previous men left and resume their robotic movements. If some of these scenes, men can be seen being carried away on stretchers after having been injured, and the rest of the workers keep right on working, hardly even noticing.

The way that the workers are portrayed as lifeless machines is one of the more potent elements of this film, as well as the most revealing about the directors intentions. When his son complains about the tragic things that go on in the mines, Frederson replies that such accidents are unavoidable, but his son still insists that they deserve credit for building the city. This is the kind of content that foreshadows some serious mutiny, and at the same time it shows what may very well happen when large groups of people feel mistreated. `Never underestimate the power of stupid people in large groups' is a saying that doesn't necessarily only apply to stupid people, as Metropolis suggests. Fritz Lang brilliantly portrays this very complex story with extremely limited dialogue, and the result is still compelling today. The special effects in this film are decades ahead of its time – it even resembles The Fifth Element in many ways (except that the two films can hardly be compared) – and the acting and especially the elaborately created sets are stunning to say the least. An excellent film, Metropolis is one of the few that should never be forgotten.