MOVIEmeter
Top 5000
Down 62 this week

Metropolis (1927)

 -  Drama | Sci-Fi  -  13 March 1927 (USA)
8.3
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 8.3/10 from 88,867 users   Metascore: 98/100
Reviews: 383 user | 247 critic | 14 from Metacritic.com

In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

Director:

Writers:

(screenplay), (novel), 1 more credit »
Watch Trailer
0Check in
0Share...

Watch Now

$0.00 with Prime Instant Video

User Lists

Related lists from IMDb users

a list of 25 titles
created 22 Sep 2011
 
a list of 36 titles
created 13 Dec 2011
 
a list of 25 titles
created 07 Oct 2012
 
a list of 43 titles
created 16 Feb 2013
 
a list of 39 titles
created 02 Mar 2013
 

Related Items

Search for "Metropolis" on Amazon.com

Connect with IMDb


Share this Rating

Title: Metropolis (1927)

Metropolis (1927) on IMDb 8.3/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Metropolis.

User Polls

Top 250 #110 | 3 wins & 4 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

M (1931)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.

Director: Fritz Lang
Stars: Peter Lorre, Ellen Widmann, Inge Landgut
The General (1926)
Action | Adventure | Comedy
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

When Union spies steal an engineer's beloved locomotive, he pursues it single handedly and straight through enemy lines.

Directors: Clyde Bruckman, Buster Keaton
Stars: Buster Keaton, Marion Mack, Glen Cavender
Citizen Kane (1941)
Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance.

Director: Orson Welles
Stars: Orson Welles, Joseph Cotten, Dorothy Comingore
The Third Man (1949)
Film-Noir | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime.

Director: Carol Reed
Stars: Orson Welles, Joseph Cotten, Alida Valli
Drama
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A man and his son search for a stolen bicycle vital for his job.

Director: Vittorio De Sica
Stars: Lamberto Maggiorani, Enzo Staiola, Lianella Carell
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

Fred Dobbs and Bob Curtin, two Americans searching for work in Mexico, convince an old prospector to help them mine for gold in the Sierra Madre Mountains.

Director: John Huston
Stars: Humphrey Bogart, Walter Huston, Tim Holt
Yojimbo (1961)
Action | Drama
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A crafty ronin comes to a town divided by two criminal gangs and decides to play them against each other to free the town.

Director: Akira Kurosawa
Stars: Toshirô Mifune, Eijirô Tôno, Tatsuya Nakadai
The Gold Rush (1925)
Adventure | Comedy
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

The Tramp goes to the Klondike in search of gold and finds it and more.

Director: Charles Chaplin
Stars: Charles Chaplin, Mack Swain, Tom Murray
Rashomon (1950)
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A heinous crime and its aftermath are recalled from differing points of view.

Director: Akira Kurosawa
Stars: Toshirô Mifune, Machiko Kyô, Masayuki Mori
Vertigo (1958)
Mystery | Romance | Thriller
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

Director: Alfred Hitchcock
Stars: James Stewart, Kim Novak, Barbara Bel Geddes
Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague.

Director: Ingmar Bergman
Stars: Max von Sydow, Gunnar Björnstrand, Bengt Ekerot
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

Director: Elia Kazan
Stars: Marlon Brando, Karl Malden, Lee J. Cobb
Edit

Cast

Cast overview:
Alfred Abel ...
...
...
Fritz Rasp ...
Theodor Loos ...
Erwin Biswanger ...
11811 - Georgy
...
...
The Machine Man / Maria
Edit

Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children who quickly disappear. Trying to follow her, he, oblivious to such, is horrified to find an underground world of workers, apparently who run the machinery which keeps the above ground Utopian world functioning. One of the few people above ground who knows about the world below is Freder's father, Joh Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator or the "heart". Freder wants to help the plight of the workers in the want for a better life. But when Joh learns of what Maria is espousing and that Freder is joining their cause, Joh, with the assistance of an old colleague and now nemesis named ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Fritz Lang's 1927 Masterpiece Now With 25 Minutes of Lost Footage (2010 re-release) See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

13 March 1927 (USA)  »

Also Known As:

Metrópolis  »

Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend:

$1,070 (USA) (8 August 2003)

Gross:

$26,435 (USA) (11 November 2011)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (premiere cut) | (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (DVD edition) (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder) | (2010 restored)

Sound Mix:

(1995 restored version)| (original release)

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

A set of 78 records containing the music with a spoken introduction by Fritz Lang was issued although only one is known to survive. See more »

Goofs

Maria is preparing to leave the catacombs and Rotwang has sneaked in to kidnap her. He diverts her attention by throwing a loose brick to the ground a short distance from himself. The candle Maria is holding is probably a prop that is actually a gas burner. A hose or cord (possibly a gas supply hose) is visible on the ground behind her on her left. She turns to her right and walks. The hose is pulled by her right heel. See more »

Quotes

Maria: There can be no understanding between the hand and the brain unless the heart acts as mediator.
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Connections

Featured in Heaven (1987) See more »

Soundtracks

Love Kills
Music and Lyrics by Freddie Mercury and Giorgio Moroder
Produced by Freddie Mercury, Giorgio Moroder and Mack
Performed by Freddie Mercury
Courtesy of Raincloud Productions, Ltd.
(from the 1984 re-release)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Watch the Kino DVD!
25 April 2005 | by (Northfield, Minnesota) – See all my reviews

Technically speaking, I have seen this Fritz Lang silent sci-fi before, but this was the first time I saw it in any shape by which I could fairly evaluate it. I had previously watched Metropolis on a public domain VHS from the 80s. The print was terribly scratched and while there were a few memorable images, the story was so incoherent that their context was usually unclear. Though this was clearly not the best way to see Metropolis, I was still left with an impression of this supposed classic as a dusty museum piece that was praised by critics because they were expected to like it. So finally seeing a restored and expanded copy was as much as a revelation as seeing Once Upon a Time in the West letter boxed in how it led me to reevaluate my opinion of the movie. The movie is a strange mixture of political speculation political parable, apocalyptic fantasy, and religious allegory. It depicts a futuristic city that is divided between the wretched workers, who toil in the depths tending the machines, and the upper classes, who dwell in luxury up in the skyscrapers. The hero, the idle, pampered son of the city's supervisor Joh Fredersen, changes his ways and becomes concerned with the plight of the lower classes after catching a glimpse of Maria, the Madonna of the workers. His father, meanwhile, is plotting to thwart Maria with the help of the mad scientist Rotwang, who has discovered how to create robot replicas of human beings. One of the most surprising things about watching this version is just how much I didn't see. In addition to restoring scenes to the film, the DVD also includes inter titles to explain pieces of the plot that cannot be found in any version. With these changes, the story becomes much clearer, particularly the machinations of Rotwang and the master of Metropolis. Perhaps most importantly, a whole new subplot is added involving the hero's dead mother Hel, who was loved by both his father and Rotwang. With this clarification of the back-story, the close but adversarial relationship between Rotwang and Fredersen becomes much clearer. In some ways it recalls the family back-story of the Star Wars movies. Of course, the real strength of Metropolis isn't the story, which is pretty silly and probably wouldn't have worked in anything but a silent film, but its amazing visuals, which in their scale and ambitiousness look forward to 2001 and Blade Runner. Actually, though in most respects silent films now look primitive, one area in which they have the edge over modern film-making is in their frequently grandiose production design. Metropolis employs huge sets to show the hellish factories of the subterranean world. The models of the city's towering skyscrapers are also surprisingly convincing for a 1920s film. Even beyond the expansive production design and (for the time) special effects, Lang's visuals are all consistently inventive. The robot Maria provides some of the movie's most iconic images, including her transformation into a human being. In a later scene, she performs for upper-class men in a nightclub, and as she performs a striptease that in 1920s Germany was apparently seen as very decadent, the screen is filled with wet staring eyeballs. A sign of Lang's visual lavishness, and the studio's, that he doesn't hesitate to throw in lavish dream and hallucination sequences to drive home a point or illustrate a character's state of mind. For instance, when the hero first enters the subterranean city and sees rows upon rows of workers toiling on huge machines, he imagines the furnace transforming into a monstrous idol's head into which the workers are being sacrificed. At another point, while he's sick in bed he imagines statues of the Seven Deadly Sins coming to life and advancing out from a wall in a cathedral. When Maria preaches her message of peace and understanding to the workers, she tells them the story of the Tower of Babel of a management vs. labor parable, and Lang gives us spectacular images of the tower's construction and fall. In a sound film many of these scenes would have seemed redundant and over-literal, but they're what silent cinema does best -tell a story without the advantage- or obstacle- of dialogue. The story is a little slow to start, but once it picks up Metropolis becomes one of the most directly involving silent films that I've seen. In addition to being a pioneering example of the cinematic possibilities of science fiction, Metropolis also has to be one of the earliest disaster films, as the workers riot and sabotage the machines, endangering the entire city. Lang creates a sense of rising fury and nihilism in the last hour that in a strange way reminded me of what was going to happen to Germany in less than 20 years.


90 of 101 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Metropolis movie history Onehughjazz69
Replacing Damaged Scenes with CGI? dln1700
Kino is releasing the Moroder DVD version! angmc43
Movies depicting the future just exaggerate the present. kartoon-1
Restoration turned this from classic to one of the all time greatest? sxemax
I really want to like it, but... Matt-the-Hasp
Discuss Metropolis (1927) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?