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Metropolis (1927)

Not Rated  |   |  Drama, Sci-Fi  |  13 March 1927 (USA)
8.3
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Ratings: 8.3/10 from 96,427 users   Metascore: 98/100
Reviews: 392 user | 250 critic | 14 from Metacritic.com

In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

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(screenplay), (novel), 1 more credit »
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Title: Metropolis (1927)

Metropolis (1927) on IMDb 8.3/10

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Top 250 #108 | 3 wins & 4 nominations. See more awards »

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Cast

Cast overview:
Alfred Abel ...
...
...
Fritz Rasp ...
Theodor Loos ...
Erwin Biswanger ...
11811 - Georgy
...
...
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children who quickly disappear. Trying to follow her, he, oblivious to such, is horrified to find an underground world of workers, apparently who run the machinery which keeps the above ground Utopian world functioning. One of the few people above ground who knows about the world below is Freder's father, Joh Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator or the "heart". Freder wants to help the plight of the workers in the want for a better life. But when Joh learns of what Maria is espousing and that Freder is joining their cause, Joh, with the assistance of an old colleague and now nemesis named ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

There can be no understanding between the hands and the brain unless the heart acts as mediator. See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1927 (USA)  »

Also Known As:

Metrópolis  »

Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend:

$1,070 (USA) (8 August 2003)

Gross:

$26,435 (USA) (11 November 2011)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (premiere cut) | (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (DVD edition) (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder) | (2010 restored)

Sound Mix:

(1995 restored version)| (original release)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The restored version of 2001 was based on a digital restoration at 2K resolution from the best available sources then known to exist. The image quality far surpassed anything seen since the original release of the film. See more »

Goofs

After having worked at the machine for ten hours, Freder is clearly exhausted when he enters the catacombs and goes down the last stairwell. When he relieved Georgy (worker 11811) earlier in the film, Georgy was sweating--implying Freder should now be sweating too. However, when he takes off his beanie in the catacombs, his hair isn't wet from sweat at all. See more »

Quotes

Maria: There can be no understanding between the hand and the brain unless the heart acts as mediator.
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Connections

Referenced in The Matrix Reloaded (2003) See more »

Soundtracks

Cage of Freedom
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Performed by Jon Anderson
Courtesy of Columbia Records
(from the 1984 re-release)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Movie Milestone and Masterpiece!
1 February 2000 | by (NC) – See all my reviews

Metropolis is surely one of the greatest films ever made. Its scope, its reach, its magnitude and its message are truly incredible even by today's standards of film-making. Seen in context of its premier in 1927, Metropolis is a giant of filmdom and film history. Lots of people always ask what makes a movie great, and in particular, Metropolis. A great film is one that stirs the imagination, leaves the viewer with images that will last perhaps forever, forces contemplation of issues dealing with the very essence of life, and achieves a kind of immortality. Metropolis is a film that succeeds with each of these criteria. Metropolis is a film that hailed in a new era of making films with it futuristic settings, halluciatory scenes, and its breadth of spirit and sheer scope, most clearly exhibited by its cast of epic proportions. There are images that blind the viewer with genius such as the beginning scene of the changing of the workers or the creation of the robot Maria. Metropolis challenges its viewers to think about their relationship with society both as a whole and with each individual, as well as contemplate the rationale of divisions amongst peoples and groups. Lastly, Metropolis has stood the test of time. It is a landmark film and an ignitor for the evolution of the science fiction/fantasy film genre. The story itself is simple,a Biblical allegory, about how people with a vision should share that vision in order to make it happen. The film is anything but simple. It is immense, and a rich legacy that director Fritz Lang has left us.


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Metropolis movie history Onehughjazz69
I really want to like it, but... Matt-the-Hasp
Restoration turned this from classic to one of the all time greatest? sxemax
The dance of shadow Maria. notorious918
Film4 showing the 2010 restoration PointingMonkey
Some very good advice in this movie chinaskee-418-613225
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