In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
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Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children who quickly disappear. Trying to follow her, he, oblivious to such, is horrified to find an underground world of workers, apparently who run the machinery which keeps the above ground Utopian world functioning. One of the few people above ground who knows about the world below is Freder's father, Joh Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator or the "heart". Freder wants to help the plight of the workers in the want for a better life. But when Joh learns of what Maria is espousing and that Freder is joining their cause, Joh, with the assistance of an old colleague and now nemesis named ... Written by
The score was rerecorded for the 2001 DVD release of the film with Berndt Heller conducting the Rundfunksinfonieorchester Saarbrücken. See more »
On the Kino DVD, a shot in chapter 7 that lasts nine seconds is backwards. The shot starts at 16 minutes, 33 seconds. It is the third of four cityscape shots in a row. The vehicular traffic in this third shot moves on the left side. The traffic moves on the right side in the second and fourth shots. There is a backward script letter "B" on the left side of the third shot. These indicate the third shot is backwards. If the third shot is reversed, it becomes apparent that it is a close-up of the bottom of the fourth shot. See more »
Man at Nightclub:
For her, all seven deadly sins!
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Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »
I was shocked to find myself riveted to this movie. This is without a doubt the best sci-fi movie I've ever seen! Let me explain my position. We have all seen modern sci-fi movies, and argued over which is the best ever made, but those film makers have high speed film and computers. Imagine trying to make a movie today with only the tools available to Fritz Lang in 1925, and even if you used a modern camcorder it would be nigh impossible! This is a must see for all persons interested in the history of film, as well as just good fun for everyone. The social metaphores as well as the religious and philosophical double meanings are a sight to behold.
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