In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children who quickly disappear. Trying to follow her, he, oblivious to such, is horrified to find an underground world of workers, apparently who run the machinery which keeps the above ground Utopian world functioning. One of the few people above ground who knows about the world below is Freder's father, Joh Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator or the "heart". Freder wants to help the plight of the workers in the want for a better life. But when Joh learns of what Maria is espousing and that Freder is joining their cause, Joh, with the assistance of an old colleague and now nemesis named ... Written by
Over 25,000 extras were involved in the making of the film. See more »
The interior sets of the Rotwang house are much larger than the exterior views (this discrepancy was first noted in a review by H. G. Wells). See more »
"We shall build a tower that will reach to the stars!" Having conceived Babel, yet unable to build it themselves, they had thousands to build it for them. But those who toiled knew nothing of the dreams of those who planned. And the minds that planned the Tower of Babel cared nothing for the workers who built it. The hymns of praise of the few became the curses of the many - BABEL! BABEL! BABEL! - Between the mind that plans and the hands that build there must be a Mediator, and this must be ...
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Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »
I was shocked to find myself riveted to this movie. This is without a doubt the best sci-fi movie I've ever seen! Let me explain my position. We have all seen modern sci-fi movies, and argued over which is the best ever made, but those film makers have high speed film and computers. Imagine trying to make a movie today with only the tools available to Fritz Lang in 1925, and even if you used a modern camcorder it would be nigh impossible! This is a must see for all persons interested in the history of film, as well as just good fun for everyone. The social metaphores as well as the religious and philosophical double meanings are a sight to behold.
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