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Metropolis (1927)

Not Rated | | Drama, Sci-Fi | 13 March 1927 (USA)
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

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(screenplay), (novel)
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Cast

Cast overview:
Alfred Abel ...
...
...
Fritz Rasp ...
Theodor Loos ...
Erwin Biswanger ...
11811 - Georgy
...
...
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children who quickly disappear. Trying to follow her, he, oblivious to such, is horrified to find an underground world of workers, apparently who run the machinery which keeps the above ground Utopian world functioning. One of the few people above ground who knows about the world below is Freder's father, Joh Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator or the "heart". Freder wants to help the plight of the workers in the want for a better life. But when Joh learns of what Maria is espousing and that Freder is joining their cause, Joh, with the assistance of an old colleague and now nemesis named ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

There can be no understanding between the hands and the brain unless the heart acts as mediator. See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1927 (USA)  »

Also Known As:

Metrópolis  »

Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend:

$1,070 (USA) (8 August 2003)

Gross:

$26,435 (USA) (11 November 2011)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (premiere cut) | (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (DVD edition) (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder) | (2010 restored)

Sound Mix:

(1995 restored version)| (original release)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

H.G. Wells called this "quite the silliest film". See more »

Goofs

On the Kino DVD, a shot in chapter 7 that lasts nine seconds is backwards. The shot starts at 16 minutes, 33 seconds. It is the third of four cityscape shots in a row. The vehicular traffic in this third shot moves on the left side. The traffic moves on the right side in the second and fourth shots. There is a backward script letter "B" on the left side of the third shot. These indicate the third shot is backwards. If the third shot is reversed, it becomes apparent that it is a close-up of the bottom of the fourth shot. See more »

Quotes

Man at Nightclub: For her, all seven deadly sins!
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Connections

Featured in The Sci-Fi Boys (2006) See more »

Soundtracks

Here She Comes
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Performed by Bonnie Tyler
Courtesy of Columbia Records
(from the 1984 re-release)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
So old…and yet so futuristic!
25 August 2005 | by (the Draconian Swamp of Unholy Souls) – See all my reviews

Fritz Lang's groundbreaking landmark remains one of the biggest mysteries in the world of cinema. How can a movie that'll soon turn 80 years old still look so disturbingly futuristic?? The screenplay by Thea Von Harbou is still very haunting and courageously assails social issues that are of all ages. The world has been divided into two main categories: thinkers & workers! If you belong to the first category, you can lead a life of luxury above ground but if you're a worker, your life isn't worth a penny, and you're doomed to perilous labor underground. The further expansions and intrigues in the screenplay are too astonishing to spoil, so I strongly advise that you check out the film yourself. It's essential viewing, anyway! "Metropolis" is a very demanding film-experience and definitely not always entertaining. But, as it is often the case with silent-cinema classics, the respect and admiration you'll develop during watching it will widely excel the enjoyment-aspect. Fritz' brutal visual style still looks innovative and few directors since were able to re-create a similarly nightmarish composition of horizontal and vertical lines. Many supposedly 'restored' versions have been released over the years (in 1984 and 2002, for example) but the 1926-version is still the finest in my opinion, even though that one already isn't as detailed and punctual as Lang intended it. "Metropolis" perhaps is THE most important and influential movie ever made. "2001: A Space Odyssey", "Star Wars" and "Blade Runner" owe their existence (or at least their power) to it.


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So watched Metropolis at 1.5 fast forward speed......... webber16879
Metropolis movie history Onehughjazz69
I really want to like it, but... Matt-the-Hasp
Restoration turned this from classic to one of the all time greatest? sxemax
The dance of shadow Maria. notorious918
Film4 showing the 2010 restoration PointingMonkey
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