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The Magician (I) (1926)

Passed  -  Drama | Fantasy | Horror  -  24 October 1926 (USA)
6.9
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Ratings: 6.9/10 from 299 users  
Reviews: 14 user | 5 critic

A magician/alchemist, seeking to create life, finds that he needs the "blood of a virgin" to continue his experiments. He sends out his dwarf assistant to pick out the right girl.

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Title: The Magician (1926)

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Cast

Cast overview:
...
Margaret Dauncey
...
Oliver Haddo, the magician
...
Dr. Arthur Burdon
Firmin Gémier ...
Dr. Porhoet
Gladys Hamer ...
Susie Boyd
Henry Wilson ...
Haddo's Servant
Hubert I. Stowitts ...
Dancing Faun (as Stowitts)
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Storyline

A young girl, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist,and the love of a young surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine which startled the medical world. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Plot Keywords:

virgin | surgeon | magician | dwarf | acid | See All (44) »

Taglines:

Never such a thrilling struggle shown in films! (original ad) See more »


Certificate:

Passed
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Details

Country:

Language:

Release Date:

24 October 1926 (USA)  »

Also Known As:

Der Dämon  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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User Reviews

 
Pioneering supernatural silent
15 October 2010 | by (United States) – See all my reviews

In the 1920s films dealing with supernatural evil were extremely rare. However, director Rex Ingram, obviously influenced by earlier German forays into the supernatural, cast German actor Paul Wegener of DER GOLEM in this adaptation of Somerset Maugham's novel THE MAGICIAN. Wegener's menacing performance as an evil Yogi in LEBENDE BUDDHAS (1925) made him a good choice to play Oliver Haddo, obsessed with creating life from an ancient formula requiring the heart's blood of a maiden, played by Ingram's wife Alice Terry.

John F. Seitz' cinematography is superb, especially in the depiction of the heroine's hallucinatory descent into Hell where she is figuratively ravished by a lustful and athletic satyr. And although Haddo doesn't succeed in creating the grisly, half-complete humans as in the novel, the controversial subject matter was nevertheless strong enough to insure the film's failure at the box-office in 1926.

Interesting comparisons have been made between this film and James Wale's FRANKENSTEIN, but the subject of black magic also invites comparison with later films - THE BLACK CAT (1934), THE NIGHT OF THE DEMON (1957), and THE DEVIL RIDES OUT (1968) - featuring characters who like Oliver Haddo were modeled on real-life occultist Aleister Crowley.


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