Love 'Em and Leave 'Em (1926)

The tale of two sisters with the older one pledged to look after the younger one that transpires between a department store, NYC's Central Park and a boarding house. THe older one is the ... See full summary »

Director:

Frank Tuttle

Writers:

George Abbott (play), John V.A. Weaver (play),

Stars:

Evelyn Brent, Lawrence Gray, Louise Brooks

Cast

Cast overview:
Evelyn Brent	...	Mame Walsh
Lawrence Gray	...	Bill Billingsley
Louise Brooks	...	Janie Walsh
Osgood Perkins	...	Lem Woodruff
Jack Egan	...	Cartwright
Marcia Harris	...	Miss Streeter
Edward Garvey	...	Mr. Whinfer
Vera Sisson	...	Mrs. Whinfer
Joseph McClunn	...	August Whinfer
Arthur Donaldson	...	Mr. McGonigle
Elise Cavanna	...	Miss Gimple
Dorothy Mathews	...	Minnie

Storyline

The tale of two sisters with the older one pledged to look after the younger one that transpires between a department store, NYC's Central Park and a boarding house. THe older one is the sweet, old-fashioned type and the younger is a jazz-age flapper who takes whatever falls her way. Mame, the older, goes on vacation and returns home to find that her kid sister, Janie, has vamped her way into the arms of Mame's intended.

---

Plot Keywords:

boarding house | promise | vacation | mother | flapper | 

---

Taglines:

LAUGHS- LAUGHS - LAUGHS! (original poster - all caps)

---

Genres:

Comedy | Drama | Romance

---

Certificate:

Passed

Details

Country:

USA

Release Date:

19 March 1926 (USA)

Also Known As:

Amá-las e Deixá-las

Filming Locations:

New York City, New York, USA

Company Credits

Production Co:

Famous Players-Lasky Corporation

Technical Specs

Runtime:

76 min

Sound Mix:

Silent

Color:

Black and White

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Love 'em and Leave 'em opened at the Sam H. Harris Theater on February 3, 1926 and ran for 152 performances.

---

Quotes

Mame Walsh: [title card] Go on to the dance. I'll get your money from that cheap crook.
Janie Walsh: [title card] I won't enjoy a single minute of the dance, worrying about you.

---

Connections

Version of The Saturday Night Kid (1929)

User Reviews

Love 'Em and Leva e'Em

This is the only chance I have had to see Louise Brooks practice her dancing, and I'm afraid it isn't up to much. If she could dance she wasn't going to give the audiences of this film the opportunity to find out.

This is a reasonable effort - so probably fairly typical for Frank Tuttle. It is a sister vs. sister story - inevitably one is good (Mame Walsh, played carefully by Evelyn Brent) and the other not so good, or rather very, very bad (Janie Walsh, played by Brooks). In between them is Bill Billingsley (an average Lawrence Gray, who had a speciality in heels and sharks).

I can't help but feel that Brent was cheated. She had struggled for several years to get top billing. She achieved it in this film, but hers is largely a thankless - indeed marginal - role. She was thought to be a little old for the part (she was nearing 30), and it must be said that with her flowing locks she could easily have stepped out of a daguerreotype, for all her beauty. Brooks, by contrast looks very modern, and she carries herself in a very 'contemporary' way. There is more than an emotional gulf between these two - and unfortunately Brent falls into it. Brooks steals the film - not by acting (her handling of her gambling problem and her indebtedness is somewhat underwhelming), but by being very, very sexy. Brent was, by contrast, to cripple her remaining years as a star by trying to hard to act the part of a great actress. Her work became ever more serious, and therefore (because her talent had its limits) more stilted, and therefore dated. Sad to say, hard work brought her diminishing returns. I'm not certain that Brooks knew what hard work was, whilst she remained an actress.

This film is elevated from the level of pedestrian drama by its supporting cast, notably Osgood Perkins (Anthony's father, and a first class actor) as the vulpine bookie, though he sometimes looks as though he has swallowed strichnine; also Arthur Donaldson (as a self-important floor manager of the department store where the three main players 'work'). This was a pleasant and undemanding seventy minutes.