A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live broadcast hosted by Tommy Handley (as himself). There are two "running gags" which connect the ... See full summary »
A serial killer known as "The Avenger" is on the loose in London, murdering blonde women. A mysterious man arrives at the house of Mr. and Mrs. Bunting looking for a room to rent. The Bunting's daughter is a blonde model and is seeing one of the detectives assigned to the case. The detective becomes jealous of the lodger and begins to suspect he may be the avenger. Written by
Col Needham <email@example.com>
For the opening scene, where the Avenger's murder victim faces the camera and screams, Alfred Hitchcock filmed the scene by having the actress lie down on a large sheet of glass, with her golden hair spread out around her head. He then lit the actress from underneath the sheet of glass, and filmed her with a camera mounted on its side, with the lens pointed at a downward angle. This gave the appearance that the actress's hair (with its golden curls, so important to the murderer) was ringed in a halo of light. See more »
When Joe is talking to Daisy in the kitchen, the position of Joe's arms varies between shots. See more »
Tall he was - and his face all wrapped up.
See more »
A story loosely based on Jack the Ripper. In London a killer called the Avenger goes around killing blond-haired girls. Around this time Mr. and Mrs. Bunting take in a lodger (Ivor Novello). He's quiet but very odd. He takes a liking to their blond-haired daughter Daisy (June Tripp). But then the Buntings begin to suspect that he may be the Avenger and want Daisy as his next victim...
Hitchcock's first thriller and a very good one. Very few title cards are used--he uses images to carry the film. Sometimes it works but, more than once, I was confused. It was one of his first films though so this can be forgiven. It also moves a bit too slow. But it's still worth seeing.
You can see the beginnings of his later work peeking through and there are some sequences so well directed that they're stunning (the one where Novello and Tripp kiss is just SO beautiful). Also the acting is actually quite good by everybody--especially Novello. He was a box office draw in the 1920s and it's easy to see why. The man is not only a good actor he was undeniably beautiful. It's easy to see why he was once called one of the most beautiful men alive.
Novello was gay--I wonder if Hitch knew that. There are two lines in this film where people talk about his character--"Good thing he doesn't like girls" and "Even if he is a bit queer". These lines are quite interesting now--I wonder if they were put in on purpose or just happened to be written without anyone knowing. Interesting to think about...
27 of 36 people found this review helpful.
Was this review helpful to you?