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The Lodger: A Story of the London Fog (1927)
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Overview
User Rating:
Director:
Writers:
Release Date:
14 February 1927 (UK)
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Plot:
A landlady suspects her new lodger is the madman killing women in London. full summary | add synopsis
NewsDesk:
(3 articles)
Shane West and David Ondaatje Talk 'The Lodger' Remake
(From Bloody-Disgusting.com. 23 January 2009, 4:48 PM, PST)
On DVD Today: October 14, 2008
(From Rope Of Silicon. 14 October 2008, 1:30 AM, PDT)
(From Bloody-Disgusting.com. 23 January 2009, 4:48 PM, PST)
On DVD Today: October 14, 2008
(From Rope Of Silicon. 14 October 2008, 1:30 AM, PDT)
User Comments:
Fun stuff, very Hitchcock!
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Cast
(Credited cast)| Marie Ault | ... | The Landlady | |
| Arthur Chesney | ... | Her Husband | |
| June | ... | Daisy - a Mannequin | |
| Malcolm Keen | ... | Joe - a Police Detective | |
| Ivor Novello | ... | The Lodger |
Additional Details
Also Known As:
The Case of Jonathan Drew
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Parents Guide:
Runtime:
75 min | USA:83 min | USA:101 min (TCM print) | Spain:67 min (VHS version) | Canada:98 min (Ontario)
Country:
Color:
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Certification:
Spain:13 |
Spain:T |
Canada:PG (Ontario) |
South Korea:15 (2007) |
Germany:12 |
UK:PG |
USA:Unrated |
Argentina:13
Filming Locations:
Company:
Fun Stuff
Trivia:
Director Cameo: [Alfred Hitchcock]a desk in the newsroom early in the film. Some people claim he also appears later in the crowd lynch scene.
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Goofs:
Continuity: After the lodger escapes handcuffed, Daisy meets him sitting on a bank in the street. Then she sits down side by side with him. After that he puts his head on her right shoulder, with his face touching her face. Between shots she appears alone with nobody on her shoulder.
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Quotes:
Movie Connections:
Featured in Paul Merton Looks at Alfred Hitchcock (2009) (TV)
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FAQ
Why is the music so bad?Why is the print so bad?
Is this film in copyright?
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This movie is fantastic and fascinating mostly because of its director, but it would be fun either way. I'd say that it's better than many films of the same period, but not to the same extreme degree that Hitchcock's movies eventually achieved.
You can see it's his work, though. Hitchcock knew that what made a suspenseful movie good had nothing to do with gore or loud noises, and this shows even in his early work. The Lodger has a distinctly Hitchcock feel to it--fun and scary--and it's interesting to see how he gets around the lack of sound, considering the fact that most (all?) of his other films were talkies.