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The Lodger (1927)

The Lodger: A Story of the London Fog (original title)
Unrated | | Crime, Drama, Mystery | 14 February 1927 (UK)
A landlady suspects her new lodger is the madman killing women in London.

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(from the novel by) (as Mrs. Belloc Lowndes), (scenario)
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Cast

Complete credited cast:
Marie Ault ...
Arthur Chesney ...
Her Husband (Mr Bunting)
...
Daisy Bunting - Their Daughter
Malcolm Keen ...
Joe - a Police Detective
...
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Storyline

A serial killer known as "The Avenger" is on the loose in London, murdering blonde women. A mysterious man arrives at the house of Mr. and Mrs. Bunting looking for a room to rent. The Bunting's daughter is a blonde model and is seeing one of the detectives assigned to the case. The detective becomes jealous of the lodger and begins to suspect he may be the avenger. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

14 February 1927 (UK)  »

Also Known As:

The Lodger  »

Filming Locations:


Box Office

Budget:

£12,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

(National Film Archive print) | (TCM print) | (VHS) | (Ontario) | (2012) (theatrical)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Ivor Novello reprised his role in the 1932 sound remake (The Phantom Fiend (1932)), directed by Maurice Elvey. Alfred Hitchcock was asked to serve as director for the remake, but declined. See more »

Goofs

When Joe is talking to Daisy in the kitchen, the position of Joe's arms varies between shots. See more »

Quotes

[first lines]
Female eyewitness: Tall he was - and his face all wrapped up.
See more »

Connections

Version of The Phantom Fiend (1932) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The real Hitchcock is born
15 October 1998 | by (Rio de Janeiro, Brazil) – See all my reviews

This is the first real Hitchcock movie. The one in which he really starts to use all his abilities, although we can see that they are still not mature yet. It's very interesting because he makes a lot of experiments in this film, like the glass ceiling, and we see how hard he wanted, at the time, to really make his mark, to stand above the rest. Although the ending is not very good, the first 20 minutes of The Lodger are impressive, with Hitchcock slowly telling us (visually, of course) about the killer and his particularities, until the arrival of Ivor Novello. A must-see picture to any real Hitchcock fan


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