Country Doctor, Jack Jackson is called in to treat the Sick-Little-Well-Girl, who has been making Dr. Saulsbourg and is sanitarium very rich, after years of unsuccessful treatment. His ... See full summary »
Fred C. Newmeyer,
John T. Prince
Episodic look at married life and in-law problems. Adventures include a ride on a crowded trolley with a live turkey; a wild spin in a new auto with the in-laws in tow; and a sequence in ... See full summary »
Fred C. Newmeyer,
Our hero (Lloyd) is infatuated with a girl in the next office. In order to drum up business for her boss, an osteopath, he gets an actor friend to pretend injuries that the doctor "cures", ... See full summary »
Ambitious shoe salesman, Harold, unknowingly meets the boss' daughter and tells her he is a leather tycoon. The rest of the film he spends hiding his true circumstances, in the store and ... See full summary »
While at an amusement park, two men try to win the heart of a young lady. They compete with each other while attempting to find her runaway dog, and they race to ask her mother's permission to take her up in a hot air balloon.
Naive Ezekial Cobb, brought up by his missionary father in China returns to America to seek a wife. Corrupt politicians enlist him to run for mayor as a dummy candidate with no chance of ... See full summary »
The Uptown Boy, J. Harold Manners (Lloyd) is a millionaire playboy who falls for the Downtown Girl, Hope (Ralston) who works in Brother Paul's (Weigel) mission. In order to build up attendance, and win Hope's attention, Harold runs through town causing trouble, and winds up with a crowd chasing him right into the mission. He eventually wins the girl and they marry, but not without some interference from his high-brow friends. Written by
Herman Seifer <firstname.lastname@example.org>
This film was the first shown in the Museum of Modern Art's festival tribute to film comedy in 1976. See more »
In the runaway bus sequence, when Harold is on the topless bus trying to gain access to the wheel, his boater is knocked toward the rear of the bus by the banner hanging over the roadway. In the next scene, we see him wearing the hat and climbing onto the bonnet of the bus. When he slips on the banana peel and falls down by the front lights he is no longer wearing the hat. When he crashes through the windscreen, again, the hat is not with him. When the motorcycle policeman attempts to ticket him, however, he grabs the boater from the inside of the vehicle and makes good his escape. See more »
"Bull" Brindle was so tough he wouldn't eat lady fingers unless they had brass knuckles.
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I saw this film at the Silent Movie Theater when I was in Los Angeles last summer. It was my first Lloyd. Three quarters of the film was as funny as any Buster Keaton film I've ever seen, and funnier than any Chaplin. I tend to be more of a smiler than a laugh-out-louder, but the first chase scene in this film gave me abdominal cramps. It brought the house down. I don't think I've ever heard such raucous laughter in a movie theater before. It was a great, great chase scene. And it was a great experience being in a theater packed with people, even little kids, fully enjoying a 75+ year old film.
I've since seen two more Lloyd features, Hot Water and Speedy, but For Heaven's Sake is my favorite so far. If it weren't for a long and kinda unfunny sequence toward the late middle of the film, with Harold herding a pack of drunks, it would probably be my favorite silent comedy, period--my current favorite is Keaton's The Cameraman, incidentally.
The announcer guy at the theater claimed the print of For Heaven's Sake they were screening was the only one in existence. I don't know if it was an original nitrate print or what. I think I remember that it looked fairly pristine. I hope the film makes it to DVD soon, lest something unfortunate happen to the print, especially if they're going to take chances screening it publicly.
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