The wealthy Arden Stuart is bored in a party; after refusing the wedding proposal of Tommy Hewlett, she drives her car with her driver to a lonely place. She has one night stand with him ... See full summary »
John S. Robertson
Johnny Mack Brown
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
Leo and Ulrich are life long friends. Home, on leave from their military training, Leo sees the beautiful Felicitas at the railroad station. Awed by her beauty, they meet again at the ball and quietly leave together. In her room, her husband, about whom she has neglected to inform Leo, comes in and challenges Leo to a duel. The duel is done, the Count is killed, and Felicitas is a widow. Leo, however, is 'requested' to serve 5 years in Africa and he tells Ulrich to watch over Felicitas while he is gone. After 3 years, Ulrich is able to get a pardon for Leo, and all that Leo thinks about on the way home is Felicitas. When he arrives, he learns that Felicitas has married Ulrich. Felicitas likes that Ulrich is rich and she never told Ulrich the truth about Leo and her. Leo is crushed and does not visit them which saddens Ulrich as he does not know the reason why. Leo tries to stay away from her, but Felicitas uses every opportunity to tempt him to return to her as her lover. She creating... Written by
Tony Fontana <email@example.com>
One of the film's stars, Barbara Kent, and one of its writers, Frederica Sagor, lived to be over 100. Kent died on October 13, 2011 at the age of 103 whereas Sagor died on January 5, 2012 at the age of 111, making her one of the few supercentenarians well known for reasons other than longevity. See more »
When Leo is talking to Felicitas on the bench in the park and tells her that he must go to Africa, the position of the collar of his overcoat repeatedly changes from pulled up to flat. See more »
My sermon this morning will be: 'David hath done evil in my sight, and his deed stinks before Heaven!' For David hath seduced Uriah's wife! And David had slain Uriah... so that the woman might tarry with him! And I found David not repenting in sackcloth and ashes... !... but flaunting his sin in public places... and on his right hand was Uriah's wife! Yea, David, thou hast broken the Lord's holy commandment... !... and a fire from Heaven shall consume thee... !... thee and that woman who sits ...
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"Flesh and the Devil", the 1926 silent film, brilliantly directed by Clarence Brown, was shown recently on cable and the most amazing thing happened: the film looks superb! "Flesh and the Devil" has one of the most amazing team behind the camera, one that made its stars look so magnificently that one can't take ones eyes from the screen for fear of losing something. In addition to the superb director, the work of William Daniels with his camera is amazing. Mr. Daniels created images that are hard to forget.
The opening sequence of the film involving the arrival of Leo and Ulrich in their hometown, has to be one of the best things ever filmed. When Leo discovers the beautiful Felicitas as she descends from the train and walks to the awaiting car, where he runs to rescue the flower arrangement she inadvertently had dropped, is charged with desire and raw sex. Hollywood was more daring during those precode days when anything seemed to go.
Greta Garbo and John Gilbert make this film something to watch again and again. Both stars exuded such charisma that it's not hard to realize they were lovers. Ms. Garbo looked lovely in all her scenes and Mr. Gilbert was one of the handsomest leading men of the era.
One of the best things whoever restored the film was to add a great musical score that makes watching the pleasure it is. Also, in spite of being a silent movie, "Flesh and the Devil" has such a fluidity that, at times, we forget it's not a "talkie", because of the magic that Mr. Brown, and his cinematographer, William Daniels, were able to do together. Of course, the film is what it is because of its stars' magnetism and the way they make us care about the story.
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