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Flesh and the Devil (1926)

 -  Drama | Romance  -  25 December 1926 (USA)
8.1
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Ratings: 8.1/10 from 2,889 users  
Reviews: 32 user | 21 critic

Childhood friends are torn apart when one of them marries the woman the other once fiercely loved.

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(screen play), (from the novel "The Undying Past" by), 3 more credits »
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Cast

Complete credited cast:
...
Leo von Harden
...
Lars Hanson ...
Ulrich von Eltz
Barbara Kent ...
Hertha
William Orlamond ...
Uncle Kutowski
George Fawcett ...
Pastor Voss
Eugenie Besserer ...
Leo's Mother
Marc McDermott ...
Count von Rhaden
Marcelle Corday ...
Minna
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Storyline

Leo and Ulrich are life long friends. Home, on leave from their military training, Leo sees the beautiful Felicitas at the railroad station. Awed by her beauty, they meet again at the ball and quietly leave together. In her room, her husband, about whom she has neglected to inform Leo, comes in and challenges Leo to a duel. The duel is done, the Count is killed, and Felicitas is a widow. Leo, however, is 'requested' to serve 5 years in Africa and he tells Ulrich to watch over Felicitas while he is gone. After 3 years, Ulrich is able to get a pardon for Leo, and all that Leo thinks about on the way home is Felicitas. When he arrives, he learns that Felicitas has married Ulrich. Felicitas likes that Ulrich is rich and she never told Ulrich the truth about Leo and her. Leo is crushed and does not visit them which saddens Ulrich as he does not know the reason why. Leo tries to stay away from her, but Felicitas uses every opportunity to tempt him to return to her as her lover. She creating... Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Release Date:

25 December 1926 (USA)  »

Also Known As:

El demonio y la carne  »

Box Office

Budget:

$373,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (1988 sound)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The film was such a commercial success for MGM Studios and such a breakout film for Greta Garbo, that she was considered 12% of the entire studio's value by 1927. See more »

Goofs

When Leo is talking to Felicitas on the bench in the park and tells her that he must go to Africa, the position of the collar of his overcoat repeatedly changes from pulled up to flat. See more »

Quotes

Pastor Voss: My Boy, when the devil cannot reach us through the spirit... He creates a woman beautiful enough to reach us through the flesh.
See more »

Connections

Featured in Greta Garbo: A Lone Star (2001) See more »

Soundtracks

Flesh and the Devil Theme
(1926) (uncredited)
Music by Frank Owens
See more »

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User Reviews

 
Ahead of its time
7 September 2005 | by (New York) – See all my reviews

"Flesh and the Devil", the 1926 silent film, brilliantly directed by Clarence Brown, was shown recently on cable and the most amazing thing happened: the film looks superb! "Flesh and the Devil" has one of the most amazing team behind the camera, one that made its stars look so magnificently that one can't take ones eyes from the screen for fear of losing something. In addition to the superb director, the work of William Daniels with his camera is amazing. Mr. Daniels created images that are hard to forget.

The opening sequence of the film involving the arrival of Leo and Ulrich in their hometown, has to be one of the best things ever filmed. When Leo discovers the beautiful Felicitas as she descends from the train and walks to the awaiting car, where he runs to rescue the flower arrangement she inadvertently had dropped, is charged with desire and raw sex. Hollywood was more daring during those precode days when anything seemed to go.

Greta Garbo and John Gilbert make this film something to watch again and again. Both stars exuded such charisma that it's not hard to realize they were lovers. Ms. Garbo looked lovely in all her scenes and Mr. Gilbert was one of the handsomest leading men of the era.

One of the best things whoever restored the film was to add a great musical score that makes watching the pleasure it is. Also, in spite of being a silent movie, "Flesh and the Devil" has such a fluidity that, at times, we forget it's not a "talkie", because of the magic that Mr. Brown, and his cinematographer, William Daniels, were able to do together. Of course, the film is what it is because of its stars' magnetism and the way they make us care about the story.


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