The double-thick Technicolor prints (two strips of dyed film, cemented together) presented numerous screening problems for untrained projectionists. If screened improperly, they would warp, scratch, etc. and due to the expense of printing in Technicolor at this time (since there were no optical printers, or any easier way of printing such technology in those days) forced the Fairbanks studio to issue a black-and-white version as well.
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