3 items from 2017
The Motion Picture & Television Fund rededicated its newly renovated Wasserman Campus movie theater in Woodland Hills on Saturday, May 20.
The Louis B. Mayer Theatre, named after the decades-long head of Metro-Goldwyn-Mayer, first opened in 1967 and was designed for residents to screen first-run films. The complex got a remodeled screening room and expanded outdoor event plaza as the theater celebrates its 50th anniversary this year.
The Susan and Gary Martin Screening Room and the Michael V. Lewis Plaza were constructed on Mptf’s campus through donations from longtime Mptf supporters and donors Susan and Gary Martin and RealD founder and CEO Michael Lewis.
“We are incredibly fortunate to bring together these philanthropic-minded industry legends to revitalize this space,” Mptf CEO Bob Beitcher (pictured above) said. “Screenings of first-run films on Thursday and Sunday evenings are an essential ingredient of the »
- Rebecca Rubin
If we’re going to use it as an insult, let’s define our terms.
The film industry seems to have no shortage of words that either serve as synonyms or subsets of “adaptation,” most of which are brought to you by the letter “R”: reboot, reimagining, rendition, redo, revival, retelling, recreation, reanimation (and looking to the other 25 letters in the alphabet, version, homage, makeover, update). One, however, is not treated quite like the others, and that word is “remake.” When filmmakers bring it up by choice, it usually seems to be to explain why their films should not be thought of by that term, thank you very much.
Perhaps you know exactly what I’m talking about. Or perhaps you think I’m reading far too much into things. After going through over 500 pages of research on remakes and adaptations, I myself thought the latter just as possible as the former.
- Ciara Wardlow
With a budget of $1.5 million, 2017 Best Picture winner “Moonlight” cost less than a 30-second ad during the Oscars (reported price: $2.2 million). And, among the category’s 89 winners, it stands as the lowest-budgeted film in the Academy Awards’ history.
To determine the 10 least expensive Best Picture winners, we looked back at each year, researched reported budgets, and then calculated them at 2017 dollar values. Although independent films have dominated the Oscars for the last decade, the only indie to make the cut from that period was “Crash.” Nor did Woody Allen’s “Annie Hall,” or some black-and-white studio classics like “Casablanca” or “The Lost Weekend.”
The 10 straddle almost every decade of the Oscars and come from either independent producers or smaller distributors (four of the 10 were released by United Artists).
For comparison, the most expensive film to win remains “Titanic;” its adjusted budget was $300 million more than “Moonlight.” That total dwarfs the »
- Tom Brueggemann
3 items from 2017
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners